Niseko-Rossy Pi-Pikoe Review
DiaryINDEX¡Ãpast¡Ãwill


2018ǯ10·î31Æü(¿å) Ralph Towner, Eberhard Weber, Jan Garbarek & Jon Christensen.



Ralph Towner, Eberhard Weber, Jan Garbarek & Jon Christensen.
¢£
39:31

Ralph Towner Quartet, Live - Molde 1978
¢£
76:41
3ʬ²á¤®¤«¤é»Ï¤Þ¤ë¡ÖOceanus¡×¡¢¥é¥¤¥Ö±ÇÁü¤Ï¤¸¤á¤Æ¡¢¤É¤¦¤ä¤Ã¤Æ½ª¤ï¤ë¤ó¤À¤è¤ª¤È¤ä¤­¤â¤­¤µ¤»¤Æ¤¤¤ë¤¦¤Á¤ËÊ̤ζʤˤʤ俤ߤ¿¤¤¡¢¥Õ¥å¡¼¥¸¥ç¥ó¤¸¤ã¤ó¤«¡ª¡¢


£Å£Ã£Í¤È¤Ï¡©70ǯÂå¥Õ¥å¡¼¥¸¥ç¥ó¤Ç¤¹¡ª¤È¡¢¥¢¥ó¥¿¡¢¸À¤Ã¤¿¤À¤í¡¢


µ­²±¤Ë¤´¤¶¤¤¤Þ¤»¤ó¡¢





2018ǯ10·î30Æü(²Ð) 01 New Stranger / sora tob sakana


¤è¤¦¤ä¤¯Íî¤ÁÃ夤¤¿¶Ð̳À褬·è¤Þ¤Ã¤¿¤º¤é¡¢¤¤¤í¤ó¤Ê¼ÒŤµ¤ó¤ä¤ß¤º¤Û¶ä¹Ô¤ä½°µÄ±¡µÄ°÷¤È¤«¤ò¤µ¤Þ¤è¤Ã¤¿¤¬¡¢¤è¤Ã¤·¤ã¡¼¡¢¤³¤ì¤Ç65¤Þ¤ÇÅìµþ¤Ç¥­¥ã¥ó¥×À¸³è¤ß¤¿¤¤¤Ê¤á¤Þ¤°¤ë¤·¤¤Æü¡¹¤ò²á¤´¤»¤ë¤¾¡¢¿´ÇÛ±þ±ç¤·¤Æ¤¯¤ì¤¿¤ß¤Ê¤µ¤Þ¤Î¤ª¤«¤²¤Çµ¤»ý¤Á¤¬¤á¤²¤º¤Ë²á¤´¤»¤Þ¤·¤¿¡¢¤¢¤ê¤¬¤È¤¦¤´¤¶¤¤¤Þ¤¹¡¢



´Ý¤ÎÆâ¤ß¤ß¤Þ¤ó¤¬±éÁÕ¤¹¤ë¤³¤È¤Ë¤Ê¤Ã¤¿ Fly Me To The Moon ¡¢¤É¤¦¤»¥¨¥ô¥¡¥ó¥²¥ê¥ª¥ó¤Î¥¨¥ó¥Ç¥£¥ó¥°¤ÇÀ¤Âå¤Î̾¶Ê¤Ë¤Ê¤Ã¤Æ¤ª¤ë¤Î¤À¤í¤¦¡¢¥ô¥¡¡¼¥¸¥ç¥ó²»¸»¤ò¤ª¤¯¤ì¡¢¤¢¤Èµ¤¤Ë¤Ê¤ë5¶Ê¤ò¤ª¤¯¤ì¡¢


01 Fly Me To The Moon / Frank Sinatra, Count Basie 1964¡¡¸Åŵ
02 Fly Me To The Moon (In Other Words) / Julie London & Gregory Porter 2015¡¡¿·¸Åŵ
03 Fly Me To The Moon / Oscar Peterson 1964¡¡¥¸¥ã¥º¥È¥ê¥ª¤Ç
04 Fly Me To The Moon (In Other Words) / Johnny Mathis 1956¡¡±Ç²è²»³ÚÉ÷¤Ë
05 Fly Me To The Moon / Halie Loren 2011¡¡¥¸¥ã¥º¥®¥¿¡¼È¼ÁÕ
06 Fly Me To The Moon / Xavier Cugat & His Orchestra 1964¡¡¤·¤Ä¤³¤¯¥é¥Æ¥ó¤³¤Æ¤³¤Æ
07 Fly Me To The Moon / Joshua Radin¡¡¥®¥¿¡¼¥¢¥ë¥Ú¥¸¥ª
08 Fly Me To The Moon / Nicki Parrott 2009¡¡¿·¤·¤á¤Î¥¿¥¤¥³¤Ç
09 Fly Me To The Moon live / Diana Krall 2002¡¡¥³¥¹¥Æ¥í¤Î±ü¤µ¤óÂç¸æ½ê
10 Fly Me To The Moon / Imaginary Future 2013¡¡¥Õ¥©¡¼¥¯Ä´¤Ç
11 Fly Me To The Moon (In Other Words) / ±§Â¿ÅÄ¥Ò¥«¥ë 2000¡¡¼«Ê¬¤Î¶Ê¤Ë¤·¤Æ¤·¤Þ¤¦
12 Fly Me To The Moon / Astrud Gilberto 1965¡¡¥Ü¥µ¥Î¥Ð
13 Fly Me To The Moon / ¥Õ¥é¥ó¥¯±Ê°æ ¥À¥µ±éÁÕ¤ÈÄã²»¡¢¾¼Ïºǹâ
14 Fly Me to the Moon _ Lucky (Mash-Up) [feat. Breea Guttery]  / Rick Hale, Breea Guttery 2016¡¡¿äÁ¦
15 Fly Me To The Moon / Damien Sorbonne 2017¡¡¥Ô¥¢¥Î¥½¥í


5 request + 11 recommend

01 New Stranger / sora tob sakana
02 ¥Á¥§¥ó¥¸¥æ¥¢¥ï¡¼¥ë¥É / go!go!vanillas
03 Êü²Ý¸å¥Ç¥£¥¹¥È¥é¥¯¥·¥ç¥ó / ¤ä¤¯¤·¤Þ¤ë¤¨¤Ä¤³
04 ½Ã¤æ¤¯ºÙÆ» / µÜËܹÀ¼¡¤ÈÄÇ̾ÎÓ¸é
05 Æó»þ´Ö¤À¤±¤Î¥Ð¥«¥ó¥¹ / ±§Â¿ÅÄ¥Ò¥«¥ë Feat. ÄÇ̾ÎÓ¸é
06 ½éÎø / ±§Â¿ÅÄ¥Ò¥«¥ë
07 Starting Over live YouTube / Mr. Children
08 Ê̤ì¤Î¶Ê / Ê¿¸¶°½¹á
09 Bedtime Story / À¾Ìî ¥«¥Ê
10 »Ï¤Þ¤ê¤È¤Ï / Ãæ¼°ìµÁ
11 ¥¬¥¹¥È¥í¥ó¥¸¥ã¡¼ / ¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥·
12 Heartfelt / Slappy, Kogane
13 ¤½¤ÎÀþ¤Ï¿åÊ¿Àþ Ver.2 / ¤¯¤ë¤ê
14 Þ¦¤¿¤ì¥­¡¼¥ª / Ä®ÅÄĮ¢+ËÌß·ÁÈ
15 ¥Õ¥¯¥í¥¦¤ÎÀ¼¤¬Ê¹¤³¤¨¤ë / ¾®Âô·òÆó¤ÈSEKAI NO OWARI
16 ¤Ù¤¤¤Ó¤£¤é¤ó¤É¤Ð¤Ó¤í¤ó / ¤¢¤¬¤¿¿¹µû & ¤Ï¤Á¤ß¤Ä¤Ñ¤¤

New Stranger / sora tob sakana
ÍĤ¤½÷»Ò¥¢¥¤¥É¥ë¤é¤·¤µ¤È¡¢¥²¥¹¤Î¶Ë¤ß²µ½÷¤Ð¤ê¤Î±éÁդȤÎÍ¡¢¤¿¤·¤«¤Ë¥¯¥»¤Ë¤Ê¤ëÍ×ÁǤÀ¡¢º£É÷¥¿¥¤¥³¤â¥Ç¥Õ¥©¥ë¥È²ó¼ý¤½¤ó¤Ê¤â¤ó¡¢

sora tob sakana/New Stranger(Full)
¢£




2018ǯ10·î29Æü(·î) ¤Ê¤«¤à¤é¤·¤ç¤¦¤¤¤Á¤µ¤ó£Æ£Â¥³¥á¥ó¥È

¤Ê¤«¤à¤é¤·¤ç¤¦¤¤¤Á¤µ¤ó£Æ£Â¥³¥á¥ó¥È


ºòÆü¡Ö»ÍëÃã²ñµ­¡×¤Ç¹Ô¤ï¤ì¤¿¡Ö¥¿¥À¥Þ¥¹²ñ¡×¡£¥²¥¹¥È¤ÏNY¤òµòÅÀ¤ËÂç³èÌö¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¤Ç¤¢¤ê¡¢¥Ó¥Ã¥°¥Ð¥ó¥É¥ê¡¼¥À¡¼¤Ç¤â¤¢¤ë¶¹´ÖÈþÈÁ¤µ¤ó¤Ç¤·¤¿¡£11·î¤Ë¿·ºî¥¢¥ë¥Ð¥à¡ØDANCER IN NOWHERE¡Ù¤òȯɽ¤µ¤ì¤ë¶¹´Ö¤µ¤ó¡¢ÅÚÍËÆü¤Ë¤Ï¥³¥Ã¥È¥ó¥¯¥é¥Ö¤Ç¤Î¥é¥¤¥Ö¤â¤¢¤Ã¤¿¤È¤¤¤¦»ö¤Ç¡¢µÒÀʤˤ⥸¥ã¥ºÉ¾ÏÀ²È¤Î¼°æ¤µ¤ó¤ä¥Õ¥©¥È¥°¥é¥Õ¥¡¡¼¤Î¾ïÈפµ¤ó¤ò¤Ï¤¸¤á¡¢¹ë²Ú¤Ê´é¤Ö¤ì¤¬Â·¤Ã¤Æ¤ª¤é¤ì¤Þ¤·¤¿¡£Â¿ÅĤµ¤ó¤¬¡Ö¤³¤Î²ñ¤¬¥¹¥¿¡¼¥È¤·¤¿»þ¤Ï¤ªµÒ¤µ¤ó¤¬Æó¿Í¤·¤«¤¤¤Ê¤¯¤Æ¡¦¡¦¡¦¡×¤È²óÁÛ¤·¤Æ¤ª¤é¤ì¤¿¤Î¤¬±³¤Î¤è¤¦¤ÊÀ¹¶·¤Ç¤·¤¿¡£

ÅöÆü¤ÎÁª¶Ê¥ê¥¹¥È¤Ï±×»Ò¤µ¤ó¤¬Ãã²ñµ­¤Î¥Û¡¼¥à¥Ú¡¼¥¸¤ËUP¤µ¤ì¤Æ¤¤¤ë¡Êhttps://bit.ly/2zbIFMh¡Ë¤Î¤Ç¡¢¾ÜºÙ¤Ï¾Ê¤­¤Þ¤¹¤¬¡¢»ä¤Ë¤È¤Ã¤Æ¤³¤Î²ñ¤ÎÌ¥ÎϤϡ¢¥Û¥¹¥È¤Ç¤¢¤ë¤ªÆó¿Í¤Î¶Ê¤ä¥µ¥¦¥ó¥É¤ËÂФ¹¤ë¤È¤é¤¨Êý¤Î°ã¤¤¤òÂθ³¤Ç¤­¤ë»ö¤Ë¤¢¤ê¤Þ¤¹¡£±×»Ò¤µ¤ó¤¬Èפä¶Ê¤Î¥Á¥ç¥¤¥¹¤ò¤·¤Æ¡¢Â¿ÅĤµ¤ó¤¬¤½¤ì¤ËÂФ¹¤ë¥³¥á¥ó¥È¤ò¤¹¤ë¡¢¤È¤¤¤¦·Á¼°¤Ç¿Ê¹Ô¤·¤Æ¤¤¤¯¤Î¤Ç¤¹¤¬¡¢Â¿ÅĤµ¤ó¤Î¥³¥á¥ó¥È¤Ï±óθ¤Ê¤¯¡Ö¹¥¤­·ù¤¤¡×¤ò½Ð¤·¤Æ¤¯¤ì¤ë¤·¡¢»ä¤Î¤è¤¦¤Ê²»³Ú¤ÎÁǿͤˤ⥤¥á¡¼¥¸¤¬ÄϤߤ䤹¤¤¸ÀÍդǸì¤Ã¤Æ¤¯¤ì¤ë¤Î¤¬Îɤ¤¤Ç¤¹¤è¤Í¡£¶¦Æ±¤Ç¤ä¤Ã¤Æ¤ª¤é¤ì¤ë´ë²è¤Ç¤â¡¢Í½ÄêÄ´ÏÂŪ¤ÊƱĴ´¶¤¬Á´¤¯¤Ê¤¯¤Æ¡¢¤É¤ó¤Ê¥³¥á¥ó¥È¤¬½Ð¤ë¤«¡¢¤È¤¤¤¦¥¹¥ê¥ë¤¬¤¢¤ë¤È¤³¤í¤¬¹¥¤­¤Ê¤ó¤Ç¤¹¡£

¥²¥¹¥È¤Ç¤¢¤ë¥ß¥å¡¼¥¸¥·¥ã¥ó¤ÎÊý¤Î¥³¥á¥ó¥È¤âÍÍ¡¹¤Ê¤Î¤Ç¤¹¤¬¡¢¤³¤ÎÆü¤Î¶¹´Ö¤µ¤ó¤Ï¤³¤ì¤Þ¤Ç¼«Ê¬¤¬¤ª²ñ¤¤¤·¤¿¥²¥¹¥È¤ÎÃæ¤Ç¤â¼«¤é¤Î²»³Ú¤Ø¤Î¹Í¤¨Êý¤È¡¢¤³¤ÎÆü¤«¤±¤é¤ì¤¿¶Ê¡¦¥µ¥¦¥ó¥É¤Ø¤Î¹¥¤ß¤òÌÀ²÷¤Ë¸ì¤Ã¤Æ¤¯¤ì¤¿¤è¤¦¤Ë»×¤¤¤Þ¤¹¡£¤½¤·¤Æ¡¢±×»Ò¤µ¤ó¤Îºî¤é¤ì¤Æ¤¤¤ë¥»¥Ã¥È¥ê¥¹¥È¤Ø¤Î¥Á¥§¥Ã¥¯¤âÆþÇ°¤Ç¡¢Ï¿²»¥¹¥¿¥¸¥ª¤ä¥¨¥ó¥¸¥Ë¥¢¤Î̾Á°¤Ê¤É¤âºÙ¤«¤¯ÌܤòÄ̤·¤Æ¤ª¤é¤ì¤Æ¡¢¤½¤Î¥µ¥¦¥ó¥É¤Î·¹¸þ¤Ë¤âŪ³Î¤Ê¥³¥á¥ó¥È¤ò¤µ¤ì¤Æ¤¤¤¿¤Î¤¬°õ¾ÝŪ¤Ç¤·¤¿¡£

Î㤨¤Ð¡¢¤³¤ÎÆü¤Î¥ê¥¹¥È¤Ë¤¢¤ë2ËçÌܤÈ4ËçÌÜ¡¢3ËçÌܤÈ5ËçÌܤÎCD¤Ï¥¹¥¿¥¸¥ª¤â¥¨¥ó¥¸¥Ë¥¢¤âƱ¤¸¤Ê¤Î¤Ç¤¹¤±¤É¡¢¶¹´Ö¤µ¤ó¤Ï¤½¤Î²»¤Î°ã¤¤¤ò¡Ö¿·¤·¤¤²»¡×¤«Èݤ«¡¢¤È¤¤¤¦¸ÀÍÕ¤Çɽ¸½¤µ¤ì¤Æ¤¤¤Æ¡¢»ä¤â¡Ö¤Ê¤ë¤Û¤É¤Ê¤¡¡×¤È»×¤Ã¤¿¤ê¤·¤¿¤ó¤Ç¤¹¤Í¡£2ËçÌܤΥ¸¥ç¥Ê¥µ¥ó¡¦¥Õ¥£¥ó¥ì¥¤¥½¥ó¤ÎCD¤È3ËçÌܤÎËÌÀîµþ»Ò¤µ¤ó¤ÎCD¤Ë¤Ï¶¦¤Ë¥¢¥ë¥³¡¦¥Ù¡¼¥¹¤¬Æþ¤Ã¤Æ¤¤¤ë¤Î¤Ç¤¹¤¬¡¢¤½¤Î¥µ¥¦¥ó¥É¤Ï¤«¤Ê¤ê°ã¤¦¡£¼«Ê¬¤Ê¤ê¤Î´¶ÁÛ¤ò¸À¤Ã¤Æ¤·¤Þ¤¦¤È¡¢¥Õ¥£¥ó¥ì¥¤¥½¥ó¤Î¥¢¥ë¥Ð¥à¤Î¥¢¥ë¥³¤Ï¤³¤ì¤Þ¤Ç¤Î¥¸¥ã¥º¤Ç¤â¤è¤¯Ä°¤«¤ì¤¿¡Ö¥º¥ê¥º¥ê´¶¡×¤È¸À¤¦¤«¡¢¤½¤¦¤¤¤¦»¤²á²»¤¬¤«¤Ê¤ê¥ª¥óµ¤Ì£¤Ëª¤¨¤é¤ì¤Æ¤¤¤ë¤Î¤ËÂФ·¤Æ¡¢ËÌÀ¤ó¤Î¥¢¥ë¥Ð¥à¤Î¥¢¥ë¥³¤Ï¤Á¤ç¤Ã¤È¥¯¥é¥·¥Ã¥¯¤Î¥Á¥§¥í¤ò»×¤ï¤»¤ë¤è¤¦¤Ê¡¢´ÖÀܲ»¤â´Þ¤ó¤À¶õ´Ö¤Ëɺ¤¦¤è¤¦¤Ê´¶¤¸¤ò¾å¼ê¤¯Âª¤¨¤Æ¤¤¤ë¡¢¤È¤¤¤¦°õ¾Ý¤Ç¤·¤¿¡£

¤½¤ó¤Ê´¶¤¸¤Ç¡¢¶¹´Ö¤µ¤ó¤Î¥³¥á¥ó¥È¤òÄɤ¤¤Ê¤¬¤é¶Ê¤òÄ°¤­¿Ê¤á¤Æ¤¤¤¯¤È¡¢¶¹´Ö¤µ¤ó¤ÏÆäˡ֥¢¥³¡¼¥¹¥Æ¥£¥Ã¥¯³Ú´ï¤Î²»¤¬¤É¤¦Âª¤¨¤é¤ì¤Æ¤¤¤ë¤«¡×¤È¤¤¤¦¤È¤³¤í¤ËÀ¨¤¯±ÔÉҤʴ¶³Ð¤ò»ý¤Ã¤Æ¤ª¤é¤ì¤ë¤Ê¡¡¤È¤¤¤¦°õ¾Ý¤¬¶¯¤«¤Ã¤¿¤Ç¤¹¡£¤½¤ì¤Ï¶¹´Ö¤µ¤ó¼«¿È¤¬¡Ö»ä¤Î¥ë¡¼¥Ä¤Ï¼¼Æâ³ÚŪ¤Ê¤È¤³¤í¤Ë¤¢¤ë¡×¤È¸À¤ï¤ì¤Æ¤¤¤¿¤³¤È¤ä¡¢¶¹´Ö¤µ¤ó¤Î¥¤¥á¡¼¥¸¤·¤¿¥µ¥¦¥ó¥É¤ò¼Â¸½¤¹¤ë¤¿¤á¤Ë¡ÖÁÕ¼Ô¤òÁª¤ó¤Ç¡¢¤½¤ÎÁÕ¼Ô¤ËÅꤲ¤ë¡×¤È¸À¤ï¤ì¤Æ¤¤¤¿¤³¤È¤Ë¤âÄ̤¸¤ë¤â¤Î¤¬¤¢¤ë¤Î¤«¤Ê¤¡¡¢¤È»×¤Ã¤¿¤ê¤â¤·¤Þ¤·¤¿¡£

¤µ¤Æ¡¢¤³¤ÎÆü¤Î¥Þ¥¤¡¦¥Ù¥¹¥È¤Ïº£¤ä¡Ö»þ¤Î¿Í¡×¤Ç¤â¤¢¤ë¤é¤·¤¤½÷ή¥®¥¿¥ê¥¹¥È¤Î¥á¥¢¥ê¡¼¡¦¥Ï¥ë¥ô¥¡¡¼¥½¥ó¤¬Íí¤ó¤ÀÆóËç¡£"The Maid with the Flaxen Hair"¤È¡¢¤³¤ì¤ÏÈÖ³°ÊԤǤ«¤±¤é¤ì¤¿CD¤Ê¤Î¤Ç¤¹¤¬"Seed Triangular"¤Ç¤¹¡£

Á°¼Ô¤Ï¤¢¤Î¥Ó¥ë¡¦¥Õ¥ê¡¼¥¼¥ë¤ÈÁȤó¤Ç¤Î¡¢¤«¤Ä¤Æ¤Î̾¥®¥¿¥ê¥¹¥È¡¢¥¸¥ç¥Ë¡¼¡¦¥¹¥ß¥¹¤Ø¤Î¥È¥ê¥Ó¥å¡¼¥È¥¢¥ë¥Ð¥à¤Ç¤¹¡£»ä¤Ï¤³¤ÎÆü½é¤á¤Æ¥Ó¥ë¡¦¥Õ¥ê¡¼¥¼¥ë¤¬¥¸¥ç¥Ë¡¼¡¦¥¹¥ß¥¹¤ÎÄï»Ò¤Ç¤¢¤Ã¤¿¤³¤È¡ÊËÜ¿ÍÛ©¤¯¡ÖÉÔ¾Ó¤ÎÄï»Ò¡×¤À¤½¤¦¤Ç¤¹¤¬¡Ë¤òÃΤ俤ΤǤ¹¤¬¡¢¤³¤Î¥®¥¿¡¼¥Ç¥å¥ª¤ÏÀ¨¤«¤Ã¤¿¡£¤¢¤Î¥ë¡¼¥¹¥ÈÈפÇͭ̾¤Ê¡Ö¥ô¥¡¡¼¥â¥ó¥È¤Î·î¡×°ì¶Ê¤ò¤È¤Ã¤Æ¤â¡¢°ì¿Í¤¬¥á¥í¥Ç¥£¥é¥¤¥ó¤òÈæ³ÓŪ¥¹¥È¥ì¡¼¥È¤ËÃƤ­¡¢¤â¤¦°ì¿Í¤¬¥Ð¥Ã¥¯¤ÇÍÍ¡¹¤Ê²»¡á¤¢¤ë°ÕÌ£¡Ö¥Î¥¤¥º¡×¤È¤â¸À¤¨¤ë²»¤òÆþ¤ì¤Æ¤¯¤ë¤Î¤Ç¤¹¤¬¡¢¤½¤Î¡Ö¥Î¥¤¥º¡×¤¬ÀºÌ¯¤Ë¹½À®¤µ¤ì¤¿Áõ¾þ²»¤Î¤è¤¦¤Ë¥á¥í¥Ç¥£¤ÎÎɤµ¤ò°ú¤­Î©¤Æ¤Æ¤¯¤ì¤ë¤ó¤Ç¤¹¡£¤³¤ì¤Ë¤Ï»²¤ê¤Þ¤·¤¿¡£

¸å¼Ô¤Ï¡¢¥¸¥ã¥º¤Ë¤ÏÄÁ¤·¤¤¡Ö¸Å³Ú´ï¡×¤È¤¤¤¦¤«¡¢¥Ð¥í¥Ã¥¯¥Õ¥ë¡¼¥È¡Ê¥¯¥é¥·¥Ã¥¯¤Ç¸À¤¦¤È¤³¤í¤Î¡Ö¥Õ¥é¥¦¥È¡¦¥È¥é¥ô¥§¥ë¥½¡×¤Ç¤¹¤«¤Í¡Ë¤ä19À¤µª¤Ëºî¤é¤ì¤¿¥Ð¥ó¥¸¥ç¡¼¤Ê¤É¤ò¶î»È¤·¤¿ºîÉʤʤΤǤ¹¤¬¡¢¤½¤Î¥µ¥¦¥ó¥É¤¬Èó¾ï¤ËÁ¯ÌÀ¤Ëª¤¨¤é¤ì¤Æ¤¤¤Þ¤¹¡£Æä˥ޥë¥Á¥ê¡¼¥ÉÁռԤΥí¥Ð¡¼¥È¡¦¥ê¡¼¤¬ÁդǤëÌڴɤ⻤¬¼ÜȬ¤Î¤è¤¦¤ÊÍ©¸¼¤µ¤È¶õ´Ö¤òÀ¸¤ß½Ð¤·¤Æ¤¤¤ë¤Î¤¬¾×·âŪ¤Ç¤·¤¿¡£º£¤ä¥¯¥é¥·¥Ã¥¯¤ÎÀ¤³¦¤Ç¤Ï¡Ö¥Ô¥ê¥ª¥ÉÁÕË¡¡×¤Ï¤â¤Ï¤ä¥Ý¥Ô¥å¥é¡¼¤Ê¸ºß¤Ë¤Ê¤ê¤Ä¤Ä¤¢¤ê¤Þ¤¹¤¬¡¢Ï¿²»¤Î¿Ê²½¤¬¤³¤¦¤¤¤¦¸Å¤­Îɤ­»þÂå¤Î³Ú´ï¤«¤é¿·Á¯¤Ê¥µ¥¦¥ó¥É¤ò°ú¤­½Ð¤½¤¦¤È¤¤¤¦ÁռԤΰտޤòÂ轤·¤Æ¤¯¤ì¤ë¡¢¤È¤¤¤¦¥à¡¼¥Ö¥á¥ó¥È¤¬¥¸¥ã¥º¡¦¥·¡¼¥ó¤Ç¤âÄ°¤±¤ë¤Î¤Ï´ò¤·¤¤¤Ç¤¹¤è¤Í¡£

¤½¤¦¤¤¤¦²»³Ú¤ÎÏ¿²»¼êË¡¤Ë¤·¤Æ¤â¡¢È¯¿®¼êË¡¤Ë¤·¤Æ¤â¡¢¿§¡¹¤Ê¼êÃʤ¬Ãø¤·¤¤¥¹¥Ô¡¼¥É¤ÇÊѲ½¤·¡¢¿Ê²½¤·¤Æ¤¤¤¯¸½ºß¤Ë¤ª¤¤¤Æ¡¢¡Öºî¶Ê¤È¤Ï¡©¡×¡Ö¨¶½¤È¤Ï¡©¡×¤½¤·¤Æ¡ÖCD¤òºî¤ëÌÜŪ¤È¤Ï¡©¡×¤È¤¤¤¦¿§¡¹¤Ê³ÑÅÙ¤«¤é¤Î»É·ã¤ËËþ¤Á¤¿Ì䤤¤«¤±¤ÈÅú¤¨¤ò¡¢±×»Ò¤µ¤ó¤È¿ÅĤµ¤ó¡¢¤½¤·¤Æ¶¹´Ö¤µ¤ó¤Î¥³¥á¥ó¥È¤«¤é¡¢²¿¤è¤ê¤âÊ¡ÃϤµ¤ó¤ÈµÜùõ¤µ¤ó¤¬¥Á¥å¡¼¥ó¤µ¤ì¤Æ¤¤¤ë±ýǯ¤Î̾¥¹¥Ô¡¼¥«¡¼¡á¥¢¥ë¥Æ¥Ã¥¯¡¦¥é¥ó¥·¥ó¥°¤ÎÁդǤ륵¥¦¥ó¥É¤«¤é¡¢¼õ¤±»ß¤á¤ë¤³¤È¤¬½ÐÍ褿¤³¤È¤Ï¡¢°ì¥ê¥¹¥Ê¡¼¤È¤·¤Æ¤â¡¢°ì¥ª¡¼¥Ç¥£¥ª¥Þ¥Ë¥¢¤È¤·¤Æ¤â»É·ã¤ËËþ¤Á¤¿Âθ³¤Ç¤·¤¿¡£¤È¤¤¤¦¤³¤È¤Ç¡¢¤³¤ÎÆü¤â¤Þ¤¿¡¢ÁÇÀ²¤é¤·¤¤²ñ¤Ë»²²Ã¤Ç¤­¤¿¤³¤È¤Ë¡¢¿´¤«¤é¤Î´¶¼Õ¤ò¡£

¤Ç¤Ï¡¢¤ª¤ä¤¹¤ß¤Ê¤µ¤¤¤Þ¤·¡£


¡ÊÄɲå³¥á¥ó¥È¤«¤é¡Ë


"Seed Triangular"¤Ï¥ª¥Õ¥£¥·¥ã¥ë¤Î¥¢¥ë¥Ð¥à¡¦¥È¥ì¥¤¥é¡¼±ÇÁü¤¬Youtube¤Ë¾å¤¬¤Ã¤Æ¤Þ¤·¤¿¡£ÆüËܤÎamazon¤Ç¤Ï¤Þ¤ÀÇ㤨¤Ê¤¤¤ß¤¿¤¤¤Ê¤Î¤Ç¡¢Áᮥ¢¥á¥ê¥«amazon¤ËÃíʸ¤ò¤«¤±¤Æ¤·¤Þ¤Ã¤¿»ä¡£¤Á¤Ê¤ß¤ËLP¡Ê¥ô¥¡¥¤¥Ê¥ë¡Ë¤â½Ð¤Æ¤¤¤ë¤ß¤¿¤¤¤Ê¤Î¤Ç¡¢¤½¤Á¤é¤â¶½Ì£¤¢¤ê¡£

Robbie Lee and Mary Halvorson - "Seed Triangular" Official Album Trailer

https://www.youtube.com/watch?reload=9&v=rn5KKzf77MM


¿ÅĤµ¤ó¤¬¥¢¥Õ¥¿¡¼¥¢¥ï¡¼¥º¤Ë¥Ð¡¼¥«¥¦¥ó¥¿¡¼¤ÎÊý¤Ç¤«¤±¤é¤ì¤¿¤³¤ÎÊ¿ÅIJ¦»Ò¤µ¤ó¤ÎCD¤âÁÇŨ¤Ç¤·¤¿¤Í¡£Â¿ÅĤµ¤ó¤¬¿ä¤µ¤ì¤Æ¤¿¤Èµ­²±¤·¤Æ¤¤¤ë¥µ¥Ã¥¯¥¹¤ÎµÜÌî͵»Ê¤µ¤ó¤âÁÇÀ²¤é¤·¤¤¤·¡¢µ¢Â𤷤ÆÄ´¤Ù¤¿¤é¥Ô¥¢¥Î¤¬Âç¸ý½ã°ìϺ¤À¤Ã¤¿¤Î¤òÃΤäơ֤ʤë¤Û¤É¡×¤È»×¤¤¤Þ¤·¤¿¡£¤³¤ì¤«¤é¤â¤è¤í¤·¤¯¤ª´ê¤¤¤·¤Þ¤¹¡£

Ê¿ÅIJ¦»Ò¡ÖNo meio da viagem ¡öι¤ÎÅÓÃæ¡×

http://kimikohirata.chu.jp/product/008/



2018ǯ10·î28Æü(Æü) ¥¿¥À¥Þ¥¹£³£±¥ê¥ï¥¤¥ó¥É


¥¿¥À¥Þ¥¹£³£±¥ê¥ï¥¤¥ó¥É


º£²ó¤Ï¤¤¤Ä¤â¤Î¼ª¤Î¥¢¥Ë¥­¤¿¤Á¤Ë²Ã¤¨¤Æ¡¢¶¹´ÖÈþÈÁ¤µ¤ó¤Î¤ªÏäò¤­¤±¤ë¤È¤¤¤¦¤³¤È¤Ç¥Õ¥¡¥ó¤Î¤ß¤Ê¤µ¤ó¤äɾÏÀ²È¤Î¼°æ¤µ¤ó¾ïÈפµ¤óºÙÅĤµ¤ó¡¢¥ß¥å¡¼¥¸¥·¥ã¥ó¤Î°æëµý»Ö¤µ¤ó¤Ë¤â¤´Íè¾ì¤¤¤¿¤À¤­¡¢¤¢¤ê¤¬¤È¤¦¤´¤¶¤¤¤Þ¤·¤¿¡ª¡¢


¶¹´ÖÈþÈÁ¤ÎÂŶ¨¤Ê¤­ÁϺî¤Ø¤Î´ãº¹¤·¤È¡¢¥È¥é¥Ã¥¯£¸½ãÅÙ¨¶½¤Ø¤Î¡Ö¤ï¤«¤ó¤Ê¡¼¤¤¡ª¡×¤È¤¤¤¦Àë¸À¤Ë¤â»÷¤¿¥Ô¥å¥¢¥Í¥¹¤ËÂǤ¿¤ì¡¢¤Û¤«¤Î¤³¤È¤Ï¤¹¤Ã¤«¤ê˺¤ì¤Æ¤·¤Þ¤¤¤Þ¤·¤¿ww¡¢


ÅöÆü¤ÎÁª¶Ê¥ê¥¹¥È
¢£


1. Brian Krock : Big Heart Machine (Outside in Music OIM 1808)
¥é¡¼¥¸¥¢¥ó¥µ¥ó¥Ö¥ë¤Ë¤ª¤±¤ë¥¸¥ç¥ó¡¦¥Û¥ì¥ó¥Ù¥Ã¥¯°Ê¹ß¤È¤¤¤¦¸«Î©¤Æ¡¢¥Û¥ì¥ó¥Ù¥Ã¥¯¤Ï¥¯¥í¡¼¥Ç¥£¥¢¥¯¥¤¥ó¥Æ¥Ã¥È¤Î¤Û¤¦¤Ð¤«¤êÃí»ë¤·¤Æ¤¿¤ó¤Ç¡¢ÉáÃʥ顼¥¸¥¢¥ó¥µ¥ó¥Ö¥ëÄ°¤¤¤Æ¤Ê¤¤¤±¤É¡¢¶¹´ÖÈþÊæ£Ã£Ä¤ÈYouTube¤ß¤Æ¤¿¤Î¤Ç¡¢»ë³¦¤¬³«¤±¤¿¤è¤¦¤Ë¤³¤Î³Ú¤·¤µ¤¬¤ï¤«¤ë¤¼¡¢

2. Jonathan Finlayson : 3 Times Round (Pi Recordings PI 77)
¥¹¥Æ¥£¡¼¥ô¥³¡¼¥ë¥Þ¥ó¤Î¥Õ¥£¡¼¥ë¥É¤ËΩ¤Ã¤Æ¤¤¤ë¤Ê¡¼¤È»×¤¦¡¢

3. Kyoko Kitamura's Tidepool Fauna : Protean Labyrinth (Bandcamp 8 04879 61127 1)
¤È¤Æ¤â¤è¤¯¤Ç¤­¤¿¥Ñ¥º¥ë¤ò¤Ê¤¬¤á¤ëÏÈÆâ¤Î¤â¤Î¡¢

4. Endangered Blood : Don't Freak Out! (Skirl Records SKIRL 043)
¥Ñ¥ó¥Ç¥ß¥Ã¥¯´¶À÷¤Î¥¯¥ê¥¹¥¹¥Ô¡¼¥ÉËÀÆɤߥȡ¼¥ó¤Î¥¯¡¼¥ë¥¸¥ã¥º¡¢¥³¥Ë¥Ã¥Ä¥Þ¡¼¥·¥å¡¢¥Ç¥º¥â¥ó¥É²÷³Ú°äÅÁ»Ò¤Ë¤¿¤À¤¿¤À¤ä¤é¤ì¤ë¡¢

5. JP Schlegelmich / Jonathan Goldberger / Jim Black : Visitors (Skirl Records SKIRL 039)
¥á¥í¥È¥í¥ó¡¢70s¥×¥í¥°¥ì¡¢¤ª¤ì¤Ë¤ÏÉå¤Ã¤¿¥×¥í¥°¥ì¤Î¸½ÂåÈǤˤ·¤«Ä°¤³¤¨¤Ê¤¤¤¬¡¢¿·¤·¤¤À¤Âå¤Î´¶³Ð¤Ï¤¿¤Ö¤ó¤ï¤«¤é¤Ê¤¤¤Î¤À¡¢

6. Mary Halvorson / Bill Frisell : The Maid with the Flaxen Hair (Tzadik TZ 4024)
¤³¤ÎÂçʪÆó¿Í¤¬¤ä¤ë¤È¤Ï»×¤ï¤Ê¤«¤Ã¤¿Ë¾³°¤Î´î¤ÓÈס¢¥¶¥Ç¥£¥Ã¥¯¡¢¤â¤Ï¤ä²¦Æ»¤À¡¢¸½Â奸¥ã¥º¤Î¥»¥ó¥¿¡¼¤À¡¢¤Ç¡¢ìÔÂô¤Ê¤³¤È¤ò¸À¤¦¤È¥á¥¢¥ê¡¼²÷³Ú¤ÏǾÆ⼫ư±éÁÕ¤µ¤»¤é¤ë¤¯¤é¤¤¹¥¤­¤Ê¤Î¤Ç¡¢¤ï¤¿¤·¤Î¼ª¤Ï¿·¤·¤¤Îø¿Í¤òµá¤á¤ë¤«¤ó¤¸¤Ê¤Î¤è¡¢

7. Cory Smithe : Circulate Susanna (Pyroclastic Records PR 04)
¥¿¥¤¥·¥ç¥ó¤ÈƱ¤¸¤¯¡¢¥³¥ó¥Ý¥¸¥·¥ç¥ó¤È¨¶½¤ÎÆóʬˡŪ¤Ê»×¹Í¤Î»Ø¸þ¤ò°ìö½ª¤ï¤é¤»¤ëÄøÅ٤ˤޤǽϤ·¤¿¡ÉÆͽФ·¤¿¡ÉºÍǽ¤Î¤â¤¦¤Ò¤È¤Ä¡¢»×¤¦¤Ë¤³¤ì¤ÏµÆÃϲí¾Ï¤äÏ¡¸«ÎáËã¤È¤¤¤¦ÏÇÀ±¤âɺ¤¦Æ±¤¸¶ä²Ï·Ï¡¢

8. Benoit Delbecq / Jorrit Dijkstro / John Hollenbeck : Linger (Driff Records CD 1801)
¥¤¥ó¥×¥í¡¢¶¯ÅÙ¡¢¿·¤·¤µ¡¢¤Ê¤ó¤À¤³¤Î²»¡¢¤³¤ì¤òÄ°¤¯¤¿¤á¤Î¤¤¤¤¥¹¥Ô¡¼¥«¡¼¤È¥ª¡¼¥Ç¥£¥ª¥ë¡¼¥à¤ò¤ï¤¬¼ê¤Ë¡¢

9. Dystil : Dystil (Clean Feed Records CF 486 CD)
ºî¤Ã¤Æ¤ë¤Û¤¦¤ÏÌÌÇò¤¯¤Æ¤¿¤Þ¤é¤ó¤Î¤À¤í¤¦¤Ê¡¢¤³¤ó¤Ê¤Î¥³¥¹¥×¥ì¤¸¤ã¤ó¤È»×¤ï¤º¤Ä¤¤¤Æ½Ð¤¿¤¬¡¢¥¹¥ê¥ë¤È¥¹¥Ú¥¯¥¿¥¯¥ë¤Î±Ç²èÊÔ½¸¤ÎÁÀ¤Ã¤¿ºî°Ù¤Ð¤«¤ê¤¬´¶¤¸¤é¤ì¤Æ¡¢

10. Now Vs Now : The Buffering Cocoon (Jazzland Recordings 377 904 5)
Jason Lundner ¥¸¥§¥¤¥½¥ó¡¦¥ê¥ó¥É¥Ê¡¼¤¬¥­¡¼¤Ê¤Î¤Í¡¢¥¸¥ã¥¹¥Æ¥£¥ó¡¦¥Ö¥é¥¦¥ó¤Î¡ØNyeusi¡Ù¤Ë¤Ï¿·¤·¤¤¥Õ¥å¡¼¥¸¥ç¥ó¤¯¤é¤¤¤Ë¤·¤«´¶¶½¤·¤Ê¤«¤Ã¤¿¤¬¡¢¤³¤Î¥È¥é¥Ã¥¯¤Ï¤è¤¯±Æ¶ÁŪÁǺब¤Ø¤ó¤Ê¤Õ¤¦¤Ëº®¤¼¤é¤ì¤Æ¤Æ¤¤¤¤¤È»×¤Ã¤¿¡¢


¥¿¥À¥Þ¥¹31¥ê¡¼¥°¤Î¥Ù¥¹¥È£µ¤Ï½ç¤Ë¤³¤ó¤ÊÂδ¶¤Ç¤·¤¿¡ÊÈ×Á´ÂΤòÄ°¤¤¤ÆÊѤï¤ë¤«¤â¤·¤ì¤Þ¤»¤ó¡Ë¡¢
8. Benoit Delbecq / Jorrit Dijkstro / John Hollenbeck¡¡¶â¥á¥À¥ë
1. Brian Krock ¡¡¶ä¥á¥À¥ë
4. Endangered Blood¡¡Æ¼¥á¥À¥ë
7. Cory Smithe¡¡¥ì¥¢¥á¥¿¥ë¥á¥À¥ë
10. Now Vs Now¡¡¼·Êõ¾Æ¤­¥á¥À¥ë¡¡²¼¤Î¤Û¤¦¤¬¤¤¤¤¥á¥À¥ë¤¸¤ã¤Í


£¹ÈÖ10ÈÖ¤ò¤¤¤¤¤È»×¤Ã¤¿»²²Ã¼Ô¤â¤±¤Ã¤³¤¦¤¤¤ë¡¢¤ª¤ì¤Ï¤â¤¦¼ã¤¯¤Ê¤¤¤ó¤À¤è¡¼¡¢

¤À¤±¤É¤Ê¡¢

Æ¥ë¥×¥¹¤Îɹ²Ï¤ÎÀäÊɤΥ®¥ê¥®¥ê¤ËΩ¤Ã¤Æ¡Ê¤É¤¦¤¤¤¦¸À¤¤Êý¤À¡Ë²»³Ú¤ÎĺÅÀ¤ÎÆæ¤ËÄ©¤à¿´°Õµ¤¤Ï¿·¤¿¤Ë¤·¤¿¤Î¤À¡¢



µÊÃãÃã²ñµ­¤ÎÊ¡ÃÏŹ¼ç¤ËºÇ¶á¤Î¤ªµ¤¤ËÆþ¤ê¥È¥é¥Ã¥¯½¸¤ò¤ª¤ß¤ä¤²¤Ë¤¹¤ë¡¢
Moon River (Original Main Title) / Henry Mancini 1961
Where The River Goes / Wolfgang Muthspiel, Ambrose Akinmusire, Brad Mehldau, Larry Grenadier, Brian Blade 2018
Warren Street Setup / Jacob Anderskov 2010
̾¥Î¥êÅ« / ´ÑÀ¤¼÷É× from ¡ÖµÎ¡×¡Ö±©°á¡× ´ÑÀ¤¼÷Éס¡»ê²Ö¤ÎÆó¶Ê 1976 live
¥·¥Ù¥ê¥¢µ¤ÃĤè¤ê / hofli from ½½Æó¥ö·î¤Î¥Õ¥é¥¸¥ã¥¤¥ë 2014
Heartfelt / Slappy, Kogane 2018
ÀÐ¼í¥·¡¼¥Ä / µÈÁý¹ä¤ 1995
The End Of The World / Skeeter Davis 1963
Love's Theme / The Love Unlimited Orchestra 1974



2018ǯ10·î26Æü(¶â) KONAMI Ëã¿ý³ÊÆ®¶æ³ÚÉô¡¢º´¡¹ÌÚ¼÷¿Í¤¬Ï¢Â³¥È¥Ã¥×




Äé̤²ÌÃø¡ØÀ¯ÉܤÏɬ¤º±³¤ò¤Ä¤¯¡Ý¥¢¥á¥ê¥«¤Î¡Ö¼º¤ï¤ì¤¿10ǯ¡×¤¬»ä¤¿¤Á¤Ë·Ù¹ð¤¹¤ë¤³¤È¡Ù³ÑÀîSCC¿·½ñ 2012
ËÌÂôÊýË®Ãø¡ØºÐ»þµ­¤Î¥³¥¹¥â¥í¥¸¡¼¡Á»þ¤ÎÀ¼¤òÄ°¤¯¡ÙÊ¿ËÞ¼Ò 1995
Ê̺ý¸½Âå»í¼êÄ¡¡ØÀô¶À²Ö¡ÁÍÅÈþ¤È¸¸ÁÛ¤ÎËâ½Ñ»Õ¡Ù»×Ĭ¼Ò 1972


»³¼êÀþ¤Ç¹âÅÄÇϾì¤Ë¹ß¤ê¤ë¤Î¤Ï¡¢18¤Î¤È¤­½é¤á¤ÆÅìµþ¤Ë¹ß¤ê¤¿±Ø¡¢ÇòÀФμ«Âð¤Þ¤Ç¿·Ê¹¾©³ØÀ¸¤ÎÀâÌÀ¤ò¤·¤ËˬÌ䤷¤Æ¤­¤¿½éÏ·¤ÎÌò°÷¤Ï¥Ñ¥Ñ51¤è¤êǯ¾å¤Ç¥Ý¥Þ¡¼¥É¤ÎÆ÷¤¤¤¬¤·¡¢¤¢¤Î¥Æ¡¼¥Ö¥ë¤Ç¹âÅÄÇϾì±Ø¤«¤éÁá°ðÅÄÊ̴ۤޤǤÎÆ»¤Î¤ê¤ò»æ¤ËÉÁ¤¤¤Æ¤¯¤ì¤¿¤â¤Î¤ò¼ê¤Ë¤·¤ÆÊ⤤¤¿¡¢¤¢¤Î°ÛÍͤËÌÀ¤ë¤¤Íۼͤ·¤ÎÁá°ðÅÄÄ̤ê¤ò¡¢¤Ü¤¯¤Ï¤ä¤Ï¤ê°ìÀ¸Ëº¤ì¤Ê¤¤¤À¤í¤¦¤È»×¤Ã¤ÆÊ⤤¤¿¤Î¤À¡¢


¤È¤â¤¢¤ì¡¢40ǯ·Ð¤Ã¤¿¤Î¤À¡¢Ê⤯¤È¡¢¥¿¥¤¥à¥È¥ó¥Í¥ë¤ËÆþ¤Ã¤¿¤ß¤¿¤¤¤ËÉ÷·Ê¤¬¤ß¤ë¤ß¤ëÊѤï¤Ã¤Æ¡¢¤è¤¯¤¢¤ë±Ç²è¤Î²óÁÛ¥·¡¼¥ó¤ß¤¿¤¤¤Ë¤Ê¤Ã¤Æ¡¢¤Î¤É¤¬µÍ¤Þ¤Ã¤¿¡¢Áá°ðÅľ¾ÃݤαDzè´Û¤Ï¤½¤Î¤Þ¤Þ¤À¤â¤Î¡¢¿¼Ìë±Ç²è¤ò»Ïȯ¤Þ¤Ç´Ñ¤¿¤Ã¤±¡¢¤ª¤ì¤Ï±Ç²è¤ÎÃæ¤Ë¤ª¤ë¤ó¤«¤¤¤Í¡¢


¤³¤Î¤¢¤¿¤ê¤ÎÁá°ðÅÄÄ̤ê¤Ê¤ó¤Æ¡¢ºÇ¶á¤À¤Ã¤Æ¥¯¥ë¥Þ¤ÇÄ̤äƤ¤¤¿¤µ¡¢Ê⤯¤ÈÀ¤³¦¤Î¥¹¥±¡¼¥ë¤â»þ´Ö¤Î®ÅÙ¤â¤Á¤¬¤¦¤ó¤À¤ï¤Ê¡¢¤½¤Î¤Þ¤ÞÁá°ðÅĤޤƹԤäƸÅËܲ°¤ËÆþ¤Ã¤Æ3ºý¹ØÆþ¤¹¤ë¡¢Ëܤ¬²û¤«¤·¤¤¡¢


ÅÔÅŤγؽ¬±¡²¼¤ò¤¿¤É¤Ã¤Æ¾å¤êºä¤ÎÀþÏ©¤ä¿ÀÅÄÀî¤ÎµðÂ礵¤òį¤á¤Æ¡¢ÉûÅÔ¿´Àþ»¨»Ê¥öë¤Çµ¢¤Ã¤Æ¤­¤¿¡¢




Ìë¤ÏabemaTV¤ÇËã¿ý£Í¥ê¡¼¥°¤ò´Ñ¤ë¡¢º´¡¹ÌÚ¼÷¿Í¤¬Ï¢Â³¥È¥Ã¥×¤È¤¤¤¦¥É¥é¥Þ¡¢KONAMI Ëã¿ý³ÊÆ®¶æ³ÚÉô¡¢¤Ï¤ë¤«ºÇ¸åÊý¤«¤é¤Î¤Þ¤¯¤ê¤Îϵ±ì¤À¡¢

º£Ç¯»Ï¤Þ¤Ã¤¿£Í¥ê¡¼¥°¡¢£Ò£Ô£Ä¥ê¡¼¥°¡¢Ëã¿ýÃÄÂÎÆüËÜ°ì·èÄêÀï¡¢¤È¡¢3¤Ä¤Î¤½¤ì¤¾¤ì°Û¤Ê¤ëÀ襤¤¬¤¢¤Ã¤Æ¡¢

Ëã¿ý¥×¥í¤È¤¤¤¦¤Î¤Ï¡ÖÏ¢ÌÁ¡×¡Ö¶¨²ñ¡×¡ÖºÇ¹â°ÌÀï¡×¡Ö£Ò£Í£Õ¡×¡ÖËã¾­Ï¢¹ç¡×¤ÈÎò»ËŪ¤ËʬÎö¤·¤Æ¤­¤¿5ÃÄÂΤ¬Â¸ºß¤·¤½¤³¤ËºßÀÒ¤·¤Æ¤¤¤ë¡¢

£Í¥ê¡¼¥°¤Ï7¤Ä¤Î´ë¶È¤¬3¿Í¤º¤ÄËã¿ý¥×¥í¤ò¤½¤ì¤¾¤ì¥¹¥«¥¦¥È¤·¤Æ¥Á¡¼¥à¤È¤Ê¤Ã¤ÆÀ臘¡¢

£Ò£Ô£Ä¥ê¡¼¥°¤Ï¸Ä¿ÍÀï¤Ç16¿Í¤Î¥×¥í¤¬¥ï¥ó¥·¡¼¥º¥ó¤«¤±¤Æ¥È¥Ã¥×¤ò·è¤á¤ë¡¢

Ëã¿ýÃÄÂÎÆüËÜ°ì·èÄêÀï¤ÏÃÄÂÎÀï¡¢

¥á¥ó¥Ð¡¼¤Ï¤«¤Ö¤Ã¤Æ¤¤¤ÆƱ¤¸Áª¼ê¤¬¤¢¤Ã¤Á¤Ç¤ÏÃǥȥĤǤ³¤Ã¤Á¤Ç¤ÏÉÔ¿¶¤È¤¤¤¦¤Î¤â³Ú¤·¤¤¡¢

¤½¤ì¤¾¤ì¤ÎÃÄÂΤÎÃÄÂÎÆâ¤Ç¤ÎŤ¤Îò»Ë¤Î¤¢¤ë¥¿¥¤¥È¥ëÀï¡¢¤â¡¢¤¢¤ë¡¢


¡ÖÏ¢ÌÁ¡×¡Ö¶¨²ñ¡×¤ÏÂÐΩ¤·¤Æ¤­¤¿Îò»Ë¤¬¤¢¤Ã¤Æ¡¢¡ÖÏ¢ÌÁ¡×¤Ï¡Ö¶¨²ñ¡×¤ò¼å¤¤¤È¥Ç¥£¥¹¤Ã¤Æ¤­¤¿íÂíब¤¢¤Ã¤¿¤è¤¦¤À¡¢





2018ǯ10·î25Æü(ÌÚ) ¥½¥¦¥ë¡¦¥Õ¥é¥ï¡¼¡¦¥â¥Î¥Î¥±¡¦¥æ¥Ë¥Ã¥È¤Î¡Ø¥ì¥ô¥§¥é¡¼¥º¡¦¥Á¥ó¥É¥ó¡Ù1997


¥½¥¦¥ë¥Õ¥é¥ï¡¼¥æ¥Ë¥ª¥ó¤Î twitter ¤Ç¡¢¤·¤ê¤¢¤¬¤ê¼÷4¥³¥Þ¡¢´í¸±¤ÊÃÏ°è¤Ë¤Ä¤¤¤ÆÃΤꤿ¤¤¤Ò¤È¡á¥·¡¼¥ó¡¢´í¸±¤ÊÃÏ°è¤Ë½»¤ó¤Ç¤¤¤¿¤é¤ß¤ó¤Ê¤ËÃΤäƤâ¤é¤¤¤¿¤¤¤Ò¤È¡áÁ´°÷¡¢¤ò·Ç¤²¤Æ¡¢¼«¸ÊÀÕǤÏÀ¤ÎÉ÷Ĭ¤ò»É¤·¤Æ¤¤¤ë¡¢


¿ÍÂΤ˥ޥ¤¥¯¥í¥×¥é¥¹¥Á¥Ã¥¯
¢£
¡ÉÂÎÆâ¤ËÆþ¤Ã¤¿¸å¡¢È±¤ÎÌÓ¤Î5ʬ¤Î1¤Û¤É¤ÎÂÀ¤µ¤Î¥×¥é¥¹¥Á¥Ã¥¯¤ÎÁ¡°Ý¤ÏÂçÆ°Ì®¤ä¥ê¥ó¥Ñ·Ï¤ËÆþ¤ê¹þ¤à¤Î¤À¤í¤¦¤«¡£¤Þ¤¿¡¢´Î¡¤ËÅþ㤹¤ë¤³¤È¤â¤¢¤ë¤Î¤À¤í¤¦¤«¡£º£¤Î¤È¤³¤í¡¢¤³¤ì¤é¤Ï¤¹¤Ù¤ÆÆæ¤ËÊñ¤Þ¤ì¤Æ¤¤¤ë¡£¡É
Æþ¤ê¹þ¤ó¤À¤êÅþã¤Ï¤·¤Ê¤¤¡¢¤Î¤Ç¤Ï¡¢¤Ê¤¤¤Î¡ª¤Þ¤¸¤«¡¢


µù¶È¸¢¤â¤¢¤Ö¤Ê¤¤¡¢
¢£



ÃÓÂÞ¥µ¥ó¥·¥ã¥¤¥ó60¤Ç¤ªÃë¤Þ¤Ç¥Ý¥±GO¡¢ÀÄÍե顼¥á¥ó¤È¤¤¤¦¤Î¤ò¿©¤Ù¤ë¤¬¥Á¥§¡¼¥óŹ¤Ë¤Ê¤Ã¤¿¤«¤é¤Ê¤Î¤«¤ª¤¤¤·¤¯¤Ê¤¤¡¢


¥½¥¦¥ë¡¦¥Õ¥é¥ï¡¼¡¦¥â¥Î¥Î¥±¡¦¥æ¥Ë¥Ã¥È¤Î¡Ø¥ì¥ô¥§¥é¡¼¥º¡¦¥Á¥ó¥É¥ó¡Ù1997

¥¤¥ó¥¿¡¼¥Ê¥·¥ç¥Ê¥ë INTERNATIONAL 〜³×Ì¿²Î¡¦1871ǯ
¥Ï¥¤¥«¥é¥½¥ó¥° HIGH COLLARSONG 〜ÁԻαé²Î¡¦¿ÀĹÎƷ1909ǯ
¿åÊ¿²Î¡ÁÇÀ̱²Î¡Á³×Ì¿²Î SUIHEI-KA -NOUMIN-KA -KAKUMEI-KA〜³×Ì¿²Î¡¦1923ǯ¡¢1922ǯ¡¢1909ǯ
¥¢¥ê¥é¥ó ARIRANG 〜Ä«Á¯Ì±ÍØ
¥À¥ó¥Á¥ç¥ÍÀá¡ÊÆù¶ÂâÀá¡Ë¡Á¥Ô¥ê¥«¤Î±´ DANTYONE-BUSHI -PIRKA〜¿ÀÆàÀî̱ÍØ¡¢¥¢¥¤¥Ì̱ÍØ
°ÂΤ²°¥æ¥ó¥¿ ASADOYA-YUNTA 〜²­Æì̱ÍØ
ÌﻰϺÀá YASABURO-BUSHI 〜ÀÄ¿¹Ì±ÍØ
¤â¤º¤¬¸ÏÌڤǠMOZU GA KAREKI DE〜°ñ¾ë̱ÍØ
¥«¥Á¥å¡¼¥·¥ã¤Î±´ SONG OF KATYUSHA 〜ή¹Ô²Î¡¦1914ǯ
¤à¤é¤µ¤­Àá MURASAKI-BUSHI〜ÁԻαé²Î¡¦ÅºÅÄ°¢ÀæË·¡¦1910ǯ
³÷ÅĹԿʶʠTHE MARCHING SONG OF KAMATA 〜ή¹Ô²Î¡¦1925ǯ
Í­Æñ¤äÀá ARIGATAYA-BUSHI〜ή¹Ô²Î¡¦¼é²°¹À¡¦1960ǯ
¤µ¤è¤Ê¤é¹Á SAYONARA MINATO 〜ή¹Ô²Î¡¦Æ£Åç´¼Éס¦1956ǯ


leveler ¥ì¥ô¥§¥é¡¼¡¢Ê¿¤¿¤¯¤Ê¤é¤¹¼Ô¤¿¤Á¡¢Ê¿Åù¤ò¿´¤¬¤±¤ë¡¢

¡ÉËܺîÃæÍ£°ì¤Î¥¹¥¿¥¸¥ªÏ¿²»¶Ê¡Ö¥¤¥ó¥¿¡¼¥Ê¥·¥ç¥Ê¥ë¡×¤Ï¡¢¥è¡¼¥í¥Ã¥Ñ¤Î¥ï¡¼¥ë¥É¡¦¥ß¥å¡¼¥¸¥Ã¥¯·Ï¤Î¥ª¥à¥Ë¥Ð¥¹¡¦¥¢¥ë¥Ð¥à¤ËÅÙ¡¹¼ýÏ¿¤µ¤ì¤Æ¤ª¤ê¡¢¥è¡¼¥í¥Ã¥Ñ¤ÇºÇ¤âÃΤé¤ì¤Æ¤¤¤ë¡Ö¥½¥¦¥ë¡¦¥Õ¥é¥ï¡¼¡¦¥Ê¥ó¥Ð¡¼¡×¤Ç¤¢¤ë¡£¡É


øϩĮ¤«¤éÆâ¿ÀÅĤ¢¤¿¤ê¤ò»¶ºö¤¹¤ë¡¢ÊÆËÜàÝàê¤Ç°ìÉþ¡¢¤¤¤Ä¤«¤­¤è¤ê¤ó¤È¿©¤Ù¤¿³¤Á¯»³À¹¤êÈÄ¡¢¤Ê¤ÞÈĤ«¤é¤¢¤Õ¤ì¤½¤¦¡¢¤³¤³¤À¡¢»×¤¤½Ð¤·¤¿¡¢








2018ǯ10·î24Æü(¿å) ¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥·¡Ö¥¬¥¹¥È¥í¥ó¥¸¥ã¡¼¡×2000


¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥·¡Ö¥¬¥¹¥È¥í¥ó¥¸¥ã¡¼¡×
¢£

¤³¤Î¶Ê¤«¤é18ǯ¤¿¤Ã¤Æ¤ë¤Î¤Ë°ì¸þ¤Ë¤ª¤ì¤ÎÀ¸³è¤Ï¡¢

¤¯¤À¤é¤Í¤¨À¤¤ÎÃ椯¤À¤é¤Í¤¨¥ª¥ì¤¿¤Á¡¢

¤ï¤«¤Ã¤¿´´»öĹ¡¢·î¸÷Ãã˼¤È½Âë¤Î¿¼Ìë¥Ñ¥Õ¥§¤ò¥»¥Ã¥È¤Ë¤·¤¿ÆîÀÄ»³¥¹¥¤¡¼¥Ä¥È¥ê¥ª2018 ver.3 Åż֤ǰÜÆ°¤¹¤ë²ø¤·¤¤Ãæǯ¥È¥ê¥ª¡¢¤ò´ë²è¤¹¤ë¤Ä¤â¤ê¤À¡¢¤¬¡¢ÂԤäƤ¯¤ì¡¢¤ª¤ì¤Ë¤ÏǯÆâ¤ò¾è¤êÀÚ¤ëÌÜ»»¤¬¤¿¤Ã¤Æ¤Í¤¨¡¢±§Â¿ÅÄ¥Ò¥«¥ë¤Î¥³¥ó¥µ¡¼¥ÈÅö¤¿¤Ã¤¿¤Î¤ÇÇã¤Ã¤Æ¤·¤Þ¤Ã¤¿¤³¤È¤Ï¸å²ù¤·¤Ê¤¤¡¢

°¦¤È¤Ï·è¤·¤Æ¸å²ù¤·¤Ê¤¤¤³¤È¡¢Ä»È©¤¬¤¿¤Ä¤è¤¦¤Ê̾¶ç¤À¡¢
Love means never having to say you're sorry


Heartfelt / Slappy, Kogane 2018
»Ï¤Þ¤ê¤È¤Ï / Ãæ¼°ìµÁ 1997
Starting Over / Mr. Children 2015
¥Õ¥¯¥í¥¦¤ÎÀ¼¤¬Ê¹¤³¤¨¤ë / ¾®Âô·òÆó¤ÈSEKAI NO OWARI 2017
¤½¤ÎÀþ¤Ï¿åÊ¿Àþ Ver.2 / ¤¯¤ë¤ê 2018
Þ¦¤¿¤ì¥­¡¼¥ª / Ä®ÅÄĮ¢+ËÌß·ÁÈ 1994
¥¬¥¹¥È¥í¥ó¥¸¥ã¡¼ / ¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥· 2000
º£¾¬¤Î·î¤Î¤è¤¦¤Ë / ¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥· 1997
Don't Think Twice, It's All Right / Bob Dylan 1963
Bedtime Story / À¾Ìî ¥«¥Ê 2018
Everybody's Got Something To Hide Except Me And My Monkey / The Beatles 1968
BOY MEETS GIRL (TRIBAL MIX "JAPANESE TRADITIONAL") / TRF 1994
Shine We Are! / BoA 2004
Ê̤ì¤Î¶Ê / Ê¿¸¶°½¹á 2011
½éÎø / ±§Â¿ÅÄ¥Ò¥«¥ë 2018
¤Ù¤¤¤Ó¤£¤é¤ó¤É¤Ð¤Ó¤í¤ó / ¤¢¤¬¤¿¿¹µû & ¤Ï¤Á¤ß¤Ä¤Ñ¤¤ 2017




2018ǯ10·î23Æü(²Ð) Sufjan Stevens - Mystery of Love (From


Sufjan Stevens - Mystery of Love (From "Call Me By Your Name" Soundtrack)
¢£

Ä°¤¤¤¿¤¢¤È¡¢Î䢸ˤò¤¢¤±¤Æ¥Í¥¹¥ì¤ÈµíÆý¤ò¤Ä¤°²»¤Ë³Ú¤·¤¤µ¤Ê¬¤Ë¤Ê¤Ã¤¿¡¢

¤½¤³¤Ë¤Ï¡É¼ª¤ò¤½¤Ð¤À¤Æ¤ë¡ÉÄ°¼è¤Î»Ø¸þÀ­¤ò¼æµ¯¤µ¤»¤ë¸úǽ¤¬¤¢¤ë¡¢¤È¿ÇÃǤµ¤ì¤ë¡¢¹½Â¤¤¬¤¢¤ë¤Î¤Ç¤Ï¤Ê¤¤¤«¡¢


²¿¤Í¤ó¤«Á°¥Þ¥ë¥¯¥Ç¥å¥¯¥ìg¤Î£Ã£Ä¤ËÁû¤¤¤Ç¤¿¤È¤­¥«¥ä¥°¥à¤Î±éÁդˤâÂǤ¿¤ì¤Æ¤¤¤¿¤Ê¤¢¡¢¤É¤Ã¤Á¤â²»¸»Ì¾¤ò˺µÑ¤·¤Æ¤¤¤ë¡ª¤¯¤ä¤·¤¤»öÂÖ¡¢Ï·¶­¤È¤Ï¤³¤²¤Ê¤â¤Î¤«¤Í¡¢¤À¤±¤É57¤Ë¤Ê¤Ã¤ÆÄ°¤³¤¨¤Æ¤¯¤ë¡¢¼ª¤Î¾ÇÅÀ¤¬¹ç¤¦¤³¤È¤â¤¢¤ë¡¢

ºÙÌîÀ²¿Ã¤Î¿·Éè¡ØVu Jà Dé¡Ù¤¬¸À¤¦¤è¤¦¤ËÏ·¶­¤Ë»ê¤ë¤È¥Ç¥¸¥ã¥ô¤ÎÈ¿ÂС¢Ä°¤¤¤¿¤Ä¤â¤ê¤Î²»¸»¤¬½é¤á¤Æˬ¤ì¤ëÅÚÃϤËΩ¤Á»ß¤Þ¤Ã¤Æ¸«ÅϤ·¤Æ¤·¤Þ¤¦¤è¤¦¤Ê´¶³Ð¤ò¤â¤¿¤é¤¹¡¢¶Ã¤­¡¢¤ß¤¿¤¤¤Ê¤Î¡¢



The Labyrinth; Kayagum Masterpieces Vol. 3: / 황병기 Byungki Hwang 1983

¡É²À倻¶×(¥«¥ä¥°¥à)¤È¤Ï¡© À¾Îñ6À¤µªº¢¡¢²À倻¹ñ¤Î¥¦¥ë¥¯¤È¤¤¤¦³Ú»Î¤Ë¤è¤Ã¤Æºî¤é¤ì¡¢ÅÁ¤¨¤é¤ì¤Æ¤­¤¿´Ú¹ñ¤ÎÂåɽŪ¤ÊÅÁÅý³Ú´ï¤Ç¤¹¡£´Ú¹ñ¤òÂåɽ¤¹¤ë12¸¹¤Î¶×¡¢¥«¥ä¥°¥à¡Ê²À倻¶×¡Ë ÀµÁÒ±¡¤Ë¿·Íå¶×¤È¤·¤ÆÅÁ¸¤·¤Æ¤¤¤ë¤³¤È¤Ç ¤è¤¯ÃΤé¤ì¤Æ¤¤¤Þ¤¹¡£¡É¥³¥Ô¥Ú
1¶ÊÌÜThe Labyrinth¤¬µï¤ë°Û¶õ´Ö¡¢¼ª¤Î¤½¤Ð¤À¤Æ¡¢À¼¤Î¸þ¤³¤¦¡¢


¾¾Â¼Ä÷»°ºîÉʽ¸
¡Ø¥¢¥×¥µ¥é¥¹¤ÎÄí¡¢°¤Ãν÷¡¢°¤Ãν÷¡¢¥®¥ê¥·¥ã¤Ë¤è¤»¤ëÆó¤Ä¤Î»Ò¼é²Î¡¢·ÚÂÀ»Ò(¤«¤ë¤Î¤ß¤³)¤Î¤¦¤¿¤¨¤ëÆó¤Ä¤Î²Î¤è¤êÂè2¶Ê¡¢¥ª¡¼¥±¥¹¥È¥é¤Î¤¿¤á¤ÎÁ°Áնʡ¢¶Ç¤Î»¾²Î¡¢¥Ô¥¢¥Î¶¨ÁÕ¶ÊÂè2ÈÖ¡Ù

Á°ÁնʤϤ¹¤´¤¤¤â¤Î¤ÎÁ°ÁնʤȤ¤¤¦¥¤¥Þ¥¸¥Í¡¼¥·¥ç¥ó¤Þ¤ÇÉ餦¤Æ²¡¤·´ó¤»¤ë¡¢


Les Chants De La Terre / Tamia Valmont 1999

¥Ô¥¨¡¼¥ë¡¦¥Õ¥¡¥Ö¥ë¤¬»²²Ã¤·¤¿£Å£Ã£ÍÈפÇÃΤä¿¥¿¥ß¥¢¡¢¤³¤Î£Ã£Ä¤Ï̤³«Éõ¤Ç½êÍ­¤·¤Æ¤¤¤¿¤Î¤Ç½é¤á¤ÆÄ°¤¤¤¿¡¢¿å¤ò¥Á¥ã¥Ñ¥Á¥ã¥Ñ¤µ¤»¤ÆÀ¼¤ò¥ê¥º¥ß¥Ã¥¯¤Ë¥Ï¡¼¥â¥Ê¥¤¥º¤µ¤»¤ë1¶ÊÌÜ¡¢





2018ǯ10·î22Æü(·î) ¤¤¤è¤¤¤èº£ÅÙ¤ÎÆüÍˤϡ¢¥¿¥À¥Þ¥¹£³£±¡¢¤À¡¢£³£±¤È¤¤¤¦¿ô»ú¤Ï


¤¤¤è¤¤¤èº£ÅÙ¤ÎÆüÍˤϡ¢¥¿¥À¥Þ¥¹£³£±¡¢¤À¡¢£³£±¤È¤¤¤¦¿ô»ú¤Ï¥µ¡¼¥Æ¥£¥ï¥ó¤Î¥¢¥¤¥¹¥¯¥ê¡¼¥à¤·¤«»×¤¤É⤫¤Ð¤Ê¤¤¡¢

¤ï¤¿¤·¤¬ºßÀÒ¤·¤Æ¤¤¤ëÆîÀÄ»³¥¹¥¤¡¼¥Ä¥Ç¥å¥ª¡¢¤ª¼ò¤Î¤Î¤á¤Ê¤¤50¤µ¤¤°Ê¾å¤ÎÃËÀ­2¿Í¤Ç¼ã¤¤½÷»Ò¤¿¤Á¤Çº®»¨¤¹¤ë¥¹¥¤¡¼¥ÄŹ¥Ñ¥Õ¥§Å¹¤Ë¥Í¥¯¥¿¥¤¤ÇÆþŹ¤·¡¢¤µ¤â¶È³¦¤ÎÄ廡¤Î¤Õ¤ê¤ò¤·¤Ê¤¬¤é¡¢¥µ¥ó¥°¥é¥¹¤Î²¼¤Ç¤Ï´¶Îޤˤऻ¤Ó¤Ê¤¬¤é¥Ñ¥¯¤Ä¤¤¤Æ¤¤¤ë¡¢¤È¤¤¤¦ÌÜŪ¤Î¤¿¤á¤Ë¡¢



±×»ÒÇîÇ·¡ß¿ÅIJíÈÏ»Íë²»È×Ãã²ñ¡ÊÄ̾Ρ§¥¿¥À¥Þ¥¹¡Ë Vol.31¡×

2018ǯ10·î28Æü(Æü) 18:30 start
Áî¹ç麽ÑÃã˼¡¡µÊÃãÃã²ñµ­¡Ê»Íë»°ÃúÌÜ¡Ë

¥Û¥¹¥È¡§±×»ÒÇîÇ·¡¦Â¿ÅIJíÈÏ
¥²¥¹¥È¡§ÙÑ´ÖÈþÈÁ¡Êºî¶Ê²È¡¿ÊԶʲȡË
»²²ÃÈñ¡§\1,500 (1¥É¥ê¥ó¥¯ÉÕ¤­)
open 18¡§30¡¿start 19¡§00

º£²ó¤Ï¡¢2018ǯÂè3 »ÍȾ´ü¡Ê7¡Á9·î¡Ë¤ËÆþ¼ê¤·¤¿¥Ë¥å¡¼¥è¡¼¥¯¡¡¥À¥¦¥ó¥¿¥¦¥ó¡Á¥Ö¥ë¥Ã¥¯¥ê¥ó¤Î¥¸¥ã¥º¤òÃæ¿´¤È¤·¤¿¿·É襢¥ë¥Ð¥à¤ò¤´¾Ò²ð¤·¤Þ¤¹¡£

¥²¥¹¥È¤Ë¤Ï¡¢NYºß½»¤ÎÙÑ´ÖÈþÈÁ¤µ¤ó¤ò¤ª·Þ¤¨¤¹¤ë¤³¤È¤Ë¤Ê¤ê¤Þ¤·¤¿¡£ºî¶Ê²È¡¦ÊԶʲȡ¢¤½¤·¤Æ»Ø´ø¼Ô¤È¤·¤Æ¡¢Â¿ºÌ¤ÊʬÌî¤ÇÀ¤³¦¤òÉñÂæ¤Ë³èÌö¤¹¤ëÙÑ´Ö¤µ¤ó¤Ï¡¢¡Ö¨¶½Åª½Ö´Ö¡×¤ò¤É¤Î¤è¤¦¤Ëª¤¨¤Æ¤¤¤ë¤Î¤Ç¤·¤ç¤¦¤«¡£¤ª³Ú¤·¤ß¤Ë¡£¡Ê±×»ÒÇîÇ·¡Ë


¤ï¤ª¡ª¥²¥¹¥È¤Ï£Î£Ùºß½»¤Î¡¢¥Þ¥ó¥Ï¥Ã¥¿¥ó²»³Ú±¡Âç³Ø±¡(¥¸¥ã¥ººî¶ÊÀ칶)¤ò·Ð¤ÆÀ¤³¦¥Ç¥Ó¥å¡¼¤ò²Ì¤¿¤·¡¢2016ǯ¤Ë¤ÏÊÆ¥À¥¦¥ó¥Ó¡¼¥È»ï¤Î¡Ö̤Íè¤òô¤¦25¿Í¤Î¥¸¥ã¥º¥¢¡¼¥Æ¥£¥¹¥È¡×¤ËÁª½Ð¤µ¤ì¤¿¡¢¤¢¤ÎÙÑ´ÖÈþÈÁ¤Ç¤Ï¤Ê¤¤¤«¡ª¡¢


¡Ø¥¸¥ã¥º¤Î100Ëç¡£¡ÙÙÑ´ÖÈþÈÁ - »ä¤¬±Æ¶Á¤ò¼õ¤±¤¿¥¸¥ã¥º¤Î1Ëç¡£
¢£

¤«¤ï¤¤¤¤¡¢¤«¤ï¤¤¤¹¤®¤ë¡¢


¥¢¥á¥ê¥«¤ÈÆüËܤΥá¥Ç¥£¥¢¤Ë¼è¤ê¾å¤²¤é¤ì¤Æͭ̾¿Í¤È¤Ê¤Ã¤¿¥Þ¡¼¥±¥Æ¥£¥ó¥°¥³¥ó¥µ¥ë¥Æ¥£¥ó¥°¤¬ËܶȤα׻ÒÇîÇ·¤È¡¢


ÉϺ¤ÁؤÎÈóÀµµ¬¸ÛÍѤΡ¢¤³¤ì¤Ï¥¸¥ã¥º¤¸¤ã¤Í¤¨¡ª¥¸¥ã¥º¥ß¥å¡¼¥¸¥·¥ã¥ó¤Ï¥¸¥ã¥º¤ò±é¤ì¡ª¡¢¤È¥Ç¥£¥¹¥¯¥æ¥Ë¥ª¥ó¤Î»îÄ°µ¡¤Ë¸þ¤«¤Ã¤ÆÅÜÌĤꡢÇã¼è²Á³Ê¤Ëʸ¶ç¤ò¤Ä¤±¡¢¿·É襳¡¼¥Ê¡¼¤Ç¥¹¥Þ¥Û¤Ç¼Ì¥á¤À¤±¤·¤Æµ¢¤Ã¤Æ¤¯¤ë¡¢¥¿¥ï¥ì¥³´ó¤Ã¤Æ¥¤¥ó¥È¥·2ºý»ý¤Ã¤Æ¤­¤¿¤¯¤»¤Ë¸÷¥öµÖ¤ËÃ夤¤¿¤é¥±¥Ã¤È¥´¥ßÈ¢¤ËÁÞÆþ¤¹¤ë¡¢Jazz Tokyo¤«¤é¥­¡¼¥¹¤Î¿·Éè¤ò͹Á÷¤·¤Æ¤â¤é¤Ã¤Æ¤â°­ÂÖ¤ò¤Ä¤¤¤¿¥¿¥¬¥é¥é¥¸¥ª53¤À¤±Æþ¹Æ¤·¡¢¥­¡¼¥¹¤Î¿·Éè¤Ï iTunes ¤«¤é¤â®¹¶¤Ç¥´¥ßÈ¢¤ËÁÞÆþ¤¹¤ë¡¢¤»¤Ã¤«¤¯¸Û¤Ã¤Æ¤¯¤ì¤¿¼ÒŤµ¤ó¤Ë¤½¤ì¤Ï¥¯¥º¤Ç¤·¤ç¤È¤¿¤á¸ý¤ò¤­¤­¸Û¤¤»ß¤á¤Ë¤µ¤ì¡¢¤¯¤À¤é¤Í¤§À¤¤ÎÃæ¤À¡¢¤¯¤À¤é¤Í¤§¥ª¥ì¥¿¥Á¡¢¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥·¤ò¸ý¤º¤µ¤ß¡¢¤½¤ó¤Ê¡¢±¿Å¾¼ê¤ÈµÊ±ì¤Ë¤·¤«Ç½¤¬¤Ê¤¤¤è¤¦¤Ê¡¢±º°ÂÅ´¶Ú²È²¤ÎÂçÅ´¤Î¤è¤¦¤Ê¡¢¤¿¤À¤¿¤À¥Ë¥³¥Á¥ó½­¤¤¤À¤±¤Î¥¸¥¸¥¤¡¢¤Ç¤¢¤ë¡¢¤ª¤ì¡¢¤È¡¢


À¤³¦¤Î¥¸¥ã¥º¥Õ¥¡¥ó¤Î°À­¤ò¤³¤Î»°¿Í¤Ç¤¹¤Ù¤Æ¥«¥Ð¡¼¤Ç¤­¤ë¤È¤¤¤¦¡¢»Ë¾å½é¤Îʸ²½¿ÍÎà³ØŪ¥¸¥ã¥ºÄ°¼è¤Î»î¤ß¡¢


¤¢¤ì¤ì¡¢¤³¤Ê¤¤¤À±×»Ò¤µ¤ó¤Á¤Î¥¹¥Ô¡¼¥«¡¼¤ÇÁª¶Ê¤òͽ½¬¤·¤Æ¤­¤¿¤Ï¤º¤Ê¤ó¤À¤¬¡¢¤Þ¤¿¤¹¤Ã¤«¤ê»×¤¤½Ð¤»¤Ê¤¤¤Ç¤¤¤ë¡¢¤¨¤¨¤¤¤Þ¤Þ¤è¡¢º£¤òÀ¸¤­¤ë¤Î¤À¡¢º£À¸¤­¤Æ¤ì¤Ð¤Ê¤ó¤È¤«¤Ê¤ë¡¢²¿¤ò½ñ¤¤¤Æ¤¤¤ë¤Î¤«¡¢


2016ǯÊÆ¥À¥¦¥ó¥Ó¡¼¥È»ï¡Ö̤Íè¤òô¤¦25¿Í¤Î¥¸¥ã¥º¥¢¡¼¥Æ¥£¥¹¥È¡×¥é¥¤¥ó¥Ê¥Ã¥×

Melissa Aldana
Sullivan Fortner
Cyrille Aimée
Ben Williams
Marcus Gilmore
Marius Neset
Kris Bowers
Aaron Diehl
Tyshawn Sorey
Matthew Stevens
Kris Davis
Julian Lage
Miho Hazama
Aaron Parks
Justin Brown
Jacob Garchik
Marquis Hill
Becca Stevens
Gerald Clayton
Mark Guiliana
Etienne Charles
Jamison Ross
Bria Skonberg
Joey Alexander




2018ǯ10·î21Æü(Æü)


¼ãÎÓ·Ã
¥ª¡¼¥±¥¹¥È¥é¤Ï19À¤µª¤Î¥³¥Ô¡¼¥Ð¥ó¥É!?
ºî¶Ê²È¡¦Æ£ÁÒÂç¤Î¡ÈÆðۡɤʲ»³ÚÏÀ
¢£



øÃæδ»Ë
¥è¡¼¥í¥Ã¥Ñ¡¦¥Õ¥ê¡¼¤Î¥Ñ¥¤¥ª¥Ë¥¢¡¢¥¢¥ì¥¯¥µ¥ó¥À¡¼¡¦¥Õ¥©¥ó¡¦¥·¥å¥ê¥Ã¥Ú¥ó¥Ð¥Ã¥Ï¤¬¥È¥ê¥ª¤Ç¿ë¤ËÍèÆü!
¢£



Blankey Jet City / åºÎï¤Ê¼ó¾þ¤ê
¢£



2018ǯ10·î19Æü(¶â) La Fenice ¥é¡¦¥Õ¥§¥Ë¡¼¥Á¥§ (¥Õ¥§¥Ë¡¼¥Á¥§·à¾ì¡¢¥Ù¥Í¥Á¥¢ / 2006ǯ)¡¢


Î䢸ˤÎÎ䤨¤¿¥Ç¥ë¥â¥ó¥Æ¤Î¥°¥é¥ó¥Ù¥ê¡¼¤¶¤¯¤í¡¢¤È¡¢¥­¥ê¥ó¥ì¥â¥óÀ¥¸ÍÆâ¥ì¥â¥ó¤ÈÅ·Á³¿å¡¢¤È¡¢¥Ç¥«¥Ó¥¿¡¢¤È¡¢Éٻ볤ÎÅ·Á³¿å¡¢¤ò¡¢¤Á¤Ó¤Á¤Ó¤ÈÌ£¤ò³Î¤«¤á¤Ê¤¬¤é¥«¥¯¥Æ¥ë¡¢



½¸±Ñ¼ÒKotoba2018ǯ½©¹æ¤ËºÜ¤Ã¤Æ¤¤¤¿¥¢¥Õ¥ê¥«¤ÎÅÛÎ줬¥ì¥ó¥¬¤ò±¿¤Ö¼Ì¿¿¤¬Ç¾Î¢¤«¤éÎ¥¤ì¤é¤ì¤Ê¤¤¡¢Èþ¤·¤¤¿ÈÂΤȤÎÍ¡¢É½¾ð¤ËÀø¤à»×Ç°¤È¤¤¤Ã¤¿¤â¤Î¡¢



¶äºÂ¤Î¤Ï¤·¤´¥é¡¼¥á¥ó¡¢À¾ËãÉۤΤ«¤ª¤¿¤ó¥é¡¼¥á¥ó¡¢¤Þ¤¿¿©¤Ù¤Ë¹Ô¤±¤Þ¤¹¤è¤¦¤Ë¡¢À±¤Ë´ê¤¤¤ò¡¢



£Î£È£Ë¥Á¥³¤Á¤ã¤ó¤Ë¼¸¤é¤ì¤ë¡ªDon't sleep through life! ¥Ü¡¼¤Ã¤ÈÀ¸¤­¤Æ¤ó¤¸¤ã¤Í¤¨¤è¡ª¡¢



¥­¡¼¥¹¤Î¿·Éè¥é¥Õ¥é¥ó¥¹¡¢¤¸¤ã¤Ê¤¤¡¢La Fenice ¥é¡¦¥Õ¥§¥Ë¡¼¥Á¥§ (¥Õ¥§¥Ë¡¼¥Á¥§·à¾ì¡¢¥Ù¥Í¥Á¥¢ / 2006ǯ)¡¢
¡ÉÀè¹ÔÇÛ¿®¤È¤Ê¤Ã¤¿¡ÖThe Sun Whose Rays¡×¤Ï¡¢1985ǯ½é¾å±é¤È¤Ê¤Ã¤¿¥ª¥Ú¥é¡Ø¥ß¥«¥É¡Ù¤Î¤¿¤á¤Ë¥¦¥£¥ê¥¢¥à¡¦S¡¦¥®¥ë¥Ð¡¼¥È¤È¥¢¡¼¥µ¡¼¡¦¥µ¥ê¥ô¥¡¥ó¤¬½ñ¤­²¼¤í¤·¤¿1¶Ê¤ò¥­¡¼¥¹¤¬¥½¥í¡¦¥Ô¥¢¥Î¤ÇÇ®±é¤·¤¿¤â¤Î¡£¤½¤Î¾¤Ë¤â¡¢¥­¡¼¥¹¤ÎÂå̾»ì¤È¤â¸À¤¨¤ë¨¶½±éÁնʤ䥹¥¿¥ó¥À¡¼¥É¶Ê¡ÖStella by Starlight¡ÊË®ÂꡧÀ±±Æ¤Î¥¹¥Æ¥é¡Ë¡×Åù¡¢·×12¶Ê¤¬2ËçÁÈCD¤Ë¼ýÏ¿¤µ¤ì¤ë¡£
¥­¡¼¥¹¡¦¥¸¥ã¥ì¥Ã¥È¤Ïº£ºî¥ê¥ê¡¼¥¹Ä¾¸å¤Î9·î29Æü¤Ë¡¢1985ǯ¤«¤é2ǯ¤Ë1ÅÙ³«ºÅ¤µ¤ì¤Æ¤¤¤ë¹ñºÝŸÍ÷²ñ¡Ö¥Ù¥Í¥Á¥¢¡¦¥Ó¥¨¥ó¥Ê¡¼¥ì¡×¤Î²»³ÚÉôÌç¤Ç¥¸¥ã¥º¡¦¥ß¥å¡¼¥¸¥·¥ã¥ó¤È¤·¤Æ½é¤á¤Æ¶â»â»Ò¾Þ¤ò¼õ¾Þ¤¹¤ë¤³¤È¤¬ÌÀ¤é¤«¤È¤Ê¤Ã¤Æ¤¤¤ë¡£Æ±¾Þ¤Ï¡¢²áµî¤Ë¥Ô¥¨¡¼¥ë¡¦¥Ö¡¼¥ì¡¼¥º¤ä¥¹¥Æ¥£¡¼¥ô¡¦¥é¥¤¥Ò¤È¤¤¤Ã¤¿¸½Âå²»³Ú¤Îºî¶Ê²È¤¿¤Á¤¬¼õ¾Þ¤·¤Æ¤¤¤ë¡£¡É

Êа¦£Å£Ã£Í¥ê¥¹¥È11¢£¤Î¥È¥Ã¥×¤Ë¤³¤È¤â¤¢¤í¤¦¤Ë¥­¡¼¥¹¤Î¥Ö¥ì¥²¥ó¥Ä¤ò·Ç¤²¤¿ÀÕǤ¤¬¥Ë¥»¥³¥í¥Ã¥·¤Ë¤Ï¤¢¤ë¤Ï¤º¤À¡¢¥ì¥¤¥Ç¥£¥¢¥ó¥¹Åìµþ¥½¥í¤ò¤Ò¤È¤Ä¤ÎĺÅÀ¤Ç¤¢¤ë¤È¤â¥Ö¥Á¤¢¤²¤¿¤³¤È¤â¤¢¤Ã¤¿¤À¤í¤¦¤Ë¡¢¤³¤Î¥é¥Õ¥§¥Ë¡¼¥Á¥§¤Ï¤É¤¦¡©¡¢

¤Þ¤Ã¤¿¤¯Âà¶þ¤À¡¢°ì²»¤â»É¤µ¤é¤Ê¤¤¡¢Ê¶¤ì¤â¤Ê¤¤°¦¤·¤¤¥­¡¼¥¹¤Î¥Ô¥¢¥Î¤Î²»¤À¡¢¤³¤ÎÀ¤³¦¤Ë¥­¡¼¥¹¤Î¥Ô¥¢¥Î¤¬¤¢¤ë¤È¤¤¤¦¤Î¤Ï±ó¤¤²áµî¤Î´õ˾¡¢¤É¤Î²»Éä¤ÎÏ¢¤Ê¤ê¤âÊâ¤ßË°¤­¤¿»Í¾öȾ¤ÎÆ⦤òé¤ë¤À¤±¤ÎÂåʪ¡¢¤Þ¤Ã¤¿¤¯²ÁÃͤΤʤ¤¤³¤Î±éÁÕ¡¢µ·¼°¤Î¤è¤¦¤Ë´ÑµÒ¤Ï²æÀè¤ËÇï¼ê¤ò¤¹¤ë¥Á¥ã¥ó¥¹¤òÂԤĤÀ¤±¤Ë¤·¤«»×¤¨¤Ê¤¤¡¢

´¶À÷¤ÈÌȱ֤òÁÛ¤¦¡¢

Don't sleep through life! ¥Ü¡¼¤Ã¤ÈÀ¸¤­¤Æ¤ó¤¸¤ã¤Í¤¨¤è¡ª¡¢¥­¡¼¥¹¡ª¡¢





2018ǯ10·î18Æü(ÌÚ) ½¸±Ñ¼ÒKotoba2018ǯ½©¹æ¡¢Æý¸¡Ø¥¢¥Ö¥Ê¥¤¡¢¤¢¤Ö¤Ê¤¤¡¢´í¤Ê¤¤¼Ì¿¿¡Ù


¤¢¤µ¡¢¤è¤Ã¤¿¤ó¤¬Ä«¾Æ¤±¤ÎÃ˼¯È¾Åç²­¤Ë¤¤¤ë¼Ì¥á£Æ£Â¡¢ÆѾ®ËÒ¤«¤éÀçÂæ¤Ë¸þ¤«¤¦¥Õ¥§¥ê¡¼¡¢µ¤»ý¤Á¤è¤µ¤½¤¦¡¢



¿Þ½ñ´Û¡¢½¸±Ñ¼ÒKotoba2018ǯ½©¹æ¡¢Æý¸¡Ø¥¢¥Ö¥Ê¥¤¡¢¤¢¤Ö¤Ê¤¤¡¢´í¤Ê¤¤¼Ì¿¿¡Ù¥¤¥¶¥¤¥Û¡¼¤Îµ×¹âÅç¤Î¼Ì¿¿¤ËÅ£ÉÕ¤±¤Ë¤Ê¤ë¡¢¼ó¤¯¤¯¤êÛ޾ݡ¢Æ£¸¶¿·Ìé¥á¥á¥ó¥È¥â¥ê¤Î¿Í´Ö¤Ï¸¤¤Ë¶ô¤ï¤ì¤ë¤Û¤É¼«Í³¤À¼Ì¿¿¡¢µÜÂô¤ê¤¨¥µ¥ó¥¿¥Õ¥§¤ÎÍçÂΡ¢


¡Ö²­Æì¡¡µ×¹âÅç¤Î¥¤¥¶¥¤¥Û¡¼¡ÝÂè1Éô¡Ý¡×Åìµþ¥·¥Í¥Þ¿·¼Ò£±£¹£·£¹Ç¯À©ºî
¢£

¾®Ã«Èþ¼Ó»Ò¤Î·æºî¡Ø¤¦¤¿¤­¡Ù1999¡¢¤â¡¢¡Ö¤¦¤¿¤­¡×¤À¡¢



Ëã¿ý¡¦RTD¥ê¡¼¥°2018½à·è¾¡·ë²Ì
1°Ì¡¡ÎëÌÚ¤¿¤í¤¦¡Ê¶¨²ñ¡Ë
2°Ì¡¡¾®ÎÓ¹ä¡ÊËã¿ýÏ¢¹ç¡Ë
3°Ì¡¡ÆâÀÂÀϺ¡ÊÏ¢ÌÁ¡Ë
4°Ì¡¡À¥¸Í·§Ä¾¼ù¡ÊÏ¢ÌÁ¡Ë



Milford Graves & Toshi Tsuchitori Live at Tokyo 1993
¢£


¾®¿ùÉðµ×,ÅçÅÄΤÍþ/perspective A part1.mov
¢£



Ãæ¼°ìµÁ¡Ø¶â»úÅã¡Ù1997¡¢¤Ë¡¢µß¤ï¤ì¤ë¡¢¤³¤ì¤òÄ°¤¤¤¿¤Î¤Ï36¤µ¤¤¡¢¤À¤Ã¤¿¤Î¤«¡¢³Ð¤¨¤Ï¤¸¤á¤ë¤Ï¤¸¤á¤ÆÊë¤é¤¹ÅÚÃϤÎÆ»¤Î¤Ä¤Ê¤¬¤ê¡¢¸òº¹ÅÀ¤Î¥â¥¹¥Ð¡¼¥¬¡¼¡¢





2018ǯ10·î17Æü(¿å) ¥¿¥¤¥·¥ç¥ó¤Î¿·É褬¤¹¤´¤¤¤³¤È¤Ë¤Ê¤Ã¤Æ¤¤¤ë¡¢£³£Ã£Ä¡Ü£²£Ì£Ð¡Ê¡ª¡Ë¡¢£±¥È¥é¥Ã¥¯70ʬĶ¤¨¡¢


º£Æü¤â¥Á¥ã¥ê¤Ç¸÷¤¬µÖ¸ø±à¤È¿Þ½ñ´Û¤Çͼ¹ï¡¢Ä̤ê¤Î¾¯¤Ê¤¤½»Â𳹤ò¶õ¤ò¸«¾å¤²¤Ê¤¬¤é¡Ö¤³¤³¤ÏÈ¡´Û¤À¤è¡×¡Ö¤³¤³¤ÏÆàÎɤÀ¤è¡×¡Ö¤³¤³¤ÏÉ𢾮¶â°æ¤À¤è¡×¡¢»þ¶õ¤Ï¥ê¥¢¥ë¤Ë¡¢É÷¤¬¿á¤¤¤Æ¤¤¤ë¡¢°©¤¤¤¿¤¤¤Ò¤È¤¿¤Á¤¬¤½¤³¤é¤¸¤å¤¦¤Ë¡¢Ä̤ê²á¤®¤ë¡¢


¤Ê¤¢¤ó¤À¡¢À¤³¦¤Ï¤½¤¦¤Ê¤Ã¤Æ¤¤¤¿¤Î¤«¡¢µ¤ÉÕ¤«¤Ê¤«¤Ã¤¿¤¼¡¢¶¾Çþ¤ò¤æ¤Ç¤ÆÈþÌ£¤·¤¤¡¢



¡ØÍß˾¤Î»ñËܼçµÁ£²¡¡°Ç¤ÎÎϤ¬ÌܳФá¤ë»þ¡Ù¡ÊÅìÍηкѿ·Êó¼Ò¡Ë2018

Âè2¾Ï¡¡¡Ö»ñËܼçµÁ¤Ï¥·¥ç¥¦¡Ê¸«¤»Êª¡Ë¤À¡×

¼ã¤­Å·ºÍů³Ø¼Ô¥¬¥Ö¥ê¥¨¥ë¡ß°Ûü¤Îµ´ºÍ¥»¥É¥é¥Á¥§¥¯

¡ÖÀ¤³¦¤Ï¸ºß¤·¤Ê¤¤¡£°ì³Ñ½Ã¤Ï¸ºß¤¹¤ë¡×¤Ë½¸Ì󤵤ì¤ë¡¢¥¬¥Ö¥ê¥¨¥ë¤Îů³Ø¡¢¤¦¤°¡¼¡¢ÌÌÇò¤½¤¦¤À¡¢



¥¿¥¤¥·¥ç¥ó¤Î¿·É褬¤¹¤´¤¤¤³¤È¤Ë¤Ê¤Ã¤Æ¤¤¤ë¡¢£³£Ã£Ä¡Ü£²£Ì£Ð¡Ê¡ª¡Ë¡¢£±¥È¥é¥Ã¥¯70ʬĶ¤¨¡¢

Pillars
Tyshawn Sorey
¢£

2018ǯ10·î12Æü¥ê¥ê¡¼¥¹ 

Stephen Haynes: trumpet, flugelhorn, cornet, alto horn, small percussion 
Ben Gerstein: trombone, melodica 
Todd Neufeld: electric and acoustic guitar 
Joe Morris: electric guitar, double bass 
Carl Testa: double bass, electronics 
Mark Helias: double bass 
Zach Rowden: double bass 
Tyshawn Sorey: conductor, drum set, dungchen, percussion, trombone



£Ã£Ä¾Ò²ðʸ¤Ç¤Ï¡¢¥í¥¹¥³¡¼¥ß¥Ã¥Á¥§¥ë¥Ó¥ë¥Ç¥£¥¯¥½¥ó¥Ö¥Ã¥Á¥â¥ê¥¹¥¢¥ó¥½¥Ë¡¼¥Ö¥é¥¯¥¹¥È¥ó¤«¤é¥â¡¼¥È¥ó¥Õ¥§¥ë¥É¥Þ¥ó¥«¡¼¥ë¥Ï¥¤¥ó¥Ä¥·¥å¥È¥Ã¥¯¥Ï¥¦¥¼¥ó¤Þ¤Çʤ٤ÆÂçÀ¾Íβ£ÃÇ¡¢¤È½ñ¤«¤ì¤è¤¦¤ÎÂçÉ÷ϤÉß¡¢


¤³¤Ê¤¤¤À¤Ï¡Ö¥Õ¥ê¡¼¥¸¥ã¥º/¥¤¥ó¥×¥í¤ÎÃÇÁØ=¥¹¥é¥Ã¥·¥å¤È¤¤¤¦¤Î¤ÏÂçÀ¾ÍΤιÂMid-Atlantic Ridge¤Ç¤¢¤ë¡¢¤È¤¤¤¦¤ª¤é37¤Î¸«Î©¤Æ¤Ï¼¡¤Ë¡¢ºÇ½é¤Ë¼èÆÀ¤·¤¿¸À¸ì¤Èʸ²½ÂηϤ«¤é¤Ïƨ¤ì¤é¤ì¤Ê¤¤Àâ¡¢¡¢¡¢¤ä¤á¤ä¤á¡¢¤ª¤é57¡¢¡×¤È¸ýÁö¤Ã¤Æ¤¤¤¿¤ó¤À¤¬¡¢


¥â¥ê¥¹¤È¥¢¥é¥¤¥¢¥¹¤È¤¤¤¦Ç»¸ü¤Ê¥¸¥ã¥º¿ÈÂΡʤȡ¢¤³¤Î¤¯¤¯¤ê¼«ÂΤ¬µ¿Ìä¤ËÉÕ¤µ¤ì¤ë¤³¤È¤Ë¤Ê¤ë¤¬¡¢¡Ë¤¬¡¢¤É¤Î¤è¤¦¤Ë¸ºß¤·¹×¸¥¤·¤Æ¤¤¤ë¤Î¤«¡¢¤Ë¡¢¼ª¤Ï¤¶¤ï¤á¤¤¤Æ¤¤¤ë¡¢¤È¡¢Ä°¤¤¤Æ¤¤¤ëww¡¢Spotify¡¢


Ť¤¥Õ¥ê¡¼¥¸¥ã¥º¤Ê¤ó¤«¤Ç¤Ï¤Ê¤¤¤è¤³¤ì¤Ï¡¢¥³¥ó¥Ý¥¸¥·¥ç¥ó¤µ¤ì¤¿¥Õ¥ê¡¼¥¸¥ã¥º¡¢¤½¤ó¤Ê¸À¤¤Êý¤Ç¤´¤Þ¤«¤µ¤Ê¤¤¤Ç¡¢


¤³¤Ê¤¤¤À¤Ï¤µ¡¢¥¤¥ô¡¦¥ê¥Ã¥µ¤ÎMarcelo DosReis & Eve Risseer¡ØTimeless¥¿¥¤¥à¥ì¥¹¡Ù2017¤òÄ°¤¤¤Æ¤¤¤Æ¡¢¤³¤ì¤Ï¥¤¥ó¥×¥í¤«¥¸¥ã¥º¤«¤Ê¤ó¤Æ¡É¤ï¤«¤ó¤Í¡¼¤è¡É¡¢¤½¤ó¤Ê¤Î¡É¤É¤¦¤Ç¤â¤¤¡¼¤è¡É¤È̥뤵¤ì¤Æ¤¤¤¿¤Î¡¢¡É¥³¥ó¥Ý¥¸¥·¥ç¥ó¤À¤Ã¤Æ¤¼¤ó¤¼¤ó¥ª¥Ã¥±¡¼¡É¡¢


¼«Ê¬¤Ç¥¸¥ã¥º¤Ë¹´¤ë¡¢¹´Å¥¤¹¤ë¤È¸À¤Ã¤Æ¤ª¤¤¤Æ¡¢¤Ê¤ó¤À¤¬¡¢


¼ª¤ò¤½¤Ð¤À¤Æ¤Æ¤·¤Þ¤¦¡¢¤³¤ÎÍßÆ°¤Îº¬¸»¤Ï¡¢



2018ǯ10·î16Æü(²Ð) ¡Ø¥«¥á¥ë¡¼¥ó¤Î¥ª¥Ú¥é¡Ù¥¸¥ç¥¼¡¦¥Ô¥ô¥¡¥ó


ameba TV Ëã¿ý£Í¥ê¡¼¥°¤ò19»þ¤«¤é24»þ¤Þ¤Ç½¸Ãæ»ëÄ°¤¹¤ë¡¢

¤È¤·¤ª¥Ñ¥Ñ¤¬64ǯº¢¤ËµÜ²¼¤Î¼Ú²È¤ÇƱν¤È¥Þ¡¼¥¸¥ã¥ó¤ò¤¹¤ë¤È¤Ò¤¶¤ÎÃæ¤Ë¼ý¤Þ¤ê¡¢¥Ñ¥Ñ¤³¤ì»ý¤Ã¤Æ¤ë¡©¡¢2¤Ä»ý¤Ã¤Æ¤ë¡¼¡¢¤ÈÅú¤¨¤Æ¤¤¤¿¤â¤Î¤Ç¡¢18¤ÇÅìµþ¤Ø½Ð¤Æ¤­¤ÆËèÆü¿·Ê¹ÈÎÇäŹ¤Ç¥Þ¡¼¥¸¥ã¥óÇפò¸«¤¿¤È¤­¤Ë¤Ï¡¢



½µ´©¥â¡¼¥Ë¥ó¥°45¹æ¤Îɽ»æ¡Ö¥Ï¥³¥Å¥á¡Á¸òÈÖ½÷»Ò¤ÎµÕ½±¡Á¡×¤Ë˨¤¨¤Æ¤·¤Þ¤¦¡¢¤«¤ï¤¤¤¤¡¢¼Ì¥á¤¹¤ó¤Ê¤è¡¢¥Þ¥µ¥Î¥ê57¡¢É¡¤Î·ê¤¬ÅÀ¡¹¤Ç¤¢¤ë¤³¤È¤Ï¥­¥Û¥ó¤À¡¢¤Ê¤ó¤Î¥­¥Û¥ó¤À¡¢



[ ¶¿½¥¤È¤Ï¡¢¤«¤Ä¤Æ²ÄǽÀ­¤È¤·¤ÆÍ¿¤¨¤é¤ì¤Æ¤¤¤¿Ì¤Íè¤ò¸½ºß¤È¤·¤ÆÀ¸¤­¤ë¤³¤È¤Î¤Ê¤«¤Ë¤¢¤ë¡£ ]
¤È¤¤¤¦¥Õ¥ì¡¼¥º¤¬°Õ¼±¤Ë¤È¤É¤Þ¤ê³¤±¤Æ¤¤¤ë¡¢
musicircus ºÌ¼ªµ­ 10 Ìë¤Î»þ´Ö¡£Ìë¤Î»×¹Í¡£¡¡¢£



¡Ø¥«¥á¥ë¡¼¥ó¤Î¥ª¥Ú¥é¡Ù
¢£
¡É¡Ö¥«¥á¥ë¡¼¥ó¤Î¥ª¥Ú¥é¡×¤Ï¥É¥­¥å¥á¥ó¥¿¥ê¡¼ºî²È¥¸¥ç¥¼¡¦¥Ô¥ô¥¡¥ó¤¬Ãæ¿´¤È¤Ê¤ê¡¢¥Õ¥é¥ó¥¹¹ñ±ÄÊüÁ÷¡¢¥é¥¸¥ª¡¦¥«¥á¥ë¡¼¥ó¤Î¶¨ÎϤòÆÀ¤ÆÀ½ºî¤·¤¿Ï¿²»¹½À®¡É

¥È¥é¥Ã¥¯£µ¡¢»Ò¤É¤â¤¿¤Á¤ÈÂç¿Í¤¿¤Á¤Î¸ÀÍÕ¤ÈÂdzڴï±éÁÕ¤¬¸òº¹¤¹¤ë¶õ´Ö¡¢¤¸¤Ã¤ÈÄ°¤¤¤Æ¤¤¤ë¤È¥³¥È¥Ð¤ò½¬ÆÀ¤·¤è¤¦¤È¤¹¤ëÍĻҤÎÄ°¼è¾õÂÖ¤Ë¤Ê¤í¤¦¤È¤·¤Æ¤¤¤ë¡¢



Ì´¤ò¸«¤ë¡¢¾®ÀÐÂç¤ÎÂʱߥ¿¥¤¥ë¤Ç¤·Á¤µ¤ì¤¿Àö¤¤¾ì¤ÇÉ÷Ϥ°Ø»Ò¤ËºÂ¤Ã¤Æ¾®¤µ¤Ê»Ò¤É¤â¤¿¤Á¤ò¼¡¡¹¤ÈÀö¤Ã¤Æ¤¤¤ë¡¢Ãˤλҽ÷¤Î»Ò¡¢¤É¤Î»Ò¤â¼«Ê¬¤Î»Ò¤É¤â¤Î¤è¤¦¤Ê¿´¾ð¡¢¤Ò¤È¤ê¤ÇÅò½®¤Ë¿»¤«¤ì¤ë¤ó¤«¡©¤è¤¯²¹¤Þ¤é¤Ê¤¤¤ÈÉ÷¼Ù¤Ò¤¯¤¾¡¢¤È¾®¤µ¤ÊÇØÃæ¤ò¤¿¤¿¤¯¡¢¤Ò¤È¤ê¤Ïʶ¤ì¤â¤Ê¤¯Îø¤Á¤ã¤ó¤À¤Ã¤¿¡¢



´äºêÞ­Æà¡¡¥·¥ç¥Ñ¥ó¡Ö¥¨¥Á¥å¡¼¥ÉOp.10-5¡× / Junna Iwasaki Chopin Etude Op.10-5
¢£



Junna Iwasaki – Nocturne in C minor, Op. 48 No. 1 (first stage, 2010)
¢£





2018ǯ10·î15Æü(·î) ¸½ÂåÆüËܲ»³Ú¤Î¸Åŵ-18¡¡¥Ï¡¼¥×¤Î¸ÄŸ: JUN.25,26, 1973 / ¾®¿ùÉðµ×¡¢¼Äºê»Ë»Ò


¾®¿ùÉðµ×
2018ǯ10·î12Æü¡¢¿©Æ»¤¬¤ó¤Î¤¿¤á»àµî¡¢µýǯ80



»ûÆâµ×¡§
¥¹¥Ú¡¼¥¹¡¦¥Õ¡¼¤Ç¾®¿ùÉðµ×¤µ¤ó¤¬¥Ð¡¼¥ë¡¦¥Õ¥£¥ê¥Ã¥×¥¹¡¢¹â¶¶Íª¼£¤µ¤ó¤È±éÁÕ¤·¤¿»þ¤Ë¡¢Èþ½Ñ´Û¤Î´ØÏ¢´ë²è¤À¤±¤Ç¤Ê¤¯¡¢º£Æü¤ß¤¿¤¤¤Ê¨¶½¤Î¥é¥¤¥ô¤ò¤â¤Ã¤È¤ä¤Ã¤ÆÍߤ·¤¤¤È¤ªÏä·¤¿¤é¡ÖËͤϨ¶½±éÁÕ¤¹¤ë¤ÈÐþËý¤Ë¤Ê¤Ã¤Æ¤·¤Þ¤¦¤Î¤Ç¡¢¤¢¤Þ¤ê¨¶½¤Ï¤ä¤ì¤Ê¤¤¤Î¤Ç¤¹¡£¡×¤È¡¢¤ª¤Ã¤·¤ã¤é¤ì¤¿»ö¤ò»þ¡¹»×¤¤½Ð¤·¤Þ¤¹¡£



Taj Mahal Travellers
¢£



¡Ö¤¤¤ä¡¢¤ï¤«¤ê¤Þ¤¹¡£¤½¤¦¤¤¤¨¤Ð¾®¿ùÉðµ×¤µ¤ó¤È¤ä¤Ã¤¿¤Î¤¬ÌÌÇò¤«¤Ã¤¿¡£¾®¿ù¤µ¤ó¤Ï¤É¤ó¤Ê¥¸¥ã¥ó¥ë¤ËÆþ¤ë¤Ò¤È¤«¤ï¤«¤é¤Ê¤¤¤±¤É¤â¡¢¤¢¤Î¤Ò¤È¤³¤½¥¤¥ó¥×¥í¥ô¥£¥¼¡¼¥·¥ç¥ó¤Î¤Ò¤È¤À¤Í¡£¥é¥¤¥Ö¤â¤ä¤Ã¤¿¤³¤È¤¢¤ë¤ó¤À¤è¡£¡Ø¥Ð¥ó¥É¥Í¥ª¥ó¤ÎÉ¿¡Ù¤Ë¤âÆþ¤Ã¤Æ¤¤¤ë¤ó¤À¤è¡¢¾®¿ù¤µ¤ó¡£¡ãÇî°¦¡ä¤À¤Ã¤¿¤«¤Ê¡£¤¢¤¢¡¢¾®¿ù¤µ¤ó¤Î̾Á°¡¢¤³¤Ê¤¤¤Àµó¤²¤ì¤ÐÎɤ«¤Ã¤¿¤Ê¤¢¡£¡×
¡Ê¤¢¤¬¤¿¿¹µû¡Ë

¤¢¤¬¤¿¿¹µû¥¤¥ó¥¿¥Ó¥å¡¼¤ò¤³¤Ã¤½¤ê¤³¤ÎÆüµ­¤ËÃÖ¤¤¤Æ¤¢¤ë¤ó¤À¡¢
¢£



¤½¤·¤Æ¾®¿ùÉðµ×¤Î»²²Ã¤·¤Æ¤¤¤ë£Ã£ÄºîÉʤȤ·¤Æ¤Ï¡¢

¡Ø¸½ÂåÆüËܲ»³Ú¤Î¸Åŵ-18¡¡¥Ï¡¼¥×¤Î¸ÄŸ: JUN.25,26, 1973 ¥³¥í¥à¥Ó¥¢Âè°ì¥¹¥¿¥¸¥ª (COCO 6278, 1990) / ¾®¿ùÉðµ×(¥ô¥¡¥¤¥ª¥ê¥ó)¡¢¼Äºê»Ë»Ò(¥Ï¡¼¥×)¡Ù

¥¹¥¿¥ó¥¶Ii (ÉðËþÅ°, 1971)¡¢¥ê¥ó¤Î»í (ÄÚǽ¹î͵, 1972)¡¢¥Ø¥Æ¥í¥À¥¤¥ó (¾®¿ùÉðµ×,1973)

¤òµó¤²¤Ê¤¤¤ï¤±¤Ë¤Ï¤æ¤«¤Ê¤¤¤À¤í¤¦¡¢¤Ä¤¤¤³¤Ê¤¤¤À¥Õ¥¸¥¿¤µ¤ó¤ËÄ°¤«¤»¤Æ¤¤¤¿¤À¤¤¤¿¤Ð¤«¤ê¡¢¥¿¥¤¥È¥ë¤È¤«Çä¤ê¾ì¤Ï¸½Âå²»³ÚʬÎà¤Ê¤Î¤À¤¬¡¢¤³¤ó¤Ê¶­ÃϤˤ¢¤ëÏ¿²»¤Ï¤½¤¦¤½¤¦¤¢¤ë¤ï¤±¤Ç¤Ï¤Ê¤¤¡¢ÉðËþºîÉʤǤϥե£¡¼¥ì¥³¤âÌĤäƤ¤¤ë¡¢

¾®¿ùÉðµ×¤Î¥Î¡¼¥È
¡Ø¥Ø¥Æ¥í¥À¥¤¥ó¤¢¤ë¤¤¤ÏÇȾè¤ê¡½¡½¥Ø¥Æ¥í¥À¥¤¥ó¤È¤Ï¤¿¤È¤¨¤Ð¡¢²ÄÄ°ÇȤǤϤʤ¤¤Õ¤¿¤Ä°Ê¾å¤Î¹â¼þÇȡʥ饸¥ª¡¦¥¦¥§¡¼¥Ö¡Ë¤¬ÅŻҲóÏ©¤ÎÃæ¤ÇÁê¸ß¤Î¼þÇÈ¿ô¤¬¶á»÷¤Î»þ¤Ë´³¾Ä¤òµ¯¤³¤·¡¢²ÄÄ°ÂÓ¤ÎÇȤȤ·¤Æ¤Î¥Ó¡¼¥È¡ÊÓ¹¤ê¡Ë¿®¹æ¤òÀ¸¤¸¤ë¤È¤¤¤¦»öÊÁ¤Ç¤¢¤ê¡¢¤³¤ÎÂè»°¤ÎÇȤ¬ÁýÉý¤µ¤ì¤ì¤Ð¥¹¥Ô¡¼¥«¡¼¤òÌĤ餷¡¢²»¤È¤·¤Æ¶Á¤¯¤³¤È¤Ë¤Ê¤ë¡£º£¤³¤ÎºîÉʤǤϤ³¤Î°ìÈÌŪ¤Ê¥Ø¥Æ¥í¥À¥¤¥ó¤È¤Ï°Û¤Ê¤Ã¤¿ÇȤò»ÈÍѤ·¡¢°Û¤Ê¤Ã¤¿´ë¤Æ¤ò¤â¤Ä¤¬¡¢¡¦¡¦¡¦Ä¶Äã¼þÇȤ¬»ÈÍѤµ¤ì¤Æ¤¤¤Æ¡¢¤½¤ÎÅÅ»ÒÇÈ¡Ê»°³ÑÇȤ¢¤ë¤¤¤ÏÀµ¸¹Çȡˤϳ¤¤Î¤¦¤Í¤ê¤Î¤è¤¦¤Ê¤æ¤Ã¤¯¤ê¤È¤·¤¿¥µ¥¤¥¯¥ë¤ÇÆ°¤­¡¢¤³¤ì¤¬²»¿§ÊѲ½¤Ë´Ø¤¹¤ëÅŻҲóÏ©¤ò¥³¥ó¥È¥í¡¼¥ë¤·¤Æ¤¤¤ë¡£¤·¤¿¤¬¤Ã¤Æ¤³¤Î²»¿§²óÏ©¡Ê¥Õ¥£¥ë¥¿¡¼¡Ë¤òÄ̲᤹¤ë³Ú´ï¤Ê¤É¤Î±éÁÕ¼Ô¤ÏĶÄã¼þÇȤΤ¦¤Í¤ê¤Ë¤Ä¤ì¤Æ¡¢¤½¤Î²»¿§¤¬Ï¢Â³Åª¤ËÊÑÍƤò¼õ¤±¡¢±éÁռԤϤ½¤Î¤¦¤Í¤ê¤Ë¾è¤Ã¤Æ¼«Í³¤Ç¨¶½Åª¤Ê¢ãÇȾè¤ê¢ä¤ò³Ú¤·¤â¤¦¤È¤¤¤¦¤³¤È¤Ç¤¢¤ë¡£¡Ù




2018ǯ10·î14Æü(Æü) ¥»¥ë¥²¥¤¡¦¥Þ¡¼¥í¥Õ¡õ´äºêÞ­Æà ¥Ç¥å¥ª¡¦¥ê¥µ¥¤¥¿¥ë

¥»¥ë¥²¥¤¡¦¥Þ¡¼¥í¥Õ¡õ´äºêÞ­Æà
¥Ç¥å¥ª¡¦¥ê¥µ¥¤¥¿¥ë

2018ǯ10·î14Æü(Æü) 14»þ³«±é
¤µ¤¤¤¿¤Þ»Ô¥Î¡¼¥¹¥×¥é¥¶¥Û¡¼¥ë


´äºêÞ­Æà¤Ï¤¹¤Ç¤Ë¥¦¥£¡¼¥ó¤Ëµï¤ò°Ü¤·¤Æ¤¤¤¿¡¢¥¦¥£¡¼¥ó¤Î¶õµ¤¤ÎÃæ¤Ç¥Ô¥¢¥Î¤ò°é¤à¤³¤È¤òÁª¤ó¤Ç¤¤¤¿¡¢¤Þ¤Ã¤¿¤¯Å·»È¤Î¤è¤¦¤ËÀµ¤·¤¤¡¢

4ǯÁ°¤ËÄ°¤¤¤Æ°ÊÍè¤À¤Ê¡¢¡ä¢£
¤³¤³¤Ç½ñ¤¤¤¿¤³¤È¤Ï¡¢¤Þ¤Ã¤¿¤¯¤½¤Î¤Þ¤Þ¸½ºß¤ËÄ̤¸¤Æ¤¤¤ë¡¢


¥»¥ë¥²¥¤¡¦¥Þ¡¼¥í¥Õ¤Î±éÁդϳΤ«¤Ê±éÁÕÎϤÈÄÁ¤·¤¤Éü¸µ¸Å³Ú´ï¤â¼êÅÁ¤Ã¤Æ̾À¼¤¬¿­¤ÓÀ¹¤ê¤Î¤è¤¦¤Ë¸«¤¨¤ë¤±¤ì¤É¤â¡¢¤Ê¤ó¤È¤â¼ã¤¤¡¢Ì¥¤»¤è¤¦¤È°Õµ¤¸®¹â¤Ê¤Î¤â¤¤¤¤¤±¤ì¤É¡¢¤È¤¤¤¦¹½¤¨¡¢

´äºêÞ­Æà¤Î¤³¤¦¤â¤ê¤Î¥ï¥ë¥ÄÊÑÁÕ¶ÊÆÈÁÕ¤ÎȾ¤Ð¤«¤é¡¢¤½¤Î¥Ê¥Á¥å¥é¥ë¤Ê¥ê¥º¥ß¥Ã¥¯¤ÊÉñ¤¤¤ÎÀ¸Ì¿ÂΤ¬¥¹¥Æ¡¼¥¸¤Î¾å¤Î¶õµ¤¤òÍɤ餹¡¢¤³¤ì¤³¤½¤¬´äºêÞ­Æà¤ÎÅþã¤Ç¤¢¤ê¡¢´ñÀפθºßÍýͳ¤À¤È»×¤¦¡¢

¥Þ¡¼¥í¥Õ¤â¤µ¤¹¤¬¤Ë¤½¤³¤Ï¤ï¤­¤Þ¤¨¤¿¤Î¤À¤í¤¦¤«¡¢¸åȾ¤Î¥Ù¡¼¥È¡¼¥ô¥§¥ó¡Ö¥¯¥í¥¤¥Ä¥§¥ë¡×¤¬¿Ê¤ó¤Ç¤æ¤¯¤È¡¢´äºê¤Î±éÁÕ¤ÎÌ¥ÎϤÎÂ礭¤µ¤¬¤Þ¤ë¤ÇÌÚÀ±¤Î¤è¤¦¤Ëµð¤­¤¯±Ç¤ë¤è¤¦¤ÊÍÍÁê¤È¤Ê¤ê¡¢¥Þ¡¼¥í¥Õ¤Î¥ô¥¡¥¤¥ª¥ê¥ó¤¬ÅÀ¤Î¤è¤¦¤Ê¥Ü¥¤¥¸¥ã¡¼¤Ë¸«¤¨¤Ê¤¯¤Ê¤ë¤«¤Î¤è¤¦¤Ç¤¢¤Ã¤¿¤Î¤À¡¢

¥¢¥ó¥³¡¼¥ë¤ÎÁ°¤Ë¤ï¤¶¤ï¤¶¥Þ¥¤¥¯¤ò¼è¤Ã¤Æ£Ã£Ä¤ËÆþ¤Ã¤Æ¤ë¤³¤Î¤¢¤È¥µ¥¤¥ó¤¹¤ë¤È¥Þ¡¼¥í¥Õ¡¢¤µ¤¹¤¬¤Ë´äºê¤Ï¤½¤³¤ÏľÌõ¤»¤º¤Ë¥¹¥ë¡¼¡¢µÒÀʤ¬¥¯¥¹¥Ã¤È¾Ð¤¦¡¢ºòº£¤Î¥¯¥é¥·¥Ã¥¯¤Î¥³¥ó¥µ¡¼¥È¤Ç¤Ï¥Þ¥¤¥¯¤Ï°®¤ë¤ï£Ã£ÄÈÎÇ䥵¥¤¥ó²ñ¥µ¡¼¥Ó¥¹¤Ï¤¹¤ë¤ï¡¢¤À¤¬¡¢´äºêÞ­Æà¤Ë¤ÏµªÈø°æ¥Û¡¼¥ë¤Ç¤Î¥Þ¥¤¥¯¤Ê¤·¥µ¥¤¥ó²ñ¤Ê¤·¤Î¥ê¥µ¥¤¥¿¥ë¡¢¹Ä¼¼¤Î¤ªÊý¤ÎÎ×ÀʤȣΣȣ˼ýÏ¿¤¬¤¢¤ë¡¢¤¬¡¢ËÜÍè¤Î²»³Ú¤À¡¢

¶¥µ»²ñÁª¼ê¤Î¥Æ¥¯¥Í¡¼¤Î¶¯Å٤˥ץ饹¥¢¥ë¥Õ¥¡¤Ç¤è¤¦¤ä¤¯À¤³¦Åª¤Ê¥Ä¥¢¡¼¡¦¥³¥ó¥µ¡¼¥È¤ò³«¤±¤ë¡¢¤È¤¤¤¦¡¢ÁռԤˤȤäƤⲻ³Ú¤Ë¤È¤Ã¤Æ¤â¥ê¥¹¥Ê¡¼¤Ë¤È¤Ã¤Æ¤âÈèÊÀ¤¹¤ë¤è¤¦¤ÊÏĤʥ·¥¹¥Æ¥à¤Ï¤É¤¦¤Ë¤«¤Ê¤é¤Ê¤¤¤â¤Î¤«¡¢

¤É¤Î¥¸¥ã¥ó¥ë¤Ë¤È¤Ã¤Æ¤â¡¢µ»½Ñ¤Ç¤Ï¤Ê¤¤¡¢¶Ë¤á¤Æ¿Í´ÖŪ¤Ê¡ÉÆæ¡É¤Ë½Ð²ñ¤¦¤³¤È¡¢



ÀÖ±©¤Þ¤Ç¥Ð¥¹¤Ç¹Ô¤¯¤È65±ß¤ªÆÀ¤Ê¤Î¤À¡¢ºëµþÀþ¤Î²÷®¤Ç20ʬ¤Á¤«¤¯»þ´Ö¤«¤«¤ë¤±¤É¡¢

Ê¿ÏÂÂæ¡ÁÀÖ±©¡¡¥Ð¥¹¡¡216±ß
ÀÖ±©¡ÁÂçµÜ¡¡£Ê£Ò¡¡302±ß¡¡¡¡¡¡¡¡·× 518±ß

Ê¿ÏÂÂæ¡ÁÃÓÂÞ¡¡¥á¥È¥í¡¡195±ß
ÃÓÂÞ¡ÁÂçµÜ¡¡£Ê£Ò¡¡388±ß¡¡¡¡¡¡¡¡·× 583±ß

¤Ï¤¸¤á¤Æˬ¤ì¤ëÂçµÜ±Ø¡¢¾è¤ê´¹¤¨¤¬¤ï¤«¤ë¤è¤¦¤Ë¤Ê¤ê¤Þ¤·¤¿¡¢


¥³¥ó¥µ¡¼¥È¤Î¤¢¤È¤Ï°ì½ï¤Ë¹Ô¤Ã¤¿¥Û¥½¥À¤µ¤ó¤È¥ä¥¹¥ß¤µ¤ó¤È¥Û¥½¥À¤µ¤ó¤Á¤ÇÈëÌ©´ðÃÏ°ÇÆé²»Èײñ¡¢»þ¤Ë°Õ¸«¤ÏÂÐΩ¤¹¤ë¤¬¤Ê¤ó¤È¤â¿¨È¯¤µ¤ì¤ë̤ÃΤÎÅí¸»¶¿¡¢´¨»³½¦ÆÀ¤Î¼ò±ã¡¢¿©¤Ù²á¤®¤¿¡¼¡¢

15Æü¥¦¥¤¥ê¥¢¥à¥Ñ¡¼¥«¡¼¡¢16ÆüÊ¿ÅIJ¦»Ò½Âëµ£¡¢¤È¡¢ÏÇÀ±Ä¾Îó¤Ê¤Î¤À¤¬¡¢»þ´Ö¤Ï¤¢¤ë¤¬ºâÎϤÈÀ¸³èÎϤ¬¤Ê¤¤¤Î¤Ç¥È¥Û¥Û¤ÊÆü¡¹¤À¡¢

¥¢¥á¥Ð£Ô£Ö¤ÎËã¿ý£Ò£Ô£Ä¥ê¡¼¥°¤Î½à·è¾¡¤ò¸«¤Æ¡¢´¶Æ°¤Çµã¤¯¿¼Ìë¤Î¥¸¥¸¥¤¡¢ÌÀÆü¤³¤½¡¢¥¨¥ì¥Õ¥¡¥ó¥È¥«¥·¥Þ¥·µÜËܹÀ¼¡¤Î¿´¶­¡¢




2018ǯ10·î13Æü(ÅÚ) ÀÄÌÚ2¹æŹ¡¢





µµ¸Í¥Û¥ë¥â¥ó¡¢½éÂåµÈÅÄ¡¢ÀÄÌÚ2¹æŹ¤òÀ©ÇÆ¡¢¤Î¡¢ÀÄÌÚ¤Ë1830¤Ëʤó¤Ç1910¤ËÆþŹ¤Ç¤­¤ë¡¢¤ä¤ä¥¬¥Ã¥Ä¥ê¤¿¤Ù¤ë¡¢¤´¤Ï¤ó¤Ï¤º¤·¡¢¥­¥à¥Á¡¢½ÏÀ®¥è¡¼¥°¥ë¥È¡¢ºâ̳¾Ê¤Ï¥¢¥á¥ê¥«ÐúÑ´¡¢¥æ¥Ë¥Ð¡¼¥µ¥ë¥·¥ó¥³¥Ú¡¼¥·¥ç¥ó¤Ï¥Ñ¥Ã¥Á¥ï¡¼¥¯¡¢¥ì¥³¡¼¥Ç¥£¥ó¥°¤Î¥³¥Ô¥Ú¤Ç¥¸¥ã¥º¤òºÇ½é¤ËÏ¿²»¤·¤¿¤Î¤ÏµÆÃÏÀ®¹¦¼«¾Î¡¢¤·¤Ó¤ì¤Î±ö¡¢





2018ǯ10·î12Æü(¶â) ¡Ø¤½¤í¤½¤íº¸ÇɤϡҷкѡӤò¸ì¤í¤¦¡¡¥ì¥Õ¥È3.0¤ÎÀ¯¼£·ÐºÑ³Ø¡Ù°¡µª½ñ˼ 2018





10·î¤Ï¥Ï¥í¥¦¥£¥ó¡¢Ëܾì¤Ï10·î31Æü¤Î¹Ô»ö¡¢
½Âë¥Ï¥í¥¦¥£¥ó¤Ï2018ǯ10·î27Æü(¶â)¡Á31Æü(·î)¡¢

·Ù»¡¤äµ¡Æ°Â⤬¸À¤¦¤³¤È¤­¤«¤Ê¤¤¼ã¼Ô¤òÍƼϤʤ¯Ï©¾å¤ò°ú¤­¤º¤ë¡¢Àµ¤·¤¯´ÉÍý¤µ¤ì¤¿21À¤µª¤Î¤ªº×¤ê¡¢¤¤¤¤¤ó¤Ç¤Ê¤¤¤«¤¤¡¢¤ª¤ì¤Ï¤â¤¦¹Ô¤«¤Ê¤¤¤±¤É¡Êµ¤Ê¬¤¬¾è¤Ã¤¿¤é¹Ô¤¯¤«¤â¡Ë¡¢



9Æü¤Ë½ñ¤¤¤¿¡¢
------------------------------------------------------------------------------
ÃΤé¤Ê¤«¤Ã¤¿¤¬¡¢¥Ö¥ì¥¤¥Ç¥£¤ß¤«¤³¤Îµ­»ö¤Ë¤¢¤Ã¤¿¡ÖDiEM25¡×¤Ê¤ëÁÈ¿¥¤Î¸ºß¡¢
¿·¤¿¤Ê¥Ë¥å¡¼¥Ç¥£¡¼¥ë¤ò¤·¤Ê¤¤¤ÈÂçÀïÁ°¤Î¶Ë±¦ÂæƬ¤Ë¸þ¤«¤¦¤È¤¤¤¦´íµ¡°Õ¼±¡¢

¡É¤³¤¦¤·¤¿´íµ¡´¶¤Î¤â¤È¡¢¡Ö²¤½£¤Ïº£¤³¤½¿¿¤Î°ÕÌ£¤Ç¤Î¥Ç¥â¥¯¥é¥·¡¼¤ò³ÍÆÀ¤»¤Í¤Ð¤Ê¤é¤Ê¤¤¡×¤È¤·¤Æ2016ǯ¤Ë·ëÀ®¤µ¤ì¤¿¤Î¤¬ DiEM25 (Democracy in Europe Movement 2015)¤À¡£¤³¤ÎÈ¿¶Û½ÌÁÈ¿¥¤Î¥ê¡¼¥À¡¼¤Ï¡¢¥®¥ê¥·¥ã¤Î¸µºâ̳Âç¿Ã¤Ç·ÐºÑ³Ø¼Ô¤Î¥ä¥Ë¥¹¡¦¥Ð¥ë¥Õ¥¡¥­¥¹¤À¡£±Ñ¹ñϫƯÅޤαƤκâ̳Âç¿Ã¤Ç¤¢¤ê¡¢Å޼󥸥§¥ì¥ß¡¼¡¦¥³¡¼¥Ó¥ó¤ÎÌÁͧ¤Ç¤¢¤ë¥¸¥ç¥ó¡¦¥Þ¥¯¥É¥Í¥ë¤ä¡¢¥¹¥é¥ô¥©¥¤¡¦¥¸¥¸¥§¥¯¡¢¥Î¡¼¥à¡¦¥Á¥ç¥à¥¹¥­¡¼¡¢¥¸¥å¥ê¥¢¥ó¡¦¥¢¥µ¥ó¥¸¡¢¥Ê¥ª¥ß¡¦¥¯¥é¥¤¥ó¡¢¥¸¥§¡¼¥à¥º¡¦£Ë¡¦¥¬¥ë¥Ö¥ì¥¤¥¹¡¢±Ç²è´ÆÆĤΥ±¥ó¡¦¥í¡¼¥Á¡¢¥ß¥å¡¼¥¸¥·¥ã¥ó¤Î¥Ö¥é¥¤¥¢¥ó¡¦¥¤¡¼¥Î¤é¤¬»²²Ã¤·¤Æ¤¤¤ë¡£¡É
------------------------------------------------------------------------------

¤Î¡¢¥Ö¥ì¥¤¥Ç¥£¤ß¤«¤³¤¬ÂÐÃ̶¦Ãø¤È¤Ê¤Ã¤Æ¤¤¤ëËܤ¬ÆϤ¤¤¿¡¢


¡Ø¤½¤í¤½¤íº¸ÇɤϡҷкѡӤò¸ì¤í¤¦¡¡¥ì¥Õ¥È3.0¤ÎÀ¯¼£·ÐºÑ³Ø¡Ù°¡µª½ñ˼ 2018
¥Ö¥ì¥¤¥Ç¥£¤ß¤«¤³¡ß¾¾Èø ¶©¡ßËÌÅÄ ¶ÇÂç
¢£

ÆâÅļù¤Ï·ÐºÑ¥ª¥ó¥Á¤À¤È¸À¤ï¤ì¤Æ¤ë¡¢¤½¤¦¤Ê¤ó¤Ç¤¹¤«¡¢

½ñɾ¤ß¤¿¤¤¤Ê¤Î
¿Ê·â¤Î½î̱ ¡§ ¤½¤í¤½¤íº¸ÇɤÏ<·ÐºÑ>¤ò¸ì¤í¤¦­¡
¢£



Ω·û̱¼çÅޤηкÑÀ¯ºö¤Ï´°¤Ú¤­¤ËÀµ¤·¤¤
¢£

¤Î¤«¡ª¡¢¤Î¤«¡©»ÞÌî¤Ï̱¼çÅޤǾÃÈñÀÇÁýÀǤòÃÖ¤­ÅÚ»º¤Ç²¼Ì¤¿¤Î¤Ç¤Ï¤Ê¤«¤Ã¤¿¤Ã¤±¡©¡©¡©




À¤³¦Åª¤Ë21À¤µª¤Î¥Ë¥å¡¼¥Ç¥£¡¼¥ëÀ¯ºö¤ò¤¹¤ë¡¢¤È¤¤¤¦Êý¸þ¤Ç¡¢±¦¤âº¸¤â¤Ê¤¤¡¢¤È¤¤¤¦¤Î¤¬°ìÈ̲ò¤«¡¢

¤½¤ì¤³¤½´ûÆÀ¸¢±×¤Ë¤·¤Ð¤é¤ì¤Ê¤¤¤Ç£Á£É¤ËÀ¯ºö¤äÀÇÀ©¤òÌ䤦¤Æ¤ß¤Æ¤Û¤·¤¤¡¢¤À¤á¡©¡¢




2018ǯ10·î11Æü(ÌÚ) ¥ß¡¼¥Ê¡¦¥·¥â¥ó¤Î¥×¥ì¥¤¥ê¥¹¥È





jazztaketaro »áºîÀ®¤Î¥×¥ì¥¤¥ê¥¹¥È¡¢Spotify ¡¢·î¸÷Ãã˼·Ï¡¢»þÂå¤Ï¤³¤³¤Þ¤ÇÍ褿¤Î¤Í¡¢¥Ó¡¼¥È¥ë¥º¤Î²»¼Á¤¬¡¼¡¢



All Of Me / The Lester Young & Teddy Wilson Quartet from Pres & Teddy 1956
¤òÄ°¤¤¤Æ¤ë¤È¡¢¥ª¥¶¥±¥ó¡ÖÂç¿Í¤Ë¤Ê¤ì¤Ð¡×¤Ë¤âÄ°¤³¤¨¤ë¤Î¤è¡¢¤¦¤­¤¦¤­¤·¤Æ¤­¤Þ¤¹¡¢



¤â¤¦ÂçÁêËФߤ뵤¤·¤Þ¤»¤ó¡¢»Ò¤É¤â¤Îº¢¤«¤é¤º¤Ã¤È¸«¤Æ¤­¤¿¤±¤É¡¢ÎظФλþÂå¡¢µ®¥Î²Ö¡¢µ®Çµ²Ö¡¢



¸÷¥öµÖ¿Þ½ñ´ÛÁ°¤Ç¥ß¥å¥¦¥Ä¡¼¤ò¥²¥Ã¥È¡¢¥Ý¥±GO¡¢4ÅÙÌܤǡ¢Åݤ¹ºî¶È¤Ï14¿Í¤¯¤é¤¤¤Ç¤·¤¿¡¢¤ä¤Ï¤ê¿Í¤¬½¸¤Þ¤ë¤È¤³¤í¤Ç¤Ê¤¤¤È¡¢



Ï¢Ìë¤Î¥¢¥á¥Ð£Ô£Ö¤ÇËã¿ý£Í¥ê¡¼¥°»ëÄ°¡¢¤ä¤Ï¤ê¶¯¤¤¤Ò¤È¤Î¿À¤¬¤«¤Ã¤¿¼ê¶Ú¡¢ÌÌÇò¤¤¡¢£Í¥ê¡¼¥¬¡¼¤¿¤Á¡¢²£¹Ë¤ÏÎëÌÚ¤¿¤í¤¦¤ÈÀ¥¸Í·§Ä¾¼ù¤«¤Ê¡¢Âç´Ø¤¬Â¿°æδÀ²¤ÈÇòÄ»æƤȾ®Îӹ䡢¥Õ¥¡¥ó¤Ê¤Î¤Ï¼¾å½ß¡¢



20ǯÁ°¤«¤é¥³¥ó¥Ó¥Ë¥¹¥¤¡¼¥Ä¤Ï¥»¥Ö¥ó¤È¥ß¥Ë¥¹¥È¥Ã¥×¤Ë¸ÂÄꤷ¤Æ¤¿¤Î¤Ë¤Î¡¼¡¢¤Þ¤º¤«¤Ã¤¿¡¢¥Õ¥¡¥ß¥Þ¤ÎÍҽФ·¥×¥ê¥ó¥Ñ¥Õ¥§¡¢¤«¤Þ¤À¤·¡¢Æɤá¤Ê¤¤¡¢



¥ª¥¶¥±¥ó96ǯ¥³¥á¥ó¥È¤Ç¥ß¥·¥§¥ë¡¦¥ó¥Ç¥²¥ª¥Á¥§¥íÄ°¤¤¤Æ¡¢¥ó¥Ç¥²¥ª¥Á¥§¥í¤Î¥Ë¡¼¥Ê¡¦¥·¥â¥ó½¸¤òÄ°¤¤¤Æ¡¢¥ß¡¼¥Ê¡¦¥·¥â¥ó¤Î¥×¥ì¥¤¥ê¥¹¥ÈÄ°¤¤¤Æ¤Þ¤¹¡¢¤·¤ê¤È¤ê¤Ç¥ó¥Ç¥²¥ª¥Á¥§¥í¡¢É餱¤Þ¤»¤ó¡¢¤¤¤äÁê¼ê¤ÎÉ餱¤òµß¤¤¤Þ¤¹¡¢5²óÀ¹¤ê¾å¤¬¤ê¤Þ¤·¤¿¡¢



¥Ë¡¼¥Ê¡¦¥·¥â¥ó¡¢¤Ê¤ó¤Ç¤³¤ó¤Ê¤Ëµ¤»ý¤Á¤ò¤Á¤«¤é¤Å¤±¤ë¤Î¤À¡¢ÃæÌܹõ¤Î¥¢¥Ë¥­¡¢




2018ǯ10·î10Æü(¿å) ¥¿¥¬¥é¥é¥¸¥ªÄÌ¿®¹ÖºÂ¡Ö¥¯¡¼¥ë¥¸¥ã¥º¤òÃæ¿´¤Ë¡×¡¢¥¿¥¬¥é¥é¥¸¥ª52¡¢¹¹¿·


¡Ö£³£°¡¦£±£°¡¦£±£°¡¡ÆîÅÄÊÁ¡×¤È¥Á¥ç¡¼¥¯¤Ç½ñ¤«¤ì¤¿¾®¤µ¤Ê¹õÈĤò»£±ÆÍѤˤ·¤Æ¡¢¤ª¤¸¤µ¤ó¤¬¸ÏÍÕ¤ò¤Ï¤¤¤Æ¤¤¤ë¡¢


ÆîÅÄÊÁÎÐÃϤ˽и½¤·¤¿¥ß¥å¥¦¥Ä¡¼¤ò¤Ò¤È¤ê¤ÇÅݤ¹¤³¤È¤Ï¤Ç¤­¤Ê¤¤¤Î¤Ë¡¢Áݽüºî¶È¤Î¤ª¤¸¤µ¤ó¤¬Â­¼ó¤«¤é¼ó¸µ¤Þ¤Ç½ë¶ì¤·¤¤¡¢¤Þ¤¿¤¿¤¯´Ö¤Ëξ¼êξ­8¥ö½ê¤·¤Ä¤³¤¤½©¤Î²ã¤Ë»É¤µ¤ì¤Æ¤¤¤ë¡¢¤ª¤ì¡¢


ʸµþ¶è¿åÆ»¶¶¿Þ½ñ´ÛÄ̤¤¤Ï¾¯¤·µÙ¤â¤¦¡¢£Ã£Ä¼è¤ê¹þ¤ß¤¹¤®¡¢ÅÔÆâ¤ÎÂçȾ¤Î¥¤¥ó¥É¥«¥ì¡¼²°¤Ï¥Í¥Ñ¡¼¥ë¿Í¤Î¥Í¥Ã¥È¥ï¡¼¥¯¤ÇËä¤á¤é¤ì¤Æ¤¤¤ë¿·¿Í¥Í¥Ñ¡¼¥ë¿Í¤Ë¥é¥ó¥Á¤òÃíʸ¡¢¹¾¸ÍÀ¡¢


¥µ¥ó¥·¥ã¥¤¥ó¤Î¥«¥Õ¥§¥é¥ß¥ë¤Ç¤³¤Ê¤¤¤À¥¹¥ë¡¼¤·¤Æ¤¤¤¿¥Á¥ç¥³¥½¥Õ¥È¤ò¡¢600±ß¤â¤¹¤ë¤Î¤«¡¢¤³¤Î¥¸¥¸¥¤Ê¿Æü¤ÎÄ«¤«¤é¥½¥Õ¥È¤¯¤Ã¤Æ¤¦¤í¤Ä¤¤¤Æ¤¤¤ë¤È¤¤¤¦½÷»Ò¹âÀ¸¤Î»ëÀþ¡¢¤ªÁ°¤é³Ø¹»¥µ¥Ü¥ê¤À¤í¤¦¤¬¡¼¡¢


3»þ´Ö¤ò¤³¤¨¤ë¥×¥ì¥¤¥ê¥¹¥È¡¢¥¿¥¬¥é¥é¥¸¥ªÄÌ¿®¹ÖºÂ¡Ö¥¯¡¼¥ë¥¸¥ã¥º¤òÃæ¿´¤Ë¡×¡¢

01 I'll Remember April / Lee Konitz from Konitz 1986
02 I'll Remember April / Lee Konitz from Motion 1961
03 I'll Remember April / Lee Konitz Quintet from Lee Konitz Plays 1953
04 I'll Remember April / Cannonball Adderley Quintet from Jazz At Café Bohemia Vol. 1
05 I'll Remember April / Lee Konitz & Charlie Haden from Sweet & Lovely 1996
06 Palo Alto / Lee Konitz from Lee Konitz Meets Jimmy Giuffre 1959
07 Palo Alto / Lee Konitz Quintet from Live At The Half Note 1959 ¥È¥ê¥¹¥¿¡¼¥Î¤ÎÂåÌò¥¨¥ô¥¡¥ó¥¹¤Ï¥«¥¤¥ó¥É¥ª¥Ö¥Ö¥ë¡¼Á°Ç¯¡¢¥¿¥¤¥³¤Ï¥â¥Á¥¢¥ó¡¢¤À¤«¤é¤É¤¦¤·¤¿¡¢
08 Palo Alto / The International Hasva Orchestra from Su, Nat & The International Hasva Orchestra 1995 ¥Þ¡¼¥¯¡¦¥¿¡¼¥Ê¡¼¡¢ÁÐƬ¤Ç²÷®¡¢³ØÀ¸É÷Ì£¡¢
09 Palo Alto / "Jojo" Takayanagi Second Concept ‎ from Cool Jojo +4 1980 ¹âÌø¤Ï¥¯¡¼¥ë¥¸¥ã¥º¤À¤è¡¢
10 Kary's Trance / Lee Konitz from Inside Hi-Fi
11 Kary's Trance / Lee Konitz from Very Cool
12 Kary's Trance / Lee Konitz from Rhapsody II
13 Kary's Trance / åöåòÊâÈþ from Struttin'
14 The Song Is You / Tommy Dorsey & His Orchestra Feat. Frank Sinatra 1942
15 The Song Is You / Jimmy Giuffre from The Jimmy Giuffre 3
16 The Song Is You / Tethered Moon from Triangle
17 The Song Is You / Fred Hersch from Solo
18 All Of Me / Benny Carter & His Orchestra from RCA 100 Years Of Recorded Jazz Vol.2
19 All Of Me / The Lester Young & Teddy Wilson Quartet from Pres & Teddy
20 All Of Me / ¥Õ¥é¥ó¥¯±Ê°æ from RE-MASTER VOICE ¥Õ¥é¥ó¥¯±Ê°æ [Disc 1]
21 All Of Me / Lee Konitz from Motion 1961
22 All Of Me / Lee Konitz from Inside Hi-Fi
23 All Of Me / Charlie Parker from Complete Recordings With Lennie Tristano
24 Lover Man / Billie Holiday from Billie Holiday And Vivian Fears
25 Lover Man / Gerry Mulligan, Chet Baker, Lee Konitz from Complete 1953 the Haig Performances
26 Lover Man / Lee Konitz, Brad Mehldau, Charlie Haden & Paul Motian from Live At Birdland
27 Lover Man (Oh, Where Can You Be?) / Gil Evans, Lee Konitz from Heroes & Anti-Heroes
28 Lover Man / Paul Motian from The Windmills Of Your Mind
29 Lover Man / Takeshi Shibuya & Tamio Kawabata ½Âëµ£&Àîü̱À¸ from ij¡¹ºßÃæ
30 Lover Man / Keith Jarrett, Gary Peacock & Jack DeJohnette from Tribute


˺¤ì¤Æ¤¿¡¢¥¿¥¬¥é¥é¥¸¥ª52¡¢¹¹¿·¤µ¤ì¤Æ¤¿¡¢¤¹¤Ç¤Ë±ÜÍ÷783¡¢¥¹¥Þ¥Û¤Ç¸«¤ë¤È¥¸¥ã¥±¤ÎÉý¤Ç²èÌ̤¬ÁȤޤì¤Æ¤¤¤ë¤Î¤Ç¤È¤Æ¤â¤¤¤¤¡¢½ñ¤¤¤Æ¤¤¤ëÆâÍƤϤۤܥƥ­¥È¡¼¡¢¤½¤³¤¬¤¤¤¤¡¢¤È¤â¡¢¤³¤Î¥³¥é¥à¤Î²ÁÃͤϱ§Ãè¤Ë¤Ò¤È¤ê¤Î¥¢¥ó¥Æ¥Ê¤¬Âª¤¨¤¿¥¸¥ã¥±¤Î¥é¥¤¥ó¤Ë¤¢¤ë¡¢¤È¤â¡¢¤¶¤Ã¤È¸«¤¿¥¢¡¼¥È´¶³Ð¤Ç¡¢


¥¿¥¬¥é¥é¥¸¥ª52
¢£






2018ǯ10·î09Æü(²Ð) ¥¸¥ë¡¦¥ª¡¼¥Ö¥ê¡¼ Gilles Aubry ¡¦ÆâÅļùÊԡؿ͸ý¸º¾¯¼Ò²ñ¤Î̤Íè³Ø¡Ù(ʸ麽ս©) 2018


¥¸¥ë¡¦¥ª¡¼¥Ö¥ê¡¼ Gilles Aubry ¤òÍá¤Ó¤ë¤è¤¦¤ËÄ°¤±¤ë Soundcloud ¡¢¤Î¤¬¤ì¤é¤ì¤ó¤¬¤Ê¡¢
¢£

±éÀâ¡¢½ÆÀ¼¡¢Ì±½°¡¢¤ÎÄ°¤³¤¨Êý¡¢»×¹Í¡á¥í¥¸¥Ã¥¯¡á¥Æ¥­¥¹¥È¤Ë²ó¼ý¤µ¤ì¤Ê¤¤¡¢À¤³¦¡¢

¢£
ÀïÁè±Ç²è¤Î¥µ¥¦¥ó¥É¥È¥é¥Ã¥¯¡¢¤Ç¤Ï¤Ê¤¤¡¢



ÆâÅļùÊԡؿ͸ý¸º¾¯¼Ò²ñ¤Î̤Íè³Ø¡Ù(ʸ麽ս©) 2018 ¢£

´ÅÍø¤Î¸À¤¦¤È¤ª¤ê£Á£É»º¶È³×Ì¿¤Ë¾è¤êÃ٤줿¤é¡Ê¤¹¤Ç¤ËÃÙ¤ì¤Æ¤¤¤ë¤é¤·¤¤¡Ë¡¢¿Íºàή½Ð¡¢º§³°»Ò¡¢¤³¤Î¤Þ¤Þ¼ê¤ò¤³¤Þ¤Í¤¤¤Æ¤¤¤ë»öÂ֤Ȥ¤¤¦¤Î¤Ï¡¢Ã¯¤â¡¢¤À¤¢¤ì¤âÀÕǤ¤ò¼è¤é¤º¤ËºÇ°­¤Ê»öÂÖ¤ËÆÍÆþ¤¹¤ë¶Ë¤á¤ÆÆüËÜŪ¤Ê·ëËö¤Ø¤Þ¤Ã¤·¤°¤é¡¢

ÃΤé¤Ê¤«¤Ã¤¿¤¬¡¢¥Ö¥ì¥¤¥Ç¥£¤ß¤«¤³¤Îµ­»ö¤Ë¤¢¤Ã¤¿¡ÖDiEM25¡×¤Ê¤ëÁÈ¿¥¤Î¸ºß¡¢
¿·¤¿¤Ê¥Ë¥å¡¼¥Ç¥£¡¼¥ë¤ò¤·¤Ê¤¤¤ÈÂçÀïÁ°¤Î¶Ë±¦ÂæƬ¤Ë¸þ¤«¤¦¤È¤¤¤¦´íµ¡°Õ¼±¡¢

¡É¤³¤¦¤·¤¿´íµ¡´¶¤Î¤â¤È¡¢¡Ö²¤½£¤Ïº£¤³¤½¿¿¤Î°ÕÌ£¤Ç¤Î¥Ç¥â¥¯¥é¥·¡¼¤ò³ÍÆÀ¤»¤Í¤Ð¤Ê¤é¤Ê¤¤¡×¤È¤·¤Æ2016ǯ¤Ë·ëÀ®¤µ¤ì¤¿¤Î¤¬ DiEM25 (Democracy in Europe Movement 2015)¤À¡£¤³¤ÎÈ¿¶Û½ÌÁÈ¿¥¤Î¥ê¡¼¥À¡¼¤Ï¡¢¥®¥ê¥·¥ã¤Î¸µºâ̳Âç¿Ã¤Ç·ÐºÑ³Ø¼Ô¤Î¥ä¥Ë¥¹¡¦¥Ð¥ë¥Õ¥¡¥­¥¹¤À¡£±Ñ¹ñϫƯÅޤαƤκâ̳Âç¿Ã¤Ç¤¢¤ê¡¢Å޼󥸥§¥ì¥ß¡¼¡¦¥³¡¼¥Ó¥ó¤ÎÌÁͧ¤Ç¤¢¤ë¥¸¥ç¥ó¡¦¥Þ¥¯¥É¥Í¥ë¤ä¡¢¥¹¥é¥ô¥©¥¤¡¦¥¸¥¸¥§¥¯¡¢¥Î¡¼¥à¡¦¥Á¥ç¥à¥¹¥­¡¼¡¢¥¸¥å¥ê¥¢¥ó¡¦¥¢¥µ¥ó¥¸¡¢¥Ê¥ª¥ß¡¦¥¯¥é¥¤¥ó¡¢¥¸¥§¡¼¥à¥º¡¦£Ë¡¦¥¬¥ë¥Ö¥ì¥¤¥¹¡¢±Ç²è´ÆÆĤΥ±¥ó¡¦¥í¡¼¥Á¡¢¥ß¥å¡¼¥¸¥·¥ã¥ó¤Î¥Ö¥é¥¤¥¢¥ó¡¦¥¤¡¼¥Î¤é¤¬»²²Ã¤·¤Æ¤¤¤ë¡£¡É

¥¸¥¸¥§¥¯¤È¥Á¥ç¥à¥¹¥­¡¼¤¬»²²Ã¤·¤Æ¤¤¤ë¡Ê¡ª¡Ë¤È¤¤¤¦¤À¤±¤Ç°Ø»Ò¤«¤éž¤²¤Æ¤·¤Þ¤¤¤½¤¦¤Ê¶Ã¤­¤À¡¢

È¿¶Û½Ì¤È¤¤¤¨¤Ð¥é¥¸¥ª¤Ç¤¤¤Ä¤âÄ°¤¤¤Æ¤¤¤ë¾åÇ°»Ê¤â¤½¤¦¤À¤·¡¢


ÅÔÃλöÁª¤Ç¾®ÃÓÉ´¹ç»Ò¤ËÆüËܤΥµ¥ó¥À¡¼¥¹¤È¤·¤Æ¤¬¤ó¤Ð¤Ã¤Æ¤È¸À¤ï¤ì¤¿¡¢
±§ÅԵܤ±¤ó¤¸¡¢

¤â¤Ï¤ä±¦¤âº¸¤â´û¸À¯ÅÞ¤â¤Ê¤¤¤·¡¢


¤»¤á¤Æ½î̱¤Ï¾ÃÈñ³èÆ°¤òÄ̤¸¤ÆÆü¡¹Í­°Ù¤Ê¤ª¶â¤ò¡¢¤È¸À¤¤¤Ê¤¬¤é¥»¥Ö¥ó¤Î¥¹¥¤¡¼¥Ä¡¢




2018ǯ10·î08Æü(·î) Stefano Delù – Chitarre Solo  LP L'Orchestra [MILP 70004]  (1983) ¿ÀÈ×


ºòÌë¤Î¡Ö£Î£È£Ë¥¹¥Ú¥·¥ã¥ë¡¡¥Þ¥Í¡¼¡¦¥ï¡¼¥ë¥É¡Á»ñËܼçµÁ¤Î̤Íè¡Á¡Ê£²¡Ë»Å»ö¤¬¤Ê¤¯¤Ê¤ë¡ª¡©¡×¡¢ÂÀÅĸ÷¤¬Â¹ÀµµÁ¤ËÆͤùþ¤ß¤Þ¤¯¤Ã¤Æ¤¤¤¿¡¢¤½¤ì¤Ï¾¡¼Ô¤À¤«¤é¸À¤¨¤ë¤ó¤Ç¤·¤ç¡ª¡¢³Ø¼Ô¤Î¿·°æµª»Ò¤â¥¢¥ó¥¿¤ÏÉÔÀ¿¼Â¤À¤È¸À¤ï¤ó¤Ð¤«¤ê¤Î¸ýÄ´¤Ç¡¢ÊÔ½¸¤µ¤ì¤¿¤â¤Î¤À¤Ã¤¿¤±¤ì¤É¤º¤¤¤Ö¤óÀµ¤·¤¯¸±°­¤ÊÊ·°Ïµ¤¤À¤Ã¤¿¤È¿ä»¡¤µ¤ì¤ë¡¢ºÆÊüÁ÷¤Ï2018ǯ10·î11Æü(ÌÚ) ¸áÁ°2»þ34ʬ(51ʬ)¤Ê¤Î¤Ç¤ß¤Æ¤ß¤Æ¡¢

ÅÚÍËÆü¤Î¡Ö£Á£É¤Ë¤­¤¤¤Æ¤ß¤¿¡¢¤É¤¦¤¹¤ó¤Î¤è!?¥Ë¥Ã¥Ý¥ó¡×¤â³Ú¤·¤ß¤À¡¢
¢£

¥Þ¥¤¥Ê¥ó¥Ð¡¼¤ä¤Ã¤Æ¤ó¤À¤«¤é¡¢Ç¼ÀǤâ¼Ò²ñµëÉդ⡢¥Ù¥¤¥·¥Ã¥¯¥¤¥ó¥«¥à¤â¤¦¤Þ¤¯¤ä¤ì¤ë¤Î¤Ç¤Ï¤Ê¤¤¤«¡©£Á£É¤ò¤É¤Î¤è¤¦¤Ë»È¤¦¤Î¤«¡¢¤È¤¤¤¦¿·À¤µª¤ËΩ¤Á²ñ¤¨¤ë¤È¤Ï¡¢¤Ê¤«¤Ê¤«ÌÌÇò¤¤Ï·¸å¤Ë¤Ê¤ê¤½¤¦¤À¡¢





¤³¤ÎÆ°²èºÆÀ¸¿ô¤¬56¡Ê¤Ï¤¸¤á¤ÆÄ°¤¤¤¿¤È¤­¤Ï32¡ª¡Ë¡¢¥Õ¥¿¥±¥¿¤È¤¤¤¦¤Î¤Ï¤Ê¤ó¤Ç¤É¤¦¤·¤Æ¡¢10Ëü¤Ç¤â¾¯¤Ê¤¤¤È»×¤¦¡¢
Slappy & Kogane - Heartfelt
¢£



Stefano Delù – Chitarre Solo 
LP L'Orchestra [MILP 70004]  (1983)
¢£

2¥È¥é¥Ã¥¯Ä°¤±¤ë¡¢º£Ç¯Ä°¤¤¤¿10Ëç´ë²è2018Åö³Î¡¢¥æ¥Ë¥ª¥óÇã¼è¥ê¥¹¥È1Ëü±ß?¡¢





2018ǯ10·î07Æü(Æü) Duets With Tyshawn Sorey And Special Guest Hugh Ragin / Roscoe Mitchell




ÅìÉðÎýÇϤØ1050±ß¥«¥Ã¥È¡¢¥Á¥ã¥ê¡¢Ì¾ÊªÄê¿©²°¡Ö¤¿¤±¤¤¤·¡×¤Ï¥«¥Ä°ìÀÚ¤ä¤á¤Æ£Ô£Ö¼èºà¥µ¥¤¥óÊɾ䨤Ƥ¿¡¢²«²Ï¥é¡¼¥á¥ó¤Ï»Ä¤Ã¤Æ¤¿¡¢¾²²°¤Î¥é¥¸¥ª¤ÇÊ¿¸¶°½¹á¡ÖÊ̤ì¤Î¶Ê¡×¡¢Ýî¤ß¤ë¤Ê¡¼¡¢


¤Æ¤ó¤Ç¡¢¥×¥ì¥¤¥ê¥¹¥È¤òºîÀ®¤¹¤ë¤Î¤À¤Ã¤¿¡¢

01 ÌçÉÕ¤±±´ ´ä¼¼ / ²ÃÆ£¥¤¥µ, ¶â»Ò¥»¥­, ÃæÀťߥµ¥ª from âܽ÷¤¦¤¿: Ĺ²¬âܽ÷ÊÓ 1967
02 GOD. / Kendrick Lamar 2017
03-07 Goldberg Variation / Yuji Takahashi 1977
08 Êé¾ð Love Is A Many Splendord Thing / ¿ûÌîˮɧ 1974
09 Þ¦¤¿¤ì¥­¡¼¥ª / Ä®ÅÄĮ¢+ËÌß·ÁÈ 1994
10 Heartfelt / Slappy, Kogane 2018
11 Àã¤Î²Ú / ÃæÅçÈþ²Å 2003
12 Ê̤ì¤Î¶Ê / Ê¿¸¶°½¹á 2011

Ê¿¸¶°½¹á¡¿Ê̤ì¤Î¶Ê
¢£

¥Ë¥å¥¦¥Ë¥å¥¦¡Ö¥·¥ç¥Ñ¥ó¡§¥¨¥Á¥å¡¼¥ÉÂè3ÈÖºîÉÊ10-3¡ÖÊ̤ì¤Î¶Ê¡×¡×
¢£


¥¹¥«¥¤¥Ä¥ê¡¼¤ËÅФ俤Ȥ­¡¢¤½¤é¤Þ¤Á¤ÇÊ¿¸¶°½¹á¤¬²Î¤Ã¤Æ¤¤¤¿¡¢¾®ÊÁ¤Ê¤Î¤Í¡¢¤ä¤Ã¤Ñ²Î¤¦¤Þ¤¤¤ï¡¢¤½¤Î¤³¤È½ñ¤¤¤Æ¤Ê¤¤¤ï¤è¢£



¥Õ¥ê¡¼¥¸¥ã¥º/¥¤¥ó¥×¥í¤ÎÃÇÁØ=¥¹¥é¥Ã¥·¥å¤È¤¤¤¦¤Î¤ÏÂçÀ¾ÍΤιÂMid-Atlantic Ridge¤Ç¤¢¤ë¡¢¤È¤¤¤¦¤ª¤é37¤Î¸«Î©¤Æ¤Ï¼¡¤Ë¡¢ºÇ½é¤Ë¼èÆÀ¤·¤¿¸À¸ì¤Èʸ²½ÂηϤ«¤é¤Ïƨ¤ì¤é¤ì¤Ê¤¤Àâ¡¢¡¢¡¢¤ä¤á¤ä¤á¡¢¤ª¤é57¡¢



¹âÌÚ¸µµ±¤Î¡Ø¥â¥¹¥é¡¦¥Õ¥é¥¤¥È¡Ù¡¢Åļ²Æ¼ù¡ØSong For Jaki¡Ù¡¢ÕH¸ÍμÆó¡ØAciu! Live at Vilnius Jazz Festival 1999¡Ù¡¢¥¸¥ç¥ó¡¦¥¾¡¼¥ó¡Ø¥ä¥ó¥­¡¼¥¹¡Ù¡¢¡¢¡¢ÅٴΤòÈ´¤¤¤¿ÈëÀؤȤâ¸À¤¦¤Ù¤­±éÁÕ¤¿¤Á¡¢

¤Î¼¡¸µ¤È¤ÏÀ¤³¦¤¬¥Á¥¬¥¦¤â¤Î¤Ê¤ì¤É¡¢


Duets With Tyshawn Sorey And Special Guest Hugh Ragin / Roscoe Mitchell (Wide Hive Records ‎– WH-0311) 2013

¥í¥¹¥³¡¼¡¦¥ß¥Ã¥Á¥§¥ë78¤Ëµ×¡¹¤Ë¥Î¥Ã¥¯¥¢¥¦¥È¤µ¤ì¤¿´¶¤¸¤À¡¢

»×¤ï¤ÌÏ·àÖÎÏ¡¢¼«ºß¤ÎÃÏÊ¿¡¢¤³¤Î½é¡¹¤·¤µ¡¢¤³¤ì¤Ï¶­ÃϤλý³¤È¤¤¤¦»öÂÖ¡¢¥¿¥¤¥·¥ç¥ó¤â¤ï¤«¤Ã¤Æ¤¤¤ë¡¢

¤³¤¦¤¤¤¦¥Õ¥ê¡¼¥¸¥ã¥º¤Ï¡¢¤½¤Î¸¶½é¤ÎÀº¿À¤Î¤Þ¤Þ¤Ë¡¢½é¡¹¤·¤¯¡¢¥È¥­¥á¥­¡¢

¥Õ¥ê¡¼¥¸¥ã¥º¤¬¤ï¤«¤é¤Ê¤¤¤È¤¤¤¦¤Ò¤È¤Ï¤¤¤¤µ¡²ñ¤Ç¤¹¤Î¤Ç¡¢




Ì´¤ò¸«¤ë¡¢¥é¥¹¥È¤Ï¸Å¤¤Ä®Ê¤ߤòÊ⤤¤Æ3³¬·ú¤Æ¤Îι´Û¤ò¸«¤ë¤È¡ÖÂçζ¸®¡×¤È¤¤¤¦ÃÈÎü¤Ç¡¢¤³¤ì¤ÇÃæ²ÚÎÁÍý²°¤Ê¤Î¤±¤È¸À¤¤¤Ê¤¬¤é¤¯¤°¤ë¤È¡¢²¹Àô¤ÎÆÈÆäÊⲫ½­¤ÎÅòµ¤¡¢¤¤¤¯¤Ä¤â¤Î»È¤¤¸Å¤·¤Î¼ê¿¡¤¤¤¬Í𻨤ËÍî¤Á¤Æ¤¤¤Æ¼«Í³¤Ë¤´ÆþÅò²¼¤µ¤¤¤Èɮʸ»úȾ»æ¤¬¼¾µ¤¤ÇÇöÃ㿧¤ËÊÑ¿§¤·¤Æ¤¤¤ë¡¢¤½¤ì¤ò¸«¤¿¤È¤³¤í¤ÇÌܳФ᤿¡¢¤½¤ì°ÊÁ°¤ÎŤá¤ÎŸ³«¤òµ¯¤­¤Æ¥È¥¤¥ì¤Ë¹Ô¤¯´Ö¤Ë˺µÑ¤·¤Æ¤¤¤Ã¤¿Ãè¤ËÉ⤯´¶³Ð¡¢



¤¿¤á¤·¤Æ¥¬¥Ã¥Æ¥ó¤Ç¤ä¤Ã¤Æ¤¿·ìÅüÃͤ¬²¼¤¬¤ë´ñÀפΥ¹¥¯¥ï¥Ã¥È¡¢¢£
------------------------------------------------------------------------------
ͽËÉ°åÎťȥ졼¥Ë¥ó¥°³Ø¤¬ÀìÌç¤Î¾¾°æ¹ÀÀèÀ¸¤¬¥Ô¥ó¥È¥ì¤ÎÀµ¤·¤¤¤ä¤êÊý¤äÃí°ÕÅÀ¤ò¶µ¤¨¤Æ¤¯¤ì¤Þ¤·¤¿¡£
ξ­¤ò¸ªÉý¤è¤ê¤â¤Á¤ç¤Ã¤È¹­¤á¤Ë³«¤¯¡Ê¹­¤¤Êý¤¬°ÂÄê¡Ë
¤Ä¤ÞÀè¤ò³°Â¦30Å̸ٰþ¤±¤ë
¤Ò¤¶¤ò¤Ä¤ÞÀè¤ÈƱ¤¸Êý¸þ¤Ë¸þ¤±¤ë
10É䫤±¤Æ¤æ¤Ã¤¯¤ê¤ª¿¬¤ò¥×¥ê¥Ã¤È½Ð¤·¤Ê¤¬¤é¹ø¤òÍî¤È¤¹¡£¡Ê¤½¤Î»þ¤Ë¤Ò¤¶¤¬¤Ä¤ÞÀè¤è¤êÁ°¤Ë½Ð¤Ê¤¤¤è¤¦¤Ë¤¹¤ë¡£¤Ä¤ÞÀè¤è¤ê½Ð¤ë¤È¤Ò¤¶¤òÄˤá¤ë¡Ë
ξ¼ê¤òÁ°¤Ë¿¿¤Ãľ¤°½Ð¤¹¡Ê¥Ð¥é¥ó¥¹Ä´À°¤Î¤¿¤á¡ËÇØÃæ¤ò´Ý¤á¤Ê¤¤
¤Ò¤¶¤ò90Åٰ̤ޤǹø¤òÍî¤È¤·¤Þ¤¹
Íî¤È¤·¤­¤Ã¤¿¤é2ÉÃÀŻߡĤ½¤·¤Æ¥¹¥Ã¤ÈΩ¤Ä¡Ê1²óÌܽªÎ»¡ª¡Ë
¡Ê¹ø¤òÍî¤È¤¹Æ°ºî¤Î´Ö¡¢À¼¤Ë½Ð¤·¤Æ10Éÿô¤¨¤Þ¤¹¡¢¹ø¤òÍî¤È¤·¤­¤Ã¤¿¤È¤³¤í2ÉÃÄä»ß¤·¤Æ¤«¤éΩ¤Á¾å¤¬¤ë¡Ë
¤³¤ì¤òÌÜɸ10²ó¡ß3¡á¹ç·×30²ó¡Ê1Æü¡Ë¹Ô¤¤¤Þ¤¹¡£¡Ê10²ó¤Ïɬ¤ºÏ¢Â³¤·¤Æ¹Ô¤¤¤Þ¤¹¡Ë
------------------------------------------------------------------------------

¤±¤Ã¤³¤¦¤·¤ó¤É¤¤¡¢¤ä¡¼¤á¤¿¡¢







2018ǯ10·î06Æü(ÅÚ) ²»³Ú²ÈAYUO¡Ê¹â¶¶°¾À¸¡Ë¤ÎÃø½ñ¡ØOUTSIDE SOCIETY¡½¤¢¤ë¥µ¥¤¥±¥Ç¥ê¥Ã¥¯¡¦¥Ü¡¼¥¤¤Î²»³ÚÊ×Îò¡Ù9·îȯÇä


²»³Ú²ÈAYUO¡Ê¹â¶¶°¾À¸¡Ë¤ÎÃø½ñ¡ØOUTSIDE SOCIETY¡½¤¢¤ë¥µ¥¤¥±¥Ç¥ê¥Ã¥¯¡¦¥Ü¡¼¥¤¤Î²»³ÚÊ×Îò¡Ù9·îȯÇä¡£¼ç¤ÊÅоì¿Íʪ¡§¥¸¥ç¥ó¡¦¥±¡¼¥¸¡¿²£ÈøÃ駡¿¥¢¥ó¥Ç¥£¡¦¥¦¥©¡¼¥Û¥ë¡¿ºäËÜζ°ì¡¿³¥Ìî·ÉÆ󡿥ࡼ¥ó¥é¥¤¥À¡¼¥º¡¿¥¸¥ç¥ó¡¦¥¾¡¼¥ó¡¿¥Ô¡¼¥¿¡¼¡¦¥Ï¥ß¥ë¾
¢£


Ayuo - Sounds Of You
¢£


¡Ö60ǯ¡Á70ǯÂå¡¢¥Ë¥å¡¼¥è¡¼¥¯¤ËÂÚºßÃæ¡¢¤³¤Îǯ¾¯¤Îͧ¿Í¤È¤è¤¯¥í¥Ã¥¯¥³¥ó¥µ¡¼¥È¤Ë¹Ô¤Ã¤¿¡£¤Þ¤À¾®³ØÀ¸¤ÎÄã³Øǯ¤À¤Ã¤¿¤¬¡¢¤½¤ÎÃ챤ÏÀìÌç²È´éÉ餱¡£AYUO·¯¤ÎºÍǽ¤Ë¶²¤¤¤â¤Î¤ò´¶¤¸¤Æ¤¤¤¿¤Ü¤¯¤Ï¡¢¶¸¿Í¤Ë¤Ê¤é¤Ê¤¤¤«¤È¿´ÇÛ¤·¤¿¤¬¡¢Èà¤ÎÍýÀ­¤¬Èà¤òÅ·ºÍ²»³Ú²È¤ËÊѿȤµ¤»¤¿¡£ÆüËܤβ»³Ú¥·¡¼¥ó¤Ï¤â¤Ã¤È¡¢¤â¤Ã¤ÈÈफ¤é¿¤¯¤Î¤³¤È¤ò³Ø¤Ð¤Ê¤±¤ì¤Ð¤Ê¤é¤Ê¤¤¡×²£ÈøÃ駡ÊÈþ½Ñ²È¡Ë

ÂçÂì±Ó°ì ¤¢¤¬¤¿¿¹µû ²£ÈøÃé§
¢£



10/14(Æü) ¡¡14:00³«±é¡Ê13:30³«¾ì¡Ë

¥»¥ë¥²¥¤¡¦¥Þ¡¼¥í¥Õ¡õ´äºêÞ­Æà ¥Ç¥å¥ª¡¦¥ê¥µ¥¤¥¿¥ë
¢£

¥Û¥½¥À¤µ¤ó¥ä¥¹¥ß¤µ¤ó¤È´Ñ¤Ë¹Ô¤¯Í½Äê¡¢



¥·¥ã¥ë¥ë¡¦¥¢¥º¥Ê¥Ö¡¼¥ë
She - Charles Aznavour
¢£

¥³¥¹¥Æ¥í¤¤¤¤¶Ê½ñ¤¯¤Ê¤¢¤È»×¤Ã¤Æ¤¤¤¿¤±¤É¡¢



Re-confirmation ºÆ³Îǧ¤½¤·¤ÆȯŸ / Masabumi Kikuchi Sextet 1970

¡É¥é¥¤¥Ê¡¼¤ÇµÆÃϤ¬Û©¤¯¡Ö²æ¡¹¤Î¼þ°Ï¤Ë¤ª¤¤¤Æ¡¢¤Û¤È¤ó¤É¤Î¥¸¥ã¥º¤Ï²»³Ú¤Î°ÕÌ£¤ò¼º¤¤¤Ä¤Ä¤¢¤ë¡×¡É
¢£



Ë̳¤Æ»¤ÎÀÎ 1
¢£


¾¼Ï½é´ü¤ÎÂçºå¡¡OSAKA JAPAN¡¡About the year 1932
¢£







2018ǯ10·î05Æü(¶â) ¤¢¤¬¤¿¿¹µû You Tube ½¸


¤³¤ì¤«¤é´¨¤¤Åߤ˥¿¥¬¥é¥é¥¸¥ª¤Ï¸þ¤«¤¤¤Þ¤¹¡¢¤ß¤Ê¤µ¤Þ¤Á¤ç¤¤¤È­¤ò¤È¤á¤Æ¡¢»ëÄ°¤·¤Æ¤ß¤Æ¤Ï¤¤¤«¤¬¤Ç¤·¤ç¤¦¤«¤È¡¢¤´°ÆÆ⤤¤¿¤·¤Þ¤¹¤ë¡¢¤ï¤¿¤¯¤·¡¢¸áÁ°4:12¤Ë¤¬¤Ð¤Ã¤ÈÉÛÃĤ«¤éÈô¤Óµ¯¤­¤ÆÄ°¤­¤¿¤¯¤Ê¤Ã¤¿¤Î¤Ç¤´¤¶¤¤¤Þ¤·¤Æ¡¢¿²Æþ¤ê¤Ð¤Ê¤Ë»¥ËÚ¤ÎËå¤È¤ÎLINE¤ÇË̳¤Æ»ÊÛ¡¢

¤ª¤À¤Ã¤Æ¤Þ¡¼¤¹¡¢¤Ï¤ó¤«¤¯¤µ¤¤¤ó¤Ç¤Ê¤¤¤«¤¤¡¢¤·¤¿¤Ã¤±¤·¤ã¡¼¤Ê¤¤¤Ù¤µ¡¢¤Ê¤ó¤âµ¤¤Ë¤¹¤ó¤Ç¤Ê¤¤¡¢¤Ï¡¼¤¢¤º¤Þ¤·¤¤¡¢¤Ê¤ó¤â¤¤¡¼¤Ã¤·¤ç¤ä¡¢¤Ê¤ó¤Þ¤ï¤ä¡¢¤Î¥¹¥¿¥ó¥×ÍðÂǤ˾Ф¤Å¾¤²¤Æ¤Þ¤·¤Æ¡¢

º½Àî¤ÎÊìÊý¤Î¼Â²È¤Î²°º¬Î¢Éô²°¤Ë¤ª¤Ë¤´¤Ã¤³¤ÇÆþ¤ê¹þ¤ß¡¢Æޤꥬ¥é¥¹¤Ë¡Ö¿¹¡×¡Öµû¡×¤È½ñ¤«¤ì¤Æ¤¤¤Æ»þ´Ö¤¬·Ð¤Ã¤¿ÍÍÁê¤Î¡¢¤½¤ì¤¬Æɤ᤿¤Î¤À¤«¤é¾®³Ø¹»2ǯ¤¯¤é¤¤¤À¤«¤é1969ǯ¡¢¤½¤¦¤¤¤¦¤Ò¤È¤Î̾Á°¤¬¤¢¤ë¤Î¤«¤È»×¤Ã¤¿¡¢12ǯ¸å¤ËÂç²ËÏ»·î»á¤È½Ð²ñ¤Ã¤Æ¤¢¤¬¤¿¿¹µû¤Î̾¤òǧ¼±¤·¤¿¤È¤­¡¢¤¢¤¢¡¢



¤¢¤¬¤¿¿¹µû You Tube ½¸


¤¢¤¬¤¿¿¹µû Live! ¡Ö¹Á¤Î¤Î¥í¥­¥·¡¼¡¢ËͤÏÅ·»È¤Â¤ã¤Ê¤¤¤è¡×¡¡Oil in Life Vol.70 ¤è¤ê
¢£

15NX7326 20151123 cubasia ÀÖ¿§¥¨¥ì¥¸¡¼
¢£

¤¢¤¬¤¿¿¹µû1987 ½Õ¤ÎÍò¤ÎÌë¤Î¼êÉʻաù¥Ñ¡¼¥ë¥Ç¥³¥ì¡¼¥·¥ç¥ó¤ÎÄí
¢£

Í뢡֤դé¤à¤­¤ê¤ó¤Î¹»Äí¡×
¢£

Morio Agata - Airplane (1980)
¢£

¡ÚOBK-RECORDS¡Û¤¢¤¬¤¿¿¹µû - À¶±åÌë¶Ê
¢£

¡ÖÂçÆ»·Ý¿Í¡×(»úËëÆþ¤ê)¡¡¤¢¤¬¤¿¿¹µû
¢£

¤¢¤¬¤¿¿¹µû "¥µ¥ë¥Ó¥¢¤Î²Ö" @ DADA ÅòÅÄ 20081217
¢£

¤¢¤¬¤¿¿¹µû - Âô¿¬¥¨¥ê¥«¤Ö¤ë¤¥¡£
¢£

¤¢¤¬¤¿¿¹µû À±¤Î¤Õ¤ë¶¿
¢£

¤¢¤¬¤¿¿¹µû¡¿º´Æ£·É»ÒÀèÀ¸¤Ï¥¶¥ó¥³¥¯¤Ê¿Í¤Ç¤¹¤±¤É
¢£

¤¢¤¬¤¿¿¹µû¡Ö¹ü¡×
¢£

¤¢¤¬¤¿¿¹µû 2000 Live¡¿Àã¥öëÆüµ­
¢£

¤¢¤¬¤¿¿¹µû¡Ö¤¤¤È¤·¤ÎÂèÏ»ÏÇÀ±¡×¥Í¥ª¥ó¥Û¡¼¥ë2014
¢£





¤¢¤¬¤¿¿¹µû¥¤¥ó¥¿¥Ó¥å¡¼ ¿ÌºÒ¸å¤Ë·è°Õ¤·¤¿10ǯ·×²è¤È¥á¥Ã¥»¡¼¥¸
¢£

¤¹¤´¤¤¿¼¤¤¤·¡¢¥í¥Ã¥¯¤·¤Æ¤ë¤·¡¢¤Ê¤Ë¤«¤¬¥«¥Á¥Ã¤È¤ï¤«¤é¤»¤Æ¤¯¤ì¤ë¤è¤¦¤Ê¡¢¥¤¥ó¥¿¥Ó¥å¡¼¡¢¤¤¤Þ¤ß¤Ä¤±¤¿¡¢¸áÁ°6»þ¤Î»þÊó¡¢


2018ǯ10·î04Æü(ÌÚ) ¥¢¥¹¥­¡¼¥¿¡¢2016ǯ¡Ê¡ª¡Ë¤ËÄ°¤¤¤¿10Ëç´ë²è¡¢


¥¢¥¹¥­¡¼¥¿¡¢2016ǯ¡Ê¡ª¡Ë¤ËÄ°¤¤¤¿10Ëç´ë²è¡¢Åê¹Æ¤¢¤ê¤¬¤È¡¼¤Ã¡ª

musicircus¡¡2016ǯ¤ËÄ°¤¤¤¿¡¡10Ëç
Ĺ°æÌÀÆü¹á¡¡Aska Nagai
¢£


¡É2016ǯ¤Ë¤·¤Ä¤³¤¯Ä°¤¤¤¿¡¢¡Ö·«·«Ä°²»³Ú¡×¤Ï°Ê²¼¤Î¤È¤ª¤ê¤Ç¤¹¡£¡É


¤½¤¦¡¢¤¤¤Æ¤â¤¿¤Ã¤Æ¤â¤¤¤é¤ì¤º¤Ë¡¢¤·¤Ä¤³¤¯¡¢·«¤êÊÖ¤·¡¢·«¤êÊÖ¤·¡¢²»³Ú¤òÄ°¤¯¡¢»þ´Ö¤Î¤¿¤á¤Ë¡¢¤ï¤¿¤·¤¿¤Á¤Ï¼Ò²ñ¤Î¥ë¡¼¥ë¤Ë»ÅÊý¤Ê¤¯½¾¤Ã¤¿¤ê¾¤ÎÍß˾¤ò¤Ê¤ó¤È¤«¼Ò²ñ²½¤µ¤»¤ÆÀ¸Ì¿¤ò°Ý»ý¤·¤Æ¤¤¤ë¡¢¤Î¤Ç¤´¤¶¤¤¤Þ¤¹¡¢


¤¢¤Ã¤·¤Î¡¢±§Â¿ÅÄ¥Ò¥«¥ë¡Ö½éÎø¡×¤Ë¤Ä¤Å¤¯¡¢º£¤Î¡Ö·«·«Ä°²»³Ú¡×¤Ï¤³¤ì¤Ç¤¹¡¼¡¢

Slappy & Kogane - Heartfelt
¢£

¤Á¤ç¤Ã¤È¤¤¤¤¤Ê¡¢¤«¤é¡¢Ç¾Æ⥢¥É¥ì¥Ê¥ê¥ó½Ð¤Þ¤¯¤êÌÑÁ۷ϾõÂ֤ˤʤë¤Þ¤Ç¡¢¤Î¼«Ê¬¤Î¿ÈÂΤϤޤµ¤Ë¥Ñ¥ó¥Ç¥ß¥Ã¥¯¡¢´¶³ÐŪ¤Ë¤Ï Chappie ¡ÖWelcoming Morning¡×1999 °ÊÍè¡¢20ǯ¤Á¤«¤¯¡¢ÂԤäƤ¿¤è¡ª¡¢

¤³¤Î£Í£Ö¤Î¿À¼Ò¤È¥¢¥Ë¥á¾¯½÷¤Î¥¤¥á¡¼¥¸¤Ë¤ä¤é¤ì¤Æ¤¤¤ë¤À¤±¡¢¤Ç¤Ï¤Ê¤¤¡¢¥µ¥¦¥ó¥É¤Î²»¿§¤ÈÍɤ餮¡¢

¥À¥ó¥¹/¥¨¥ì¥¯¥È¥í¥Ë¥Ã¥¯Ê¬Îà¤é¤·¤¤¡¢
1989ǯ¤Ë 808 State "Ninety"¤òÄ°¤¤¤Æ

808 State Ninety
¢£
¥Æ¥¯¥Î/¥Ï¥¦¥¹¤Ê¤Î¤±¡©âÁÚô¤¬¤¹¤ë¤¯¤é¤¤Ä°¤­¤Þ¤¯¤Ã¤Æ¤ª¤ê¤Þ¤·¤¿¤Î¡¢



¤³¤ì¤ò1¶ÊÌܤˤ·¤Æ¡¢ÊÔ½¸£Ã£Ä£Ò¤ò´Ý°ìÆü¤«¤±¤Æ¡¢±«¤Ê¤ó¤Ç¡¢

¤É¤Î¥È¥é¥Ã¥¯¤â´ÕÄê½ñ¤Ä¤­¤Î°ìµéÉʤǤ以À¥ó¥Ê¡¢¤Ê¤É¤È¸À¤¦¡¢¤Ä¤â¤ê¤Ç¤´¤¶¤¤¤Þ¤¹¡¢¼ýÏ¿¶Ê¤Ï¸ß¤¤¤Ë¸ß¤¤¤ò»Ù¤¨¤ë¤è¤¦¤ËÀ±ºÂ¤òÀ®¤·¤Æ¤¤¤ë¡¢


01 Heartfelt / Slappy, Kogane 2018
02 Previously (feat. Anna Wiebe, Japanese Wallpaper & CLLLAPS) 2018
03 ¤½¤ÎÀþ¤Ï¿åÊ¿Àþ Ver.2 / ¤¯¤ë¤ê 2018
04 Don't Think Twice, It's All Right / Bob Dylan 1963
05 Where The River Goes / Wolfgang Muthspiel, Ambrose Akinmusire, Brad Mehldau, Larry Grenadier, Brian Blade 2018
06 Bedtime Story / À¾Ì¥Ê 2018
07 Everybody's Got Something To Hide Except Me And My Monkey / The Beatles 1968
08 Shine We Are! / Boa 2004
09 Why Didn't You Stop Me? / Mitski 2018
10 Only You / The Flying Pickets 1984
11 ¤Æ¤Õ¤Æ¤Õ¤â¤Ä¤ì¤Ä¤Ä¤«¤²¤Ò¤Ê¤¿ / Rosco 2016
12 Mystery of Love / Sufjan Stevens 2018
13 The Lights / Little Simz from A Curious Tale of Trials + Persons 2015
14 Toy Balloon (For Little Anna-Rebecca) / Bert Jansch 1998
15 Suspirium / Thom Yorke 2018
16 Grand Beach (Kogane Remix) / swim good now, Kogane 2018
17 ½éÎø / ±§Â¿ÅÄ¥Ò¥«¥ë 2018
18 Me And Bobby McGee / Janis Joplin 1971


¤ª¡¼¡¢¤³¤Î¥¯¥ª¥ê¥Æ¥£¤ÎÊÔ½¸£Ã£Ä£Ò¤òºî¤Ã¤Æ¡¢
¥Ý¥±GO¤â¤ä¤é¤º¡¢
¥¹¥ê¥»¥ê¥ª£Ð£Ã¥²¡¼¥à¤â¤ä¤é¤º¡¢
¥¢¥á¥Ð£Ô£Ö¤ÇËã¿ý¥Á¥ã¥ó¥Í¥ë¤ò´Ñ¤Æ¤¦¤Ä¤Ä¤òÈ´¤«¤·¤¿¤ê¤»¤º¤Ë¡¢
¤É¤Ã¤×¤ê²»³Ú¤òÄ°¤¤¤Æ¤¤¤ë¤È¤¤¤¦¤Î¤Ï¡¢À乥Ĵ¤Ê¤ó¤À¤¼¡¼¡¢




2018ǯ10·î03Æü(¿å) All About Jazz ¤Ç±×»ÒÇîÇ·¤¬µ­»ö¤Ë¡ª Meet Hiroyuki Masuko


All About Jazz ¤Ç±×»ÒÇîÇ·¤¬µ­»ö¤Ë¡ª


Tessa Souter Thank you for being our FIRST INTERNATIONAL super fan! See you in Tokyo later this month!

¤³¤ÎÏ¢ºÜ¤ÇºÇ½é¤Î³¤³°¡É¥¹¡¼¥Ñ¡¼¡¦¥Õ¥¡¥ó¡É¤È¤Î¤³¤È¡¢

¤³¤Ê¤¤¤À¤Îµ­»ö
¡Ö¤Ò¤¿¤¹¤é²»³Ú¤ò³Ú¤·¤ß¤¿¤¤¡×
¢£

¤Ë³¤¤¤Æ¡¢Á´ÊƤΥ¸¥ã¥º°¦¹¥²È¤¬±×»ÒÇîÇ·¤òÃΤ뤳¤È¤Ë¤Ê¤Ã¤¿¡¢

¤ä¤¬¤ÆÈà¤Î¼ª¤¬²¿¤ò¹â¤¯É¾²Á¤·¤Æ·Ç¤²¤Æ¤­¤¿¤«¤òÀ¤³¦¤ÏÃΤ뤳¤È¤Ë¤Ê¤ë¤À¤í¤¦¡¢


Meet Hiroyuki Masuko
¢£


My tastes in food, much like my tastes in music, are not the most traditional or popular. —Hiroyuki Masuko


Although the Super Fans column started out with a New York focus, we realize there's a world of jazz—and jazz fans—beyond. Since those first columns in 2016, we've presented Super Fans from across the United States, including some who live part-time in other countries. But now we've officially gone international, with our first Super Fan from Japan. Hiro may enjoy rock music as much as he does jazz, but he was so blown away by his first visit to New York in 2002 that he's been making an annual pilgrimage to the city ever since—taking in three or four jazz shows a night! We think that makes him pretty super. 

Tell us a bit about yourself.
I was born in the southeastern side of Tokyo in 1965, where I grew up and still live. I majored in the history of political theory at university, studying with a professor who specialized in Weimar culture and the Frankfurt school. But I chose philosophy of science as the subject of my graduation thesis. 

I had a job in advertising and marketing for thirty years until I got fed up with pretending worthless things are worthwhile. I came to think that the problems faced by Japanese local communities and governments are more important, so I moved to the company's Department of Regional Revitalization, which aims to support the increasing population inflow through branding, promotion, or development of tourism resources and products. 

I often drive out of Tokyo to go to museums. I gradually developed an interest in modern art through the many album covers that use it. However, I'm not familiar with its history and background. 

I also like eating out—meals that cannot be eaten at home. I especially like peculiar tastes such as organ meats, wild meats, or fermented foods. My tastes in food, much like my tastes in music, are not the most traditional or popular. 

What's your earliest memory of music? 
My mother always played FM radio at home, because she thought it was good for my emotional education. But despite hearing so much Japanese, American, and British pop music, I never got interested in music until the age of ten, when I fell in love with the Beatles. 

What was the first concert you ever attended? 
When I was seven or eight years old, my mother took me to a public recording of a TV program called The Orchestra Has Come. A famous composer, Naozumi Yamamoto, was the MC of the show. But it was nothing more than boring for me. 

How old were you when you got your first record? 
When I was ten years old, The Bay City Rollers became explosively popular in Japan. They were compared to the Beatles, but I preferred the Beatles. I got an EP, a seven-minute version of "Hey Jude," and was obsessed with the latter half of the refrain. I don't know why. 

Was there one album or experience that was your doorway to jazz? 
It wasn't one thing. I was a British rock fan in my teens. But after post-punk and New Wave, unfortunately, there was only "arena rock" or "stadium rock" on MTV. I was looking for more exciting music. Then I discovered the Japanese band, Mariah, led by Yasuaki Shimizu; the band also included jazz musicians, and I began listening to their jazz recordings as well. 

Then in college I played electric bass. I was in the rock society, and the jazz society's room was next to ours. One of the jazz society members, who played alto saxophone, lived next to one of my band mates, and we started a band together. After graduation, he became a professional tenor saxophonist. We also exchanged favorite albums with each other, and I got to listen to Miles Davis, John Coltrane, Charles Mingus, et al. I was very impressed that they were more intelligent and technically advanced than the prog rock musicians I'd been listening to. 

How long have you been going out to hear live music? 
I was not sociable in my youth, so I didn't want to go out to hear live music. And I hated flying, and could not speak English well, so I'd been unable to go abroad. All that changed in June 2002. My girlfriend at that time really wanted to visit New York at any cost, and would not yield, so I had no choice but to obey. 

When we were walking along Seventh Avenue, we saw a banner outside Carnegie Hall that said: "Joao Gilberto, the first New York show in 30 years!" It felt like my destiny, and I ran into the box office. The only the seats left were on the far right in the front row, but I bought tickets immediately. 

There are no words to express how moved I was by his music. And since I thought I would never come back to New York again, I made sure to go to the Village Vanguard as well. 

Kurt Rosenwinkel's Quartet with Ethan Iverson, Ben Street, and Jeff Ballard was there. Not only did I not know them at all, I never heard of jazz like that until then. So I decided to visit New York every year, just to hear live music. And I began to hear live music frequently in Tokyo, too.

How often do you go out to hear live music? 
Two or three times a month in Tokyo. Three or four concerts a night when I'm in New York. If in doubt, please take a look at my Facebook. 

What is it about live music that makes it so special for you? 
Witnessing the moment music is born. Each one of them is once-in-a-lifetime experience. 

What are the elements of an amazing concert? 
Good musicians, good audience, welcoming staff, and no distractions to prevent me from concentrating on the music. 

What is the most trouble you've gone to, or the farthest you've traveled, to get to a jazz performance? 
Every time I go to New York. 

Is there one concert that got away that you still regret having missed? 
In June 2006, my flight to New York was delayed five hours. Even though I went straight to Tonic by taxi from Newark, without checking in at the hotel, I could not make it in time for the concert of Jim Black's AlasNoAxis. Since then, I've never had another chance to hear AlasNoAxis play. 

If you could go back in time and hear one of the jazz legends perform live, who would it be? 
Lennie Tristano. If possible, with Lee Konitz, Warne Marsh, and Paul Motian. Because I think their music is more connecting to jazz in the new century than bebop is. 

What makes a great jazz club? 
I have so many favorite clubs. Cornelia Street Café, the 55 Bar, the Jazz Gallery, Shapeshifter Lab, Korzo, Ibeam, Bar Lunatico, Owl Music Parlor, to name a few. On the other hand, many clubs have closed. 

Which club(s) are you most regularly to be found at? 
In New York, maybe Cornelia Street Café, the 55 Bar, or the Jazz Gallery. In Tokyo, maybe Apollo, Pit Inn, or Cotton Club. 

Is there a club that's no longer around that you miss the most? 
The [original] Stone at the corner of Avenue C and 2nd Street. I miss the intimate atmosphere, for artists and audience, of its locale and the underground dressing room. The The Stone's new location [at New York University] feels more academic, due to the environment and the large quiet room. 

Do you have a favorite jazz anecdote? 
In June 2005, I heard the Paul Motian Trio 2000 + One at the Village Vanguard. After the concert, I went over to talk to Chris Potter while Motian and Potter were talking. Motian was furious at the interruption. I couldn't understand his words, but I knew he was angry, so I apologized, and eventually I helped Potter take Motian's drum set upstairs and load it into his car. It turned into a good memory. 

How do you discover new artists? 
Artists playing with my favorite artists, and artists recommended by my favorite artists. 

Vinyl, CDs, MP3s?, streaming? 
I have over 1000 vinyl records, but I usually listen to CDs. Lately, there are more albums being released as downloads only. Will I have to adopt digital audio soon? I don't like headphones or earphones. 

If you were a professional musician, which instrument would you play? 
I took up the guitar at twelve and switched to bass in college, but I don't want to be a professional musician anymore. It is too much work, and I realize that I'm not talented enough to do it professionally. 

What's your desert island disc? 
I have so many favorites it would be hard to choose only one, or even two or three. If I have to choose one, it is "The Beatles Box." Is that a violation of the rules? Every time I listen to it there are new discoveries. 

What do you think keeps jazz alive and thriving?
The musicians who want to keep jazz alive, and the people who want to hear them. 

Finish this sentence: Life without music would be...
It don't mean a thing...





2018ǯ10·î02Æü(²Ð) ¹â¶¶Íª¼£¤Î76ǯ¤È04ǯ¤Î¥´¥ë¥È¥Ù¥ë¥¯¡¢




¡Ê£±¡Ë

Ê¿ÏÂÂæ±ØÁ°¤Î¤¢¤æ¤ß¥Ö¥Ã¥¯¥¹¡¢ÅÄÊÁ¤Îʸ²½È¯¿®µòÅÀ¡¢¤ò¡¢¼é¤é¤Ê¤±¤ì¤Ð¤Ê¤é¤Ê¤¤¡¢¤¬¡¢

ÅòÀõ³Ø¡ØÂç²»³¤¡Ù(ele-king books)¢£¤È¡¢
ÀÄÌø¤¤¤º¤ß¤³¡Ø¹â¶¶Íª¼£¤È¤¤¤¦²øʪ¡Ù(²Ï½Ð½ñ˼¿·¼Ò)¢£
¤Îɽ»æ¤ò¼Ì¥á¤·¤Æ¤¯¤ë¤³¤È¤·¤«º£¤Ï¤Ç¤­¤Ê¤¤¡¢Ëܲ°¤Ç¤½¤²¤Ê¤³¤È¡¢Ëܲ°¤Ç¥Ý¥±GO¤¹¤Ê¡¢¥Ý¥±GO¡¢


¹â¶¶Íª¼£¤Î£Ã£Ä¡¢¡Ø¤á¤°¤ëµ¨Àá¤È»¶¤é¤·½ñ¤­¡¡»Ò¤É¤â¤Î²»³Ú¡Ù2017¡¢¡Ø;±¤¤È¼ê°Ü¤ê¡Ù2018¡¢¼ª¤¬Î¥¤»¤Ê¤¤¡¢½Ö´Ö¤ËÆæ¤È¶²Éݤ¬¡¢¤¤¤Ä¤³¤Î½Ö´Ö¤¬½ª¤ï¤Ã¤Æ¤·¤Þ¤¦¤«¤ï¤«¤é¤Ê¤¤¤è¤¦¤Ê¡¢

¡ØÂçÅĹõ¸µÍº¤Î¥Ô¥¢¥Î ¡½100ǯ¤Î;±¤¡½¡Ù2016¤Ç¹â¶¶Íª¼£¤ÈÀÄÌø¤¤¤º¤ß¤³¤ÎϢ̾ºîÉÊ¡¢¡Ö¥é¡¦¥á¡¼¥ë¡¦¥í¥¢¡×¤Ç¤ÏÏ¢ÃƤ·¤Æ¤¤¤ë¡¢¥Ô¥¢¥Î¤Î²»¤¬Æüì¤Ê´¶¤¸¡¢¤³¤Á¤é¦¤Î¼õ¿®¤¬»î¤µ¤ì¤Æ¤ë¡¢


¡Ø¹â¶¶Íª¼£¤È¤¤¤¦²øʪ¡Ù(²Ï½Ð½ñ˼¿·¼Ò)¡¢Ì¾Ãø¤È¤ÎɾȽ¤À¡¢¤Ï¤ä¤¯Æþ¤ì¤í¸÷¤¬µÖ¿Þ½ñ´Û¡¢


¹â¶¶Íª¼£¤Î76ǯ¤È04ǯ¤Î¥´¥ë¥È¥Ù¥ë¥¯¡¢¤¤¤Þ¤À¤È¤­¤á¤¯¡¢Ä°¤­Èæ¤Ù¤¹¤ë¤¾º£Ìë¤Ï¡¢

musicircus ËÙÆ⹨¸ø¤Î¥ì¥Ó¥å¡¼
¢£
¡ÖÁ´¶ÊÌó37ʬ¤Î²÷®¤ÇÈô¤Ð¤·¤¿1976ǯ¤ÎÁ°²óÏ¿²»¡£¥¹¥Ô¡¼¥É¤Ï¿ä¿ÊÎϤȤÏ̵±ï¤Î¤Þ¤Þ¡¢Ç˺դµ¤ì¤¿¥¬¥é¥¹ÊÒ¤¬ÀŻߤ·¤¿»þ´ÖÆâ¤Ë¡Ö¥Ð¥Ã¥Ï¤Î²»Éä¤Î»Ñ¡×¤ÇÃèÄߤê¤Ë¤µ¤ì¤Æ¤¤¤¿¡£¤½¤·¤Æ28ǯ¤ò·Ð¤Æ¤ÎºÆÏ¿²»¡£90ǯÂå°Ê¹ß¤Î¹â¶¶Íª¼£¤òÄ°¤­Â³¤±¤Æ¤­¤¿¼Ô¤Ê¤é¤ï¤«¤ë¤è¤¦¤Ë¡¢¤¤¤Þ¤ä¡¢¤«¤ì¤Ï²»³Ú¤ò²»¤Î¹½Â¤¤Î¤Ê¤«¤Ëµá¤á¤Æ¤Ï¤¤¤Ê¤¤¡£¤¿¤È¤¨¤Ð¡¢¿ÈÂΤ¬½É¤·¤Æ¤¤¤ë³Ú´ï¤ä²»¤È¤Î½Å¾ö¤·¤¿´Ø·¸À­¡£¤¢¤ë¤¤¤Ï¡¢À¸¤Þ¤ì¡¢¾Ã¤¨¤µ¤ë²»¤¬Ã©¤ë¡Ö¾ì¡×¤Îµ¤ÇÛ¡¢¤½¤³¤Ë¤è¤ê¤½¤¦Àº¿À¤ÎºîË¡¤Ë¤è¤Ã¤ÆÀ®Î©¤¹¤ë²»³Ú¤Î¤«¤¿¤Á¡£¤À¤«¤é¡¢º£²ó¤Î¥Ð¥Ã¥Ï¤Ç¤â¡¢¤Þ¤ºÇ½Î¨Åª¤Ê±¿»Ø¤¬µ¿Ìä¤ËÉÕ¤µ¤ì²òÂΤµ¤ì¤ë¡£¤Ä¤®¤Ë¡¢ÍýÁÛŪ¤Ê²ò¼á¤ò¤á¤¶¤·¤¿ÅÐÚµ¤ÎÈÝÄê¡£¤¤¤Ä¤À¤Ã¤Æ¡¢²ò¼á¤Ï¸åÉÕ¤±¤Î¹Ô°Ù¡£¤½¤¦¤Ç¤Ï¤Ê¤¯¡¢¥Ð¥Ã¥Ï¤È¤¤¤¦¡Ö¾ì½ê¡×¤Î¤Ê¤«¤Ç¡¢¤Ç¤­¤ë¤«¤®¤êµ­²±¤âͽ´¶¤âÅꤲ¼Î¤Æ¤Æ¡¢½Ö´ÖŪ¤Ê½Ð°©¤¤¤ÈÁÓ¼º¤ÎÏ¢º¿¤òÌ£¤ï¤¤¤Ê¤¬¤é¡¢°ìÊ⤺¤ÄÁ°¤Ë¿Ê¤à¤³¤È¡£¤½¤³¤Ë¸½¤ì¤Æ¤¯¤ë·Ê¿§¤ä´¶Æ°¤¬¡¢µ¬ÈϤǤ¢¤ëɬÍפϤ٤Ĥˤʤ¤¡£¡×

̾ʸ¤À¡¢



¡Ê£²¡Ë

9·î1Æü¤Ë¹¹¿·¤µ¤ì¤¿ Jazz Tokyo ¤Ç¡¢¥È¡¼¥Þ¥¹¡¦¥¹¥¿¥ó¥³ÄÉÅé¤ò¥Ý¥¹¥È¤·¤Æ¤¤¤¿¤Î¤À˺¤ì¤Æ¤¿¡¢
¢£

Tomasz Stańko – trumpet Tomasz Szukalski – tenor saxophone, soprano saxophone Palle Danielsson – contrabass Edward Vesala – drum

²û¤«¤·¤¤¥Ç¥£¥¹¥¯¥æ¥Ë¥ª¥ó¿·½ÉŹÃϲ¼¥¸¥ã¥ºÇä¤ê¾ì¤Îº¸Â¦¤Î²¤½£¥ì¡¼¥Ù¥ë¥³¡¼¥Ê¡¼¤Ç¡¢¥É¥­¥É¥­¤·¤Ê¤¬¤éÇã¤Ã¤¿¤³¤Î¡ØAlmost Green¡Ù¤Ê¤ó¤«¤¬¡¢¥ô¥§¥µ¥é°¦¹¥¤Î¾®À¸¤È¤·¤Æ¤Ï¤¿¤Þ¤é¤Ê¤¤¡¢



¡Ê£³¡Ë

»°Á±¹¸¡§»¥ËÚ¥ª¥ê¥ó¥Ô¥Ã¥¯¥Õ¥¡¥ó¥Õ¥¡¡¼¥ì
¢£


»¥ËÚ¥ª¥ê¥ó¥Ô¥Ã¥¯¡¡¥¸¥ã¥ó¥×¡¡³Þ롦¡¦¡¦
¢£


Áɤ룸­Ð¥Õ¥£¥ë¥à¤è¤ê¡¡¾¼Ï£´£¹Ç¯£µ·î»£±Æ¡¡¡Á²û¤«¤·¤ÎË̳¤Æ»¡Á¡Ê¾å¡Ë
¢£


Ë̳¤Æ»º½Àî»Ô¤ÎÇѹ»¡ÚHDR¥¹¥é¥¤¥É¥·¥ç¡¼¡Û
¢£





2018ǯ10·î01Æü(·î) ¥È¥ê¥¹¥¿¥ó¡¦¥ß¥å¥é¥¤¥æ(Tristan Murail, 1947/3/11 - ) ¤òÄ°¤¯¡¢


¤³¤Ê¤¤¤À¤Ï Spotify ¤Ë¤¢¤Ã¤¿¡¢
¥¸¥§¥é¡¼¥ë¡¦¥°¥ê¥¼¡¼(Gérard Grisey, 1946/6/16 - 1998/11/11)¤ÎÇܲ»²»¶Á¤òÂåɽ¤¹¤ë¶Ê¡Ö²»¶Á¶õ´Ö Les Espaces Acoustiques¡×
¤òÄ°¤¤¤¿¡¢

¤½¤â¤½¤â¥¹¥Ú¥¯¥È¥ë³ØÇɤʤë¤â¤Î¤Ï¡¢¥¿¥À¥Þ¥¹¤Ç¤«¤±¤¿Èפδñ̯¤Ë¿´ÃϤ褤¶Á¤­¤¬È¯Ã¼¤Ç¤·¤¿¡¢
Saturated Colour / Erik Hove Chamber Ensemble
¢£ »îÄ°¤¢¤ê¤Þ¤¹



¥È¥ê¥¹¥¿¥ó¡¦¥ß¥å¥é¥¤¥æ(Tristan Murail, 1947/3/11 - ) ¤òÄ°¤¯¡¢
¡Ø Gondwana, Désintegrations, Time & Again ¡Ù

¡É¥Õ¥é¥ó¥¹È¯¥¹¥Ú¥¯¥È¥ë³ØÇɤε𾢥ߥå¥é¥¤¥æ¤ÎÂåɽºî¡£¸½Âå²»³Ú¤ò¸ì¤ë¾å¤Ç·ç¤«¤»¤Ê¤¤°ìËç¡É
¡ÉÄ°¤¯¿Í¤Ï¥¹¥Ú¥¯¥È¥ë³ØÇɤؤÎͽÈ÷Ã챤ò°Ê¤Ã¤ÆÎפà¤Ù¤·¡É
¡ÉÃ챤ò¤â¤Ã¤ÆÎפà¤È¡¢¼Âºß¤·¤Ê¤¤¾â¤¬¤¢¤¿¤«¤â¤½¤³¤ÇÌĤäƤ¤¤ë¤è¤¦¤Ê¡¢²»¤Î¼Â¸¤òÌ䤤¤«¤±¤Æ¤¯¤ëÉԻ׵ĤÊÄ°¼è´¶³Ð¤òÌ£¤ï¤¨¤ë¡É
¥¢¥Þ¥¾¥ó¥ì¥Ó¥å¡¼

»²¹Íµ­»ö
¢£

Gondwana (1980)
Désintegrations (1983)
Time & Again (1986)

¤À¤ó¤À¤ó¸½Âå²»³ÚËÜÀþ¤Ë¶á¤¯¤Ê¤Ã¤Æ¤¤¤¯¡¢¤È¤¤¤¦¤«¡¢¥¹¥Ú¥¯¥È¥ë³ØÇɤθ»Àô¤«¤éŸ³«¤·¤Æ¤¤¤¯¤è¤¦¤ËÄ°¤¤¤¿¡¢


¥È¥ê¥¹¥¿¥ó¡¦¥ß¥å¥é¥¤¥æ¡ÖÌ´¡×
¢£
¡Ê´É¸¹³Ú¡Ë¥¯¥é¥ó¥°¥Õ¥©¥ë¥à¡¦¥¦¥£¡¼¥ó ¡Á¥É¥¤¥Ä¡¦¥¦¥£¥Ã¥Æ¥ó¡¦¥Æ¥¢¥¿¡¼¥¶¡¼¥ë¤Ç¼ýÏ¿¡Á ¡Ê2014ǯ5·î11Æü¡Ë



¾â¤Î²»¤ò²»¶Á²òÀϤ·¤¿¼êË¡¡¢¤È¤¤¤¨¤ÐÂãÉÒϺ¤¬NHKÅŻҲ»³Ú¥¹¥¿¥¸¥ª¤ò»È¤Ã¤ÆƱ¤¸¼êË¡(¥«¥ó¥Ñ¥Î¥í¥¸¡¼¡¦¥¨¥Õ¥§¥¯¥È)¤ò»î¤ß¡¢¡ØÞºÜѸò¶Á¶Ê¡Ù(1959)¡¢Èæ³Ó¤·¤Æ¤Ï¤¤¤±¤Ê¤¤¡¢¤¬¡¢Ä°¤­¤¿¤¯¤Ê¤ë¤ï¡¢

ÂãÉÒϺ ¡Ý ÞºÜѸò¶Á¶Ê¡¡ÒØè¸Íå¸ò¶Á¶Ê¡¡¡¡³°»³Íº»°¡¡»³ÅÄ°ìͺ¡¡£Î£È£Ë¸ò¶Á³ÚÃÄ
¢£


¡ÚÄɵ­¡Û

¤Î¤À¤á¥«¥ó¥¿¡¼¥Ó¥ì18´¬¤Ç¤Î¡¢¥ª¥¯¥ì¡¼¥ëÀèÀ¸¤Î¥ì¥Ã¥¹¥ó¶Ê¡¢
¡Ö¥È¥ê¥¹¥¿¥ó¡¦¥ß¥å¥é¥¤¥æºî¶Ê¤Î¥Þ¥ó¥É¥é¥´¡¼¥ë¡×¡¢³¨Áü¤âÁ¯ÌÀ¤Ëµ­²±¤·¤Æ¤ë¡ª¤È¥Û¥½¥À¤µ¤ó¤«¤é¤´Ï¢Íí¤¤¤¿¤À¤¯¡¢

±ÊÌî±Ñ¼ù¤Î£Ã£Ä¡Ø¥é¡¦¥Þ¥ó¥É¥é¥´¡¼¥ë 20À¤µª¥Õ¥é¥ó¥¹²»³ÚºîÉʽ¸¡Ù¤Þ¤ÇÇä¤ì¤Æ¡¢¥Ö¡¼¥ì¡¼¥º¡¢¥á¥·¥¢¥ó¡¢¥Ç¥å¥Æ¥£¥æ¡¼¤â¹­¤¯Ä°¤«¤ì¤¿¤È¤¤¤¦¡¢
¡Ê¤µ¤Ã¤½¤¯ÎýÇ϶è¸÷¤¬µÖ¿Þ½ñ´Û¤ËͽÌ󤻤ê¡Ë

T. Murail - La Mandragore (1993)
¢£



¤Î¤À¤á¥«¥ó¥¿¡¼¥Ó16´¬¤Ç¡¢À¤³¦Åª¤Ê»Ø´ø¼Ô¥·¥å¥È¥ì¡¼¥¼¥Þ¥ó¤¬¡Ö»°Ë§¤Î¡Ø¤¤¤âÎø¡Ù¿©¤Ù¥¿¥¤¡×¤È¶«¤ó¤Ç¤¤¤¿¡Ö¤¤¤âÎø¡×

¤Î¤À¤á¤ÇÏ¢ÁÛ¤¹¤ë¤Î¤Ï¤½¤ì¤·¤«¤Ê¤«¤Ã¤¿¤ê¤·¤ë¤ï¤·¡¢





Niseko-Rossy Pi-Pikoe ¡ÃÊÔ½¸£Ã£Ä£Ò´¨»³½¦ÆÀ¸ò´¹²ñ ¡Ãmusicircus

MyÄɲÃ